How to Setup OMS Studio Patches (1997) - House of Synth

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Choose Pass All Except and check the Poly Aftertouch box to pass all MIDIevents except polyphonic aftertouch through to the Morpheus sound module.Figure 24: Filtering Poly Aftertouch Choose File>Save.In the future, when you need to play the Morpheus with polyphonicaftertouch data filtered out, you can select this patch.SPLITTER MODULESFigure 25: Splitter Module GroupA Splitter module takes a single MIDI source and sends it to multipledestinations. There are four kinds of Splitter modules:• Simple• Channel• Note Range• VelocityIf any Splitter module routes two or more of its outputs to the samechannel of the same device, Studio Patches ensures that the destinationdevice and channel do not receive duplicate MIDI data. If,however, you modify one of the splitter output’s MIDI data streams,then the destination device and channel receives both the originalMIDI stream and the modified events generated by the second MIDIstream from the splitter.For example, if you simply split a MIDI data stream into two separatestreams then route both streams to the same device and channel,Studio Patches ensures that only one stream reaches the destination.But, if you modify one of the streams (such as transposing a streamup an octave) before routing both streams to the same device andCh 2: Patch Modules - 21 - Studio Patches Manual
channel, Studio Patches allows both MIDI data streams to reach theirdestination since they are no longer identical. In this example, notesand polyphonic aftertouch events are both affected by transpositionand are both sent to the destination; other events (such as sustainpedal or pitch bend) are sent to the destination only once.If, for any reason, you wish to send duplicate MIDI events to thesame channel of the same device, split the controller into two VirtualControllers and route them separately. Virtual Controllers are discussedin Chapter 3: Virtual Controllers and Virtual Instruments.This discussion on Splitter modules will first cover common Splitterediting techniques and then describe each of the four Splitter modulesin detail.ADDING OUTPUTSTO A SPLITTERMODULEWhen you first insert a Splitter module into a connection, it doesn’tperform as a splitter since it has only one output. However, you maystill use it to limit the range of notes, velocities or channels sent to asingle device.Figure 26: Note Range Splitter With One OutputTo create a second output from the Splitter module: Click any module icon in the palette (except the MIDI Source module icon). Position the cursor below the Splitter module to highlight the area.Figure 27: Adding Additional Splitter Outputs Click the mouse and the connection appears as shown in Figure 28.Figure 28: Splitter With Two Outputs Choose a device for the second destination module.You can add as many outputs as necessary underneath the splitterusing the same techniques.Ch 2: Patch Modules - 22 - Studio Patches Manual
Page 1 and 2: OPCODEOMS Studio Patches
Page 3 and 4: Ch 6: Patch Sequences 66Creating/Ed
Page 5 and 6: Patches are strictly real-time, liv
Page 7 and 8: PATCH DOCUMENTWINDOWTERMINOLOGYWhen
Page 9 and 10: MAKING PATCHDOCUMENTSCURRENTChoose
Page 11 and 12: Patches can also be cut to the Clip
Page 13 and 14: Figure 9 illustrates a basic Patch
Page 15 and 16: Click the Velocity Modifier module
Page 17 and 18: COPYING/PASTINGMODULES ANDCONNECTIO
Page 19 and 20: CH 2:PATCH MODULESThis chapter desc
Page 21 and 22: MIDI DESTINATION MODULEFigure 19: M
Page 23: Most message types are self-explana
Page 27 and 28: Assume, for example, that your Stud
Page 29 and 30: CHANNELSPLITTER MODULEFigure 37: Ch
Page 31 and 32: The edit window contains one line f
Page 33 and 34: TRANSPOSER MODULEFigure 45: Transpo
Page 35 and 36: CHOOSINGBETWEEN ASIMPLE OR MAPTRANS
Page 37 and 38: Figure 52: Simple S-Curve Modifier
Page 39 and 40: CONTROL VALUEMODIFIERDouble-click t
Page 41: CH 3:VIRTUAL CONTROLLERS ANDVIRTUAL
Page 44 and 45: All of the modules and connections
Page 46 and 47: Let’s look at an example showing
Page 48 and 49: You’ll see that the Virtual Instr
Page 50 and 51: USING VIRTUALINSTRUMENTSWITH VISION
Page 52 and 53: • You wish to have a sound made u
Page 54 and 55: CH 4:PROGRAM CHANGESOURCESUse the P
Page 56 and 57: Choose a MIDI source from the MIDI
Page 58 and 59: EDITING THEENABLE STUDIOPATCH CHANG
Page 60 and 61: EDITING THEPATCH CHAINCONTROLSMODUL
Page 62 and 63: PATCH CHAIN EDIT WINDOW TERMINOLOGY
Page 64 and 65: You may not make changes directly t
Page 66 and 67: CHANGING THE PATCH DOCUMENTIf the P
Page 68 and 69: USING THE“CHANGINGPATCHES SETSCUR
Page 70 and 71: The seven buttons across the top of
Page 72 and 73: THE SYSTEM EXCLUSIVE EVENTTo edit a
Page 74 and 75:
There are two ways to send an All N
Page 76 and 77:
DEFINING THE ENDSEQUENCEYou’ll ne
Page 78 and 79:
BANKA collection of patches stored
Page 80 and 81:
Patch Name Document column: This co
Page 82 and 83:
CURRENT AND MISSING DOCUMENTSFigure
Page 84 and 85:
Show Channels is a toggle whose val
Page 86 and 87:
OMS also provides Factory Name docu
Page 88 and 89:
A Patch Name Editor opens for that
Page 90 and 91:
Note Name Indicator: The OMS Name M
Page 92 and 93:
COPY NAME LISTChoose Copy Name List
Page 94 and 95:
For example: General MIDI devices h
Page 96 and 97:
Patch prefixes can be entered in th
Page 98 and 99:
• The Name Browser. This is a mor
Page 100 and 101:
BROWSER MENUFigure 143: Browser Men
Page 102 and 103:
Documents that can’t be found are
Page 104 and 105:
SAVE AND MAKECURRENTLike Save (abov
Page 106 and 107:
REBUILD ALLChoose this command to r
Page 108 and 109:
CH 9:PATCH IDEASThis chapter contai
Page 110 and 111:
IMPROVEDVOLUME PEDALYou can improve
Page 112 and 113:
ONE FINGER CHORDSTo ease the pressu
Page 114:
PATCHES DON’T WORK—MIDI SOURCE
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How to Setup OMS Studio Patches (1997) - House of Synth

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