Hofstadter, Dennett - The Mind's I

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Prelude . . . Ant Fugue 157Cube with Magic Ribbons (M C Escher lithograph 1957)time to hear the whole effect. I find that I flip back and forth between one mode and theother, more or less spontaneously and involuntarily.ANTEATER: Just as when you look at the magic bands, eh?ACHILLES: Yes. I was just wondering ... does my description of these two modes of fuguelisteningbrand me unmistakably as a naive, Inexperienced listener, who couldn't even beginto grasp the deeper modes of perception which exist beyond his ken?TORTOISE: No, not at all, Achilles. I can only speak for myself, but I too find myselfshifting back and forth from one mode to the other without exerting any conscious controlover which mode should be
Prelude . . . Ant Fugue 158dominant. I don't know if our other companions here have also experienced anything similar.CRAB: Most definitely. It's quite a tantalizing phenomenon, since you feel that the essence ofthe fugue is flitting about you, and you can't quite grasp all of it, because you can't quitemake yourself function both ways at once.ANTEATER: Fugues have that interesting property, that each of their voices is a piece ofmusic in itself; and thus a fugue might be thought of as a collection of several distinct piecesof music, all based on one single theme, and all played simultaneously. And it is up to thelistener (or his subconscious) to decide whether it should be perceived as a unit, or as acollection of independent parts, all of which harmonize.ACHILLES: You say that the parts are "independent," yet that can't be literally true. <strong>The</strong>rehas to be some coordination between them, otherwise when they were put together one wouldjust have an unsystematic clashing of tones-and that is as far from the truth as could beANTEATER: A better way to state it might be this: if you listened to each voice on its own,you would find that it seemed to make sense all b. itself. It could stand alone, and that is thesense in which I meant tha it is independent. But you are quite right in pointing out that eachof these individually meaningful lines fuses with the others in a highly nonrandom way, tomake a graceful totality. <strong>The</strong> art of writing a beautiful fugue lies precisely in this ability, tomanufacture several different lines, each one of which gives the illusion of having been.,written for its own beauty, and yet which when taken together form a whole, which does notfeel forced in any way. Now, this dichotomy, between hearing a fugue as a whole andhearing its component voices is a particular example of a very general dichotomy, whichapplies to many kinds of structures built up from lower levels.ACHILLES: Oh, really? You mean that my two "modes" may have some more general typeof applicability, in situations other than fugue-listening?ANTEATER: Absolutely.ACHILLES: I wonder how that could be. I guess it has to do with alternating betweenperceiving something as a whole and perceiving it as a collection of parts. But the only placeI have ever run into that dichotomy is in listening to fugues.
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PrefaceWhat is the mind? Who am I?
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from Mars. Your narrow escape from
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you from your brain in a brain swit
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the most mysterious feature of our
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are the paradigmatic conscious crea
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For Locke, indeed, there was a seri
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ence has begun to analyze the human
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simulations, illusions. Free will,
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Borges and I 20ming of a guitar. Ye
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Borges and I 22Asked to “translat
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On Having No Head 24Downwards in a
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On Having No Head 26One’s life to
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On Having No Head 28my nonentity he
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On Having No Head 30Fantastic pictu
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On Having No Head 32Them both, we a
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3Harold J. MorowitzRediscovering th
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Rediscovering the Mind 36No general
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Rediscovering the Mind 38Before in
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Rediscovering the Mind 40Circle - f
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Rediscovering the Mind 42uniquely h
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Rediscovering the Mind 44Be shown t
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Rediscovering the Mind 46to this ve
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Rediscovering the Mind 48which stor
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4A.M. TURINGComputing MachineryAnd
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Computing Machinery and Intelligenc
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5Douglas R. HofstadterThe Turing te
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A Coffeehouse Conversation 71SANDY:
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A Coffeehouse Conversation 73PAT: E
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A Coffeehouse Conversation 75canes.
