How to Setup OMS Studio Patches (1997) - House of Synth

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You’ll see that the Virtual Instruments Edit Window looks very similar to the PatchEdit Window. Use the Virtual Instruments Edit Window to create and store as manyVirtual Instruments as memory will allow.Figure 69: Virtual Instruments Edit Window Click the Virtual Instrument module icon.Figure 70: Virtual Instrument Module Icon Click in the blank space below the Module Palette to create an undefined VirtualInstrument connection.Notice that this connection looks very similar to an undefined patch connection; theonly difference is that the MIDI Source module is replaced by a Virtual Instrumentmodule. Insert a Simple Splitter module between the Virtual Instrument and the MIDIDestination modules. Add a second MIDI Destination module by clicking its icon and inserting it belowthe Simple Splitter module. Choose the K2000 from the upper MIDI Destination module’s pop-up menu, andthe Morpheus from the lower MIDI Destination module’s pop-up menu. Set theirMIDI channels to 2. Click the Virtual Instrument module to select it.Ch 3: Virtual Controllers and Virtual Instruments - 45 - Studio Patches Manual
Type in the name of your new Virtual Instrument and hit the Enter key. Close the Virtual Instruments Edit Window.If you open a patch in the Patch Edit Window, you’ll see that “HippoStack”has been added to your list of MIDI destinations.Whenever you want to play a stack made up of the K2000 and Morpheussynthesizers on MIDI Channel 2, simply choose this VirtualInstrument as the MIDI destination.The previous example provided a graphic illustration of the VirtualInstrument definition—Virtual Instruments are made up of one ormore MIDI destinations plus some form of MIDI processing.Like Virtual Controllers, Virtual Instruments are edited similarly topatches with only minor exceptions. The Virtual Instruments EditWindow contains connections from Virtual Instruments to devices.Instead of MIDI Source modules, there are Virtual Instrumentmodules:Virtual Instruments appear in the pop-up MIDI destination menuswhen you edit a patch. If you choose a Virtual Instrument, it has thesame appearance in the Patch Edit Window as in the Virtual InstrumentsEdit Window, except that you can’t edit its name. NOTE: System Exclusive messages should always be sent directlyto the intended device. Sending System Exclusive to a Virtual Instrumentcontaining a Splitter module and different devices thickens theMIDI data stream unnecessarily. Sending System Exclusive to a VirtualInstrument consisting of a Splitter module routed to differentchannels of the same device may corrupt the data.Ch 3: Virtual Controllers and Virtual Instruments - 46 - Studio Patches Manual
Page 1 and 2: OPCODEOMS Studio Patches
Page 3 and 4: Ch 6: Patch Sequences 66Creating/Ed
Page 5 and 6: Patches are strictly real-time, liv
Page 7 and 8: PATCH DOCUMENTWINDOWTERMINOLOGYWhen
Page 9 and 10: MAKING PATCHDOCUMENTSCURRENTChoose
Page 11 and 12: Patches can also be cut to the Clip
Page 13 and 14: Figure 9 illustrates a basic Patch
Page 15 and 16: Click the Velocity Modifier module
Page 17 and 18: COPYING/PASTINGMODULES ANDCONNECTIO
Page 19 and 20: CH 2:PATCH MODULESThis chapter desc
Page 21 and 22: MIDI DESTINATION MODULEFigure 19: M
Page 23 and 24: Most message types are self-explana
Page 25 and 26: channel, Studio Patches allows both
Page 27 and 28: Assume, for example, that your Stud
Page 29 and 30: CHANNELSPLITTER MODULEFigure 37: Ch
Page 31 and 32: The edit window contains one line f
Page 33 and 34: TRANSPOSER MODULEFigure 45: Transpo
Page 35 and 36: CHOOSINGBETWEEN ASIMPLE OR MAPTRANS
Page 37 and 38: Figure 52: Simple S-Curve Modifier
Page 39 and 40: CONTROL VALUEMODIFIERDouble-click t
Page 41: CH 3:VIRTUAL CONTROLLERS ANDVIRTUAL
Page 44 and 45: All of the modules and connections
Page 46 and 47: Let’s look at an example showing
Page 50 and 51: USING VIRTUALINSTRUMENTSWITH VISION
Page 52 and 53: • You wish to have a sound made u
Page 54 and 55: CH 4:PROGRAM CHANGESOURCESUse the P
Page 56 and 57: Choose a MIDI source from the MIDI
Page 58 and 59: EDITING THEENABLE STUDIOPATCH CHANG
Page 60 and 61: EDITING THEPATCH CHAINCONTROLSMODUL
Page 62 and 63: PATCH CHAIN EDIT WINDOW TERMINOLOGY
Page 64 and 65: You may not make changes directly t
Page 66 and 67: CHANGING THE PATCH DOCUMENTIf the P
Page 68 and 69: USING THE“CHANGINGPATCHES SETSCUR
Page 70 and 71: The seven buttons across the top of
Page 72 and 73: THE SYSTEM EXCLUSIVE EVENTTo edit a
Page 74 and 75: There are two ways to send an All N
Page 76 and 77: DEFINING THE ENDSEQUENCEYou’ll ne
Page 78 and 79: BANKA collection of patches stored
Page 80 and 81: Patch Name Document column: This co
Page 82 and 83: CURRENT AND MISSING DOCUMENTSFigure
Page 84 and 85: Show Channels is a toggle whose val
Page 86 and 87: OMS also provides Factory Name docu
Page 88 and 89: A Patch Name Editor opens for that
Page 90 and 91: Note Name Indicator: The OMS Name M
Page 92 and 93: COPY NAME LISTChoose Copy Name List
Page 94 and 95: For example: General MIDI devices h
Page 96 and 97: Patch prefixes can be entered in th
Page 98 and 99:
• The Name Browser. This is a mor
Page 100 and 101:
BROWSER MENUFigure 143: Browser Men
Page 102 and 103:
Documents that can’t be found are
Page 104 and 105:
SAVE AND MAKECURRENTLike Save (abov
Page 106 and 107:
REBUILD ALLChoose this command to r
Page 108 and 109:
CH 9:PATCH IDEASThis chapter contai
Page 110 and 111:
IMPROVEDVOLUME PEDALYou can improve
Page 112 and 113:
ONE FINGER CHORDSTo ease the pressu
Page 114:
PATCHES DON’T WORK—MIDI SOURCE
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How to Setup OMS Studio Patches (1997) - House of Synth

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