How to Setup OMS Studio Patches (1997) - House of Synth

More documents

Recommendations

Info

While still holding the mouse button, drag the entire connection below the lowerconnection. Release the mouse button to see the new connection order.SOURCE/DESTINATIONMUTINGYou can mute any number of MIDI Source or Destination modules.Muting Source and Destination modules allows you to concentrateon specific sections of complex patches.To mute a MIDI Source module or MIDI Destination module,double-click its device icon. The module is dimmed. To unmute themodule, double-click its device icon again.As an example, suppose you have the connection shown inFigure 16.Figure 16: Simple Connection Double-click the DR-660 device icon to mute the module.When you play the K2000, only the Morpheus is heard. Double-click the DR-660 device icon to enable the module, then double-click theK2000 device icon to mute that MIDI Source module.Anything you play or do on the K2000 is ignored by the Morpheus and DR-660modules. NOTE: To mute a source or destination, be sure to double-click thedevice icon, not the device name.The Solo and Unsolo commands in the Patch menu are also useful inthis regard. Soloing mutes all other destinations in the connection.When you are done soloing, choose Unsolo to re-enable all destinationsin a patch.Ch 1: Studio Patches Introduction - 15 - Studio Patches Manual
CH 2:PATCH MODULESThis chapter describes how to configure and use each of the modulesin the Module Palette.Note Range SplitterSimple SplitterPitch Bend ModifierAftertouch ModifierMIDI SourceTransposerControl Number MapperEvent Type Filter Velocity SplitterChannel Splitter Velocity ModifierPoly Aftertouch ModifierFigure 17: Anatomy of a Module PaletteMIDI DestinationControl Value ModifierMODULE EDITING BASICSYou can edit a module once it’s part of a connection. Adding modulesto connections was discussed in Chapter 1: Studio PatchesIntroduction. To access the editing window of any module (exceptthe MIDI Source module, MIDI Destination module, or Simple Splittermodule) simply double-click the module in a connection.You can edit most modules using numerical editing techniques (asdiscussed in your OMS manual). You can also edit the followingparameters from a MIDI controller:• Control number selection in any highlighted control number pop-upmenu• Transposer map note numbers• Note numbers in a Note Range Splitter module• Velocity levels in a Velocity Splitter moduleSelect the device (or devices) you’ll use for MIDI editing by choosingWindows>Controllers for MIDI Editing. This produces a dialogcontaining a list of all devices defined in your current Studio Setupdocument. Select (highlight) those items you wish to enable for MIDIdata entry. If you don’t plan to use a MIDI controller to edit patches,it’s best to disable all controllers. That way you can’t accidentallyedit a module by playing your MIDI controller.The following sections discuss each module in detail.Ch 2: Patch Modules - 16 - Studio Patches Manual
Page 1 and 2: OPCODEOMS Studio Patches
Page 3 and 4: Ch 6: Patch Sequences 66Creating/Ed
Page 5 and 6: Patches are strictly real-time, liv
Page 7 and 8: PATCH DOCUMENTWINDOWTERMINOLOGYWhen
Page 9 and 10: MAKING PATCHDOCUMENTSCURRENTChoose
Page 11 and 12: Patches can also be cut to the Clip
Page 13 and 14: Figure 9 illustrates a basic Patch
Page 15 and 16: Click the Velocity Modifier module
Page 17: COPYING/PASTINGMODULES ANDCONNECTIO
Page 21 and 22: MIDI DESTINATION MODULEFigure 19: M
Page 23 and 24: Most message types are self-explana
Page 25 and 26: channel, Studio Patches allows both
Page 27 and 28: Assume, for example, that your Stud
Page 29 and 30: CHANNELSPLITTER MODULEFigure 37: Ch
Page 31 and 32: The edit window contains one line f
Page 33 and 34: TRANSPOSER MODULEFigure 45: Transpo
Page 35 and 36: CHOOSINGBETWEEN ASIMPLE OR MAPTRANS
Page 37 and 38: Figure 52: Simple S-Curve Modifier
Page 39 and 40: CONTROL VALUEMODIFIERDouble-click t
Page 41: CH 3:VIRTUAL CONTROLLERS ANDVIRTUAL
Page 44 and 45: All of the modules and connections
Page 46 and 47: Let’s look at an example showing
Page 48 and 49: You’ll see that the Virtual Instr
Page 50 and 51: USING VIRTUALINSTRUMENTSWITH VISION
Page 52 and 53: • You wish to have a sound made u
Page 54 and 55: CH 4:PROGRAM CHANGESOURCESUse the P
Page 56 and 57: Choose a MIDI source from the MIDI
Page 58 and 59: EDITING THEENABLE STUDIOPATCH CHANG
Page 60 and 61: EDITING THEPATCH CHAINCONTROLSMODUL
Page 62 and 63: PATCH CHAIN EDIT WINDOW TERMINOLOGY
Page 64 and 65: You may not make changes directly t
Page 66 and 67: CHANGING THE PATCH DOCUMENTIf the P
Page 68 and 69:
USING THE“CHANGINGPATCHES SETSCUR
Page 70 and 71:
The seven buttons across the top of
Page 72 and 73:
THE SYSTEM EXCLUSIVE EVENTTo edit a
Page 74 and 75:
There are two ways to send an All N
Page 76 and 77:
DEFINING THE ENDSEQUENCEYou’ll ne
Page 78 and 79:
BANKA collection of patches stored
Page 80 and 81:
Patch Name Document column: This co
Page 82 and 83:
CURRENT AND MISSING DOCUMENTSFigure
Page 84 and 85:
Show Channels is a toggle whose val
Page 86 and 87:
OMS also provides Factory Name docu
Page 88 and 89:
A Patch Name Editor opens for that
Page 90 and 91:
Note Name Indicator: The OMS Name M
Page 92 and 93:
COPY NAME LISTChoose Copy Name List
Page 94 and 95:
For example: General MIDI devices h
Page 96 and 97:
Patch prefixes can be entered in th
Page 98 and 99:
• The Name Browser. This is a mor
Page 100 and 101:
BROWSER MENUFigure 143: Browser Men
Page 102 and 103:
Documents that can’t be found are
Page 104 and 105:
SAVE AND MAKECURRENTLike Save (abov
Page 106 and 107:
REBUILD ALLChoose this command to r
Page 108 and 109:
CH 9:PATCH IDEASThis chapter contai
Page 110 and 111:
IMPROVEDVOLUME PEDALYou can improve
Page 112 and 113:
ONE FINGER CHORDSTo ease the pressu
Page 114:
PATCHES DON’T WORK—MIDI SOURCE
show all

How to Setup OMS Studio Patches (1997) - House of Synth

Create successful ePaper yourself

Delete template?

Save as template?