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A Coffeehouse Conversation 77shadow
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A Coffeehouse Conversation 79any ot
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A Coffeehouse Conversation 81SANDY:
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A Coffeehouse Conversation 83on eit
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A Coffeehouse Conversation 85intere
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A Coffeehouse Conversation 87They r
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A Coffeehouse Conversation 89they
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A Coffeehouse Conversation 91CHRIS:
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A Coffeehouse Conversation 93includ
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A Coffeehouse Conversation 95sent s
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The Princess Ineffabelle 97Dunes we
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The Princess Ineffabelle 99disappoi
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The Soul of Martha a Beast 101Close
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Page 102 and 103: The Soul of Martha a Beast 107innat
Page 104 and 105: 8TERREL MIEDANERThe Soul ofthe Mark
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Page 108 and 109: The Soul of the Mark III Beast 113p
Page 110 and 111: The Soul of the Mark III Beast 115I
Page 112 and 113: Spirit 120A river or a rock, writes
Page 114 and 115: Spirit 122footprint. Not life’s;
Page 116 and 117: 10RICHARD DAWKINSSelfish GenesAnd S
Page 118 and 119: Selfish Genes and Selfish Memes 126
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Page 141 and 142: Prelude . . . Ant Fugue 150world. I
Page 143 and 144: Prelude . . . Ant Fugue 152Pierre d
Page 145 and 146: Prelude . . . Ant Fugue 154about it
Page 147: Prelude . . . Ant Fugue 156ACHILLES
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Page 153 and 154: Prelude . . . Ant Fugue 162ACHILLES
Page 155 and 156: Prelude . . . Ant Fugue 164by, uhh-
Page 159 and 160: Prelude . . . Ant Fugue 168involved
Page 163 and 164: Prelude . . . Ant Fugue 172some dis
Page 165 and 166: Prelude . . . Ant Fugue 174CRAB: No
Page 169 and 170: Prelude . . . Ant Fugue 178as long
Page 173 and 174: Prelude . . . Ant Fugue 182ANTEATER
Page 175 and 176: Prelude . . . Ant Fugue 184to help
Page 177 and 178: Prelude . . . Ant Fugue 186CRAB: Wh
Page 183 and 184: Prelude . . . Ant Fugue 192anthropo
Page 185 and 186: Prelude . . . Ant Fugue 194of the s
Page 187 and 188: Prelude . . . Ant Fugue 196that the
Page 189 and 190: Prelude . . . Ant Fugue 198chime st
Page 191 and 192: Prelude . . . Ant Fugue 200tion or
Page 193 and 194: 12ARNOLD ZUBOFFThe Story of a Brain
Page 195 and 196: The Story of a Brain 204had been br
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The Story of a Brain 208periencing
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The Story of a Brain 210have to mis
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The Story of a Brain 212this physio
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13DANIEL C. DENNETTWhere am I?Now t
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Where am I? 219circuit chips, plast
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Where am I? 221Barring capital puni
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Where am I? 223warms my gullet whil
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Where am I? 225uniqueness of that t
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Where am I? 227switch now set at B.
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Where am I? 229where I am. But such
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Where am I? 231like as identical tw
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Where was I? 233..If we can bypass
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Where was I? 235It enables most of
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Where was I? 237Tin Woodman, whose
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Where was I? 239on the messy typesc
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Where was I? 241sensational thing M
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Beyond Rejection 243that it would t
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Beyond Rejection 245looked like a c
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Beyond Rejection 247with some mirro
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Beyond Rejection 249tion after a fi
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Beyond Rejection 251As my hand move
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16RUDY RUCKERSoftwareCobb Anderson
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Software 255tentative first sip. He
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Software 257your contact up there.
