Intercourse, by: Andrea Dworkin - Feminish

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way he loves, which is with and through the body and fucking.What he wants but cannot have—because he loves—isperhaps best described by Eric in Another Country:And the encounter took place, at last, between two dreamers,neither o f whom could wake the other, except for the bitterestand briefest o f seconds. T hen sleep descended again, thesearch continued, chaos came again. 47But Giovanni never escapes his ability to feel; his identity. Beingable to love, rooted in self-knowledge, only makes lovepossible, not inevitable; not happy; not reciprocal; never safeor certain or easy.With the destruction of identity, fucking as love is destroyed,because, as Baldwin says, “to make love to you is not the samething as taking you. Love is a journey two people have to makewith each other. ”48Those who are able to know themselvesmust then find “the grace” that enables them to conquer thefear of that knowledge, “ [f]or the meaning of revelation is thatwhat is revealed is true, and must be borne. ”49With this grace,fucking can be communion, a sharing, mutual possession of anenormous mystery; it has the intensity and magnificence of violentfeeling transformed into tenderness:Everything in him, from his heights and depths, his mysterious,hidden source, came rushing together, like a great floodbarely channeled in a narrow mountain stream. And it chilledhim like that— like icy water; and roared in him like that, andwith the menace o f things scarcely understood, barely to becontrolled; and he shook with the violence with w hich he
flowed towards Yves. It was this violence w hich made himgentle, for it frightened him . 50The tenderness is the inner violence transformed by love andself-knowledge into complex and compassionate passion; andthe passion is gentle in that it does not destroy.Fucking as communion is larger than an individual personality;it is a radical experience of seeing and knowing, experiencingpossibilities within one that had been hidden.Vivaldo, the white lover of Ida, Rufus’s sister, has sex withEric that brings him, finally, face-to-face with a truth he hasdenied, and this enables him to face his other failures of loveand courage:He felt that he had stepped off a precipice into an air whichheld him inexorably up, as the salt sea holds the swimmer:and seemed to see. . . into the bottom o f his heart, that heartwhich contained all possibilities that he could name and yetothers that he could not name.... He moaned and his thighs,like the thighs o f a woman, loosened, he thrust upward as Ericthrust dow n. 51It is this first real experience of being loved— not doing it butbeing the beloved— that helps to enable him, later, to face Ida,who is being destroyed by his refusal to face hard truths, hisinability to give the gift of himself because he does not dareknow himself. In particular, this act of communion helpedhim to understand in precisely what way, and at what cost, hehad abandoned Rufus: “ ; I loved Rufus, I loved him, I didn’twant him to die. But when he was dead, I thought about
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Published by Basic BooksA Member of
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True rebels, after all, are as rare
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FOREWORDLike most writers, Andrea D
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She begins with an exploration of s
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sex you’ve been lucky or unlucky
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against the prison, and because her
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Though she was herself middle class
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movement. The term “prosex femini
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Forewordhelp people understand what
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Forewordattractive, even if we don
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PREFACEWhen I finished writing Inte
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strategy of threat that usually wor
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Adam—and die material power he st
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chapteroneREPULSIONN 1 9 0 5 , A T
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Repulsionphenomenon, and aversive.
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Repulsion 7state censor for permiss
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story, because the sex act makes th
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Repulsionof male domination, with s
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Depravity, debauchery, dissolutenes
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exploiter is what he brings to the
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Repulsionyears— this passage bein
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e reduced to being this sexual obje
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This anguish ended only with killin
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Page 55 and 56: separate bodies; and then, with som
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Page 59 and 60: What one feels on the skin is overw
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Page 63 and 64: self-involvement that pass for feel
Page 65 and 66: logic, no purpose. In this vision o
Page 67 and 68: his bedpost, he uses touch to get a
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Page 71 and 72: The men, civilized, in shells of id
Page 73 and 74: STIGMAST IG M A C O M E S F R O M T
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Page 77 and 78: affectations; she has a nervous lau
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Page 81 and 82: and there he is—Stanley Kowalski!
