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••When gypsies and a fur coat meetBring out all the flattering superlatives and apply every "est" one of them to "TheLiving Corpse," presented at the University D ecember 15 and 16. If this wasn't the bestplay produced on the campus in many years, it will do handsomely as a substitute.When Leo Tolstoi, philosopher, novelist, and dramatist, wrote "The Living Corpse"(also known as "Redemption"), he left a masterpiece for all time. When the play waspresented in its motion picture version several years ago, it was heralded as the best R ussiandrama to find its way to the screen up to that date. With this outstanding structure onwhich to build, the Idaho dramatists turned out a highly creditable piece of work. Thecampus production had a special significance, too, as it marked Fred C. Blanchard'sinitial bow to an Idaho audience as an actor.Portraying the character of Fedya, the truan t husband, who becomes "the livingcorpse" because his existence makes life unbearable for others, Blanchard, the director,surpassed himself as an actor. l n the play, we saw him sometimes as a man drunk withthe love of a gypsy girl, again as a man sinking to the depths, once as a man who hasreached the depths, then as a defiant, pitiable figure standing before the power of theR ussian "double-eagle," and, at last, as a desperate man who takes the only way out to doTn an underworld dive ... "T'm dead, dead, and far beyond your power,"' says Blanchard hcforc the Magistrate •..The living corpse is no more•••••• *