How to Setup OMS Studio Patches (1997) - House of Synth

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MIDI SOURCE MODULEFigure 18: MIDI Source ModuleAs its name implies, a MIDI Source module represents a source ofMIDI data. Use the MIDI Source module to choose which device’sMIDI output you wish to route to other devices. When you firstinsert a MIDI Source module, a question mark appears. To define aMIDI Source module: Click anywhere to the right of the question mark to open a pop-up source menu.This menu contains all sources as defined in the current Studio Setup document. Italso contains any Virtual Controllers that are defined in the current Patch document(Virtual Controllers are discussed in Chapter 3: Virtual Controllers and VirtualInstruments). Choose a source from the pop-up menu to define the MIDI Source module.A Studio Patches compatible interface can also be a source of MIDIdata, which can come from timing information (MTC, DTL, DTLe),footswitches (FS1, FS2), and foot controllers (FC1). The Studio 5 caneven act as a note source when Audio In is enabled and in use. Selectthe interface as the MIDI source if you wish to use timing data, footswitches,the foot controller, or Audio Input in a Studio Patch.You can change the source assigned to a MIDI Source module at anytime by clicking the name and choosing a new source from thepop-up menu.REFERENCINGNON-CURRENTSTUDIO SETUPDOCUMENTSMIDI Source modules reference the devices in the current StudioSetup document. If the device name in a MIDI Source module is italicized,then the Patch document being edited probably references anon-current Studio Setup document. You can re-define the moduleby:• making the old Studio Setup document current, or• by selecting a different device for every module that is italicized.If you want to use the current Patch document with your new currentStudio Setup document, copy the devices from your originalStudio Setup document into your current Studio Setup document, orjust rename the devices in the new Studio Setup to match the oldones.Ch 2: Patch Modules - 17 - Studio Patches Manual
MIDI DESTINATION MODULEFigure 19: MIDI Destination ModuleA MIDI Destination module represents the device (or virtual destination)that is the final recipient of MIDI data. When you first inserta MIDI Destination module, a question mark appears. To define aMIDI destination:• Click anywhere to the right of the question mark to open a pop-updestination menu. This menu contains all destinations as defined inthe current Studio Setup document. It also contains any VirtualInstruments that are defined in the current Patch document (VirtualInstruments are discussed in Chapter 3: Virtual Controllers and VirtualInstruments).• Choose a device or virtual destination from the pop-up menu todefine the MIDI Destination module.You can change the device or virtual destination assigned to a MIDIDestination module at any time by clicking the name and choosing anew destination from the pop-up menu.Use the MIDI Destination module’s channel numerical to channelizeMIDI data. Set it to a value of 1-16 to channelize the incoming MIDIdata. Set it to dash (“-”) if you do not want to change the incomingMIDI channel number. Figure 20 illustrates use of the MIDI channelnumerical.Ch 5Ch 5 input gets changed to Ch 8.The ProMaker/1 plays the voiceassigned to MIDI Ch 8.Ch 5Ch 5 input does not get changed.The ProMaker/1 plays the voiceassigned to MIDI Ch 5.Figure 20: Destination Module Channelizing ExampleMIDI Destination modules, like MIDI Source modules, reference thecurrent Studio Setup document. If device names are italicized, theMIDI Destination module probably references a non-current StudioSetup document. See Referencing Non-Current Studio Setup Documents,pg. 17 for more details.Ch 2: Patch Modules - 18 - Studio Patches Manual
Page 1 and 2: OPCODEOMS Studio Patches
Page 3 and 4: Ch 6: Patch Sequences 66Creating/Ed
Page 5 and 6: Patches are strictly real-time, liv
Page 7 and 8: PATCH DOCUMENTWINDOWTERMINOLOGYWhen
Page 9 and 10: MAKING PATCHDOCUMENTSCURRENTChoose
Page 11 and 12: Patches can also be cut to the Clip
Page 13 and 14: Figure 9 illustrates a basic Patch
Page 15 and 16: Click the Velocity Modifier module
Page 17 and 18: COPYING/PASTINGMODULES ANDCONNECTIO
Page 19: CH 2:PATCH MODULESThis chapter desc
Page 23 and 24: Most message types are self-explana
Page 25 and 26: channel, Studio Patches allows both
Page 27 and 28: Assume, for example, that your Stud
Page 29 and 30: CHANNELSPLITTER MODULEFigure 37: Ch
Page 31 and 32: The edit window contains one line f
Page 33 and 34: TRANSPOSER MODULEFigure 45: Transpo
Page 35 and 36: CHOOSINGBETWEEN ASIMPLE OR MAPTRANS
Page 37 and 38: Figure 52: Simple S-Curve Modifier
Page 39 and 40: CONTROL VALUEMODIFIERDouble-click t
Page 41: CH 3:VIRTUAL CONTROLLERS ANDVIRTUAL
Page 44 and 45: All of the modules and connections
Page 46 and 47: Let’s look at an example showing
Page 48 and 49: You’ll see that the Virtual Instr
Page 50 and 51: USING VIRTUALINSTRUMENTSWITH VISION
Page 52 and 53: • You wish to have a sound made u
Page 54 and 55: CH 4:PROGRAM CHANGESOURCESUse the P
Page 56 and 57: Choose a MIDI source from the MIDI
Page 58 and 59: EDITING THEENABLE STUDIOPATCH CHANG
Page 60 and 61: EDITING THEPATCH CHAINCONTROLSMODUL
Page 62 and 63: PATCH CHAIN EDIT WINDOW TERMINOLOGY
Page 64 and 65: You may not make changes directly t
Page 66 and 67: CHANGING THE PATCH DOCUMENTIf the P
Page 68 and 69: USING THE“CHANGINGPATCHES SETSCUR
Page 70 and 71:
The seven buttons across the top of
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THE SYSTEM EXCLUSIVE EVENTTo edit a
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There are two ways to send an All N
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DEFINING THE ENDSEQUENCEYou’ll ne
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BANKA collection of patches stored
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Patch Name Document column: This co
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CURRENT AND MISSING DOCUMENTSFigure
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Show Channels is a toggle whose val
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OMS also provides Factory Name docu
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A Patch Name Editor opens for that
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Note Name Indicator: The OMS Name M
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COPY NAME LISTChoose Copy Name List
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For example: General MIDI devices h
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Patch prefixes can be entered in th
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• The Name Browser. This is a mor
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BROWSER MENUFigure 143: Browser Men
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Documents that can’t be found are
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SAVE AND MAKECURRENTLike Save (abov
Page 106 and 107:
REBUILD ALLChoose this command to r
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CH 9:PATCH IDEASThis chapter contai
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IMPROVEDVOLUME PEDALYou can improve
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ONE FINGER CHORDSTo ease the pressu
Page 114:
PATCHES DON’T WORK—MIDI SOURCE
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How to Setup OMS Studio Patches (1997) - House of Synth

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