How to Setup OMS Studio Patches (1997) - House of Synth

More documents

Recommendations

Info

SEQUENCING PATCH CHANGESYou can switch Studio Patches from an OMS-compatible MIDIsequencer.If Studio Patches is installed, OMS always adds a device called“Studio Patches pgm chg” to your Studio Setup document. You cansend program changes to this device on MIDI channel 16 to changethe current Studio Patch. The main purpose of this device is to letyou sequence Studio Patch changes from a sequencer. To do so: Launch an OMS-compatible sequencer. Choose the “Studio Patches pgm chg” device as the record sequence’s MIDIdestination. Record MIDI program changes into the sequencer. Play back the sequence. Studio Patches will change with each MIDI Programchange.PATCH EDIT WINDOWThis section discusses the terminology and techniques for workingwith Patch Edit Windows.OPENING APATCH EDITWINDOWSelect a patch and choose Patch>Edit Patch, or double-click its selectordot. A Patch Edit Window will open.Figure 8: Empty Patch Edit WindowPATCH EDITWINDOWTERMINOLOGYModule IconsPatch Editing AreaModulesConnections (all the connections in the patch editingarea comprise one “patch.”)Figure 9: Anatomy of a Patch Edit WindowCh 1: Studio Patches Introduction - 9 - Studio Patches Manual
Figure 9 illustrates a basic Patch Edit Window. The window containsa row of module icons across the top of the screen. Each of theseicons represents a MIDI Source, MIDI Destination, or MIDI Processingmodule. The row of module icons is called a module palette. Thepatch editing area contains “connections,” each of which comprises aMIDI Source module and all modules connected to its right. Anyamount of MIDI processing can be applied to any connection. Apatch is made up of all the connections in the patch editing area. IMPORTANT: Since most sequencers control MIDI thruing (routing)from within the application, it’s useful to keep patch #1 as an “empty”or “do nothing” patch for use with sequencer programs.CREATINGCONNECTIONSThis section discusses the techniques needed to create connections.Don’t worry if you don’t understand the function of each module,they’ll be discussed in Chapter 2: Patch Modules. Click the leftmost module icon in the module palette.This is the MIDI Source (or controller) icon. When you click it, its name is shown tothe right of the module palette. Move the cursor into the patch editing area.The cursor becomes a MIDI Source module icon. Click in the patch editing area to create an undefined connection.A connection appears as a selector dot along with some number of connectedmodules. Every connection needs both a MIDI Source and a MIDI Destinationmodule (MIDI Source and Destination modules are explained in Chapter 2: PatchModules). When a MIDI Source module is first placed in the patch editing area,Ch 1: Studio Patches Introduction - 10 - Studio Patches Manual
Page 1 and 2: OPCODEOMS Studio Patches
Page 3 and 4: Ch 6: Patch Sequences 66Creating/Ed
Page 5 and 6: Patches are strictly real-time, liv
Page 7 and 8: PATCH DOCUMENTWINDOWTERMINOLOGYWhen
Page 9 and 10: MAKING PATCHDOCUMENTSCURRENTChoose
Page 11: Patches can also be cut to the Clip
Page 15 and 16: Click the Velocity Modifier module
Page 17 and 18: COPYING/PASTINGMODULES ANDCONNECTIO
Page 19 and 20: CH 2:PATCH MODULESThis chapter desc
Page 21 and 22: MIDI DESTINATION MODULEFigure 19: M
Page 23 and 24: Most message types are self-explana
Page 25 and 26: channel, Studio Patches allows both
Page 27 and 28: Assume, for example, that your Stud
Page 29 and 30: CHANNELSPLITTER MODULEFigure 37: Ch
Page 31 and 32: The edit window contains one line f
Page 33 and 34: TRANSPOSER MODULEFigure 45: Transpo
Page 35 and 36: CHOOSINGBETWEEN ASIMPLE OR MAPTRANS
Page 37 and 38: Figure 52: Simple S-Curve Modifier
Page 39 and 40: CONTROL VALUEMODIFIERDouble-click t
Page 41: CH 3:VIRTUAL CONTROLLERS ANDVIRTUAL
Page 44 and 45: All of the modules and connections
Page 46 and 47: Let’s look at an example showing
Page 48 and 49: You’ll see that the Virtual Instr
Page 50 and 51: USING VIRTUALINSTRUMENTSWITH VISION
Page 52 and 53: • You wish to have a sound made u
Page 54 and 55: CH 4:PROGRAM CHANGESOURCESUse the P
Page 56 and 57: Choose a MIDI source from the MIDI
Page 58 and 59: EDITING THEENABLE STUDIOPATCH CHANG
Page 60 and 61: EDITING THEPATCH CHAINCONTROLSMODUL
Page 62 and 63:
PATCH CHAIN EDIT WINDOW TERMINOLOGY
Page 64 and 65:
You may not make changes directly t
Page 66 and 67:
CHANGING THE PATCH DOCUMENTIf the P
Page 68 and 69:
USING THE“CHANGINGPATCHES SETSCUR
Page 70 and 71:
The seven buttons across the top of
Page 72 and 73:
THE SYSTEM EXCLUSIVE EVENTTo edit a
Page 74 and 75:
There are two ways to send an All N
Page 76 and 77:
DEFINING THE ENDSEQUENCEYou’ll ne
Page 78 and 79:
BANKA collection of patches stored
Page 80 and 81:
Patch Name Document column: This co
Page 82 and 83:
CURRENT AND MISSING DOCUMENTSFigure
Page 84 and 85:
Show Channels is a toggle whose val
Page 86 and 87:
OMS also provides Factory Name docu
Page 88 and 89:
A Patch Name Editor opens for that
Page 90 and 91:
Note Name Indicator: The OMS Name M
Page 92 and 93:
COPY NAME LISTChoose Copy Name List
Page 94 and 95:
For example: General MIDI devices h
Page 96 and 97:
Patch prefixes can be entered in th
Page 98 and 99:
• The Name Browser. This is a mor
Page 100 and 101:
BROWSER MENUFigure 143: Browser Men
Page 102 and 103:
Documents that can’t be found are
Page 104 and 105:
SAVE AND MAKECURRENTLike Save (abov
Page 106 and 107:
REBUILD ALLChoose this command to r
Page 108 and 109:
CH 9:PATCH IDEASThis chapter contai
Page 110 and 111:
IMPROVEDVOLUME PEDALYou can improve
Page 112 and 113:
ONE FINGER CHORDSTo ease the pressu
Page 114:
PATCHES DON’T WORK—MIDI SOURCE
show all

How to Setup OMS Studio Patches (1997) - House of Synth

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?