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Software 259and on top was a sensor
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Software 261This was worse than Ral
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Software 263sun was angling right d
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Software 265The gates and switches
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Software 267The Soul of the Mark II
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The Riddle on the Universe and its
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The Seventh Sally 288sallies of Tru
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The Seventh Sally 290Excelsius was
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The Seventh Sally 292brains, but in
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The Seventh Sally 294vertently-in y
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19Stanislaw LemNon ServiamProfessor
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Non Serviam 298which there takes pl
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Non Serviam 300ance with their beha
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Non Serviam 302It were, a self real
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Non Serviam 304The harmonizing of t
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Non Serviam 306complicated as it mi
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Non Serviam 308ceeded -- says Dobb
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Non Serviam 310in turn begat DANN a
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Non Serviam 312ments to support it
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Non Serviam 314Correcting his handi
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Non Serviam 316Rebuke, not the hope
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Non Serviam 318Around on a table to
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Non Serviam 320ries, the larger the
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Is God a Taoist? 322GOD: If you don
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Is God a Taoist? 324GOD: So you ref
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Is God a Taoist? 326Omniscience, bu
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Is God a Taoist? 328MORTAL: What po
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Is God a Taoist? 330GOD: I meant th
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Is God a Taoist? 332GOD: Not at all
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Is God a Taoist? 334get done. In mo
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Is God a Taoist? 336MORTAL: Of cour
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Is God a Taoist? 338of nature. What
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Is God a Taoist? 340I can see by yo
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Is God a Taoist? 342Are “inner pe
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21Jorge Luis BorgesThe Circular Rui
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The Circular Ruins 346the vain ligh
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The Circular Ruins 348with these di
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The Circular Ruins 350"If I wasn't
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The Circular Ruins 352it doesn't "k
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Minds, Brains and Programs 354progr
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Minds, Brains and Programs 356prete
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Minds, Brains and Programs 358cases
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Minds, Brains and Programs 360cause
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Minds, Brains and Programs 362on th
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Minds, Brains and Programs 364corre
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Minds, Brains and Programs 366but a
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Minds, Brains and Programs 368by co
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Minds, Brains and Programs 370opera
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Minds, Brains and Programs 372proje
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Minds, Brains and Programs 374as he
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Minds, Brains and Programs 376Knob
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Minds, Brains and Programs 378You m
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Minds, Brains and Programs 380late"
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Minds, Brains and Programs 382are w
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An Unfortunate Dualist 384ding the
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An Unfortunate Dualist 386long-term
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An Unfortunate Dualist 388Ripper wa
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What Is It Like to Be a Bat? 392of
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What Is It Like to Be a Bat? 394jec
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What Is It Like to Be a Bat? 396des
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What Is It Like to Be a Bat? 398nat
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What Is It Like to Be a Bat? 400ces
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What Is It Like to Be a Bat? 402sen
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What Is It Like to Be a Bat? 404lan
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What Is It Like to Be a Bat? 406The
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What Is It Like to Be a Bat? 408com
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What Is It Like to Be a Bat? 410rep
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What Is It Like to Be a Bat? 412bat
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What Is It Like to Be a Bat? 414Lan
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An Epistemological Nightmare 416FRA
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An Epistemological Nightmare 418EPI
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An Epistemological Nightmare 420is
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An Epistemological Nightmare 422FRA
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An Epistemological Nightmare 424dec
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An Epistemological Nightmare 426red
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An Epistemological Nightmare 428ano
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26Douglas R. HofstadterA Conversati
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A Conversation with Einstein’s Br
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Fiction 462him. And if he writes th
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Fiction 464wouldn't it be true for
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Further Reading 466"enter and infor
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Further Reading 468Hugh Everett's o
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Further Reading 470logic, see Howar
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Further Reading 472is Pamela McCord
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Further Reading 474who wants to dec
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Further Reading 476Fictional object
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Further Reading 478Two other recent
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Further Reading 480than phenomena t
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Further Reading 4821972), a harrowi
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IndexAbelson, Robert P:, 473, 477ab
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Index 486in, 11-12; and propagation
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Index 488devil, nature of, 334, 342
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Index 490game of Life, 319-20, 385,
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Index 492Jaynes, Julian, 468-69jeal
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Index 494ear" nature of, 294; nonqu
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Index 496physical symbol system, 36
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Index 498scribes, 128Scriptures, 38
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Index 500systems theory, 358-62, 37
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