How to Setup OMS Studio Patches (1997) - House of Synth

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CONTROLNUMBER MAPPERMODULE EXAMPLEAssume, for example, that you wanted to play your Morpheus fromyour K2000 keyboard, and that you wanted to control the Morpheus’volume with the K2000 modulation wheel. Create a connection with the K2000 as the MIDI source and the Morpheus as theMIDI destination. Insert the Control Number Mapper module into the connection, then double-click itto open its edit window. Choose Mod Wheel (1) from the upper pop-up menu. Choose Volume (7) from the lower pop-up menu.Figure 57: Mapping Mod Wheel to VolumeThe K2000 modulation wheel now controls the Morpheus outputvolume.Ch 2: Patch Modules - 37 - Studio Patches Manual
CH 3:VIRTUAL CONTROLLERS ANDVIRTUAL INSTRUMENTSVirtual Controllers and Virtual Instruments are extremely powerfulfeatures of Studio Patches. Basically, they’re enhanced versions ofthe MIDI devices defined in your current Studio Setup document.Any number of Virtual Controllers and Virtual Instruments can bestored within a Patch document.A Virtual Controller is the output of a MIDI device plus some formof MIDI processing. A Virtual Controller is treated the same as anyother MIDI controller defined in your current Studio Setup document,except that it enhances the performance of a MIDI controllerby adding MIDI processing. Virtual Controllers have two importantuses:• They are used when common MIDI processing connections need tobe used in multiple Studio Patches.• They are used as sequencer inputs when you need to record a MIDIcontroller with some processing applied.Basically, Virtual Controllers are additional sources of MIDI data(just like real MIDI controllers). You create these new sources bycombining your real MIDI controllers with MIDI processing.A Virtual Instrument is some form of MIDI processing routed to oneor more MIDI devices. A Virtual Instrument is treated the same asany other MIDI destination defined in your current Studio Setupdocument, except that it enhances performance by stacking, splittingor layering various devices and adding MIDI processing. VirtualInstruments have two important uses:• They are used when common MIDI processing connections need tobe used in multiple Studio Patches.• They are used as sequencer destination instruments—allowing thesequenced tracks to play into a MIDI processed stream.Basically, Virtual Instruments are additional destinations of MIDIdata (just like real MIDI sound modules). You create these new destinationsby combining your real MIDI sound modules with MIDIprocessing.Ch 3: Virtual Controllers and Virtual Instruments - 38 - Studio Patches Manual
Page 1 and 2: OPCODEOMS Studio Patches
Page 3 and 4: Ch 6: Patch Sequences 66Creating/Ed
Page 5 and 6: Patches are strictly real-time, liv
Page 7 and 8: PATCH DOCUMENTWINDOWTERMINOLOGYWhen
Page 9 and 10: MAKING PATCHDOCUMENTSCURRENTChoose
Page 11 and 12: Patches can also be cut to the Clip
Page 13 and 14: Figure 9 illustrates a basic Patch
Page 15 and 16: Click the Velocity Modifier module
Page 17 and 18: COPYING/PASTINGMODULES ANDCONNECTIO
Page 19 and 20: CH 2:PATCH MODULESThis chapter desc
Page 21 and 22: MIDI DESTINATION MODULEFigure 19: M
Page 23 and 24: Most message types are self-explana
Page 25 and 26: channel, Studio Patches allows both
Page 27 and 28: Assume, for example, that your Stud
Page 29 and 30: CHANNELSPLITTER MODULEFigure 37: Ch
Page 31 and 32: The edit window contains one line f
Page 33 and 34: TRANSPOSER MODULEFigure 45: Transpo
Page 35 and 36: CHOOSINGBETWEEN ASIMPLE OR MAPTRANS
Page 37 and 38: Figure 52: Simple S-Curve Modifier
Page 39: CONTROL VALUEMODIFIERDouble-click t
Page 44 and 45: All of the modules and connections
Page 46 and 47: Let’s look at an example showing
Page 48 and 49: You’ll see that the Virtual Instr
Page 50 and 51: USING VIRTUALINSTRUMENTSWITH VISION
Page 52 and 53: • You wish to have a sound made u
Page 54 and 55: CH 4:PROGRAM CHANGESOURCESUse the P
Page 56 and 57: Choose a MIDI source from the MIDI
Page 58 and 59: EDITING THEENABLE STUDIOPATCH CHANG
Page 60 and 61: EDITING THEPATCH CHAINCONTROLSMODUL
Page 62 and 63: PATCH CHAIN EDIT WINDOW TERMINOLOGY
Page 64 and 65: You may not make changes directly t
Page 66 and 67: CHANGING THE PATCH DOCUMENTIf the P
Page 68 and 69: USING THE“CHANGINGPATCHES SETSCUR
Page 70 and 71: The seven buttons across the top of
Page 72 and 73: THE SYSTEM EXCLUSIVE EVENTTo edit a
Page 74 and 75: There are two ways to send an All N
Page 76 and 77: DEFINING THE ENDSEQUENCEYou’ll ne
Page 78 and 79: BANKA collection of patches stored
Page 80 and 81: Patch Name Document column: This co
Page 82 and 83: CURRENT AND MISSING DOCUMENTSFigure
Page 84 and 85: Show Channels is a toggle whose val
Page 86 and 87: OMS also provides Factory Name docu
Page 88 and 89: A Patch Name Editor opens for that
Page 90 and 91:
Note Name Indicator: The OMS Name M
Page 92 and 93:
COPY NAME LISTChoose Copy Name List
Page 94 and 95:
For example: General MIDI devices h
Page 96 and 97:
Patch prefixes can be entered in th
Page 98 and 99:
• The Name Browser. This is a mor
Page 100 and 101:
BROWSER MENUFigure 143: Browser Men
Page 102 and 103:
Documents that can’t be found are
Page 104 and 105:
SAVE AND MAKECURRENTLike Save (abov
Page 106 and 107:
REBUILD ALLChoose this command to r
Page 108 and 109:
CH 9:PATCH IDEASThis chapter contai
Page 110 and 111:
IMPROVEDVOLUME PEDALYou can improve
Page 112 and 113:
ONE FINGER CHORDSTo ease the pressu
Page 114:
PATCHES DON’T WORK—MIDI SOURCE
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How to Setup OMS Studio Patches (1997) - House of Synth

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