Page 83 and 84: my empty heart with.. . . I think i
Page 85 and 86: Physical beauty is passing. A trans
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Page 89 and 90: with imagination is pushed forward
Page 91 and 92: e better than the world. ’”4Bei
Page 93 and 94: and what he had paid, what he had b
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Page 101 and 102: ecomes impersonal. ” 35 Passion b
Page 103: passion, from the commitment and th
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Page 109 and 110: muscles that contract like a fist s
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Page 117 and 118: jesting and frivolity that evening.
Page 119 and 120: collapse and the abandonment of wil
Page 121 and 122: piously went about their work. ”
Page 123 and 124: and when Rechele went to confide in
Page 125 and 126: her flesh. Comatose or not, that sa
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Page 129 and 130: THE FEMALE CONDITIONYou mention the
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Page 137 and 138: avest of her troop. And there Fortu
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Page 141 and 142: than they had ever been but not hum
Page 143 and 144: learned men, skilled orators; she w
Page 145 and 146: honor. This was not a puerile virgi
Page 147 and 148: would have held virginity to be a s
Page 149 and 150: accounts are happily invisible in t
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exception. Joan’s intransigence c
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“ the key to her strength and pow
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could or should belong to a woman,
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fantasy, in the ether, not ever hav
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“ It was he who might rather have
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pursue sex. The intercourse itself,
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Romance was her suicidal substitute
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Sophie Tolstoy, having been “ tra
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Modern versions of the story, espec
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y sex in that she is not carnal, no
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The sexual predator is murderous, a
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In Dracula, vampirism is—to be pe
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OCCUPATION/COLLABORATIONOh, God, wh
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Intercourse in reality is a use and
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classes, and so we preserve the pri
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one in which men have social, econo
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We are poorer than men in money and
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[There might be] more a mutual lyin
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Occupation/Collaborationhe might no
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Occupation/Collaborationnot at the
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tyranny and the atrocities of histo
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speak their language. Our minds thi
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Occupation/Collaboration“ iniquit
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gression of those boundaries comes
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including the condition of women, w
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it: except for the fact that it is
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those demands. It is the best syste
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POWER, STATUS, AND HATEIs that a gu
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pie know, how consciousness and sel
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eal hierarchy that nature or God cr
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less dignity and less freedom, with
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way. In fact the relationship which
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Proust too described the “feminin
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carnal chattel of men; proper objec
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intercourse expressed both the oppo
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Augustine of lust, “were a chain
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always a tension between the law th
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and you fuck him; and ultimately th
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direct: “The man had intercourse
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ejaculated into her vagina, her cap
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“ But if you can’t rape your wi
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DIRT/DEATHN FER IO R ITY IS N O T B
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month, parturiates once a year and
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the Arabs. Fuck means peace. Fuck m
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Inferiority— sex-based or race-ba
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The racially despised men pollute t
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. . . Perched in this roost about f
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apes at all; he is visually impaire
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are faceless. Without consciously r
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She painted the suffering, enraged;
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woman’s sensuality being, in the
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is concerned I am an aristocrat. I
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contact with her inferiority, her d
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what makes it so much fun. )”57 I
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scabbard or sheath. The penetration
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stands upright next to the bed, he
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your child were going to be killed
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far from asserting aggressive viril
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two parts on the bed. ” 78This to
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NOTESC H A P T E R 1R E P U L SIO N
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60. L. Tolstoy, Kreutzer Sonata, p.
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14. Williams, Summer and Smoke, p.
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2. Isaac Bashevis Singer, Satan in
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31. Trial of Joan of Arc, p. 127.32
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106. Bram Stoker, Dracula (New York
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21. Augustine, Confessions, p. 181.
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39. Raphael Patai, Sex and Family i
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BIBLIOGRAPHYAbbey, Edward. Down the
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_____ . Sweet William. New York: Ge
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_____ . Looking on Darkness. London
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_____ . Oh What a Paradise It Seems
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Donahue Transcript No. 01310: Phil
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Frame, Donald M. Montaigne. San Fra
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Gertler, T. Elbowing the Seducer. N
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Harrison, Barbara Grizzuti. Visions
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Johnson, Joyce. Minor Characters. N
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_____ . Women in Love. New York: Pe
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Marcus, Maria. A Taste for Pain. Tr
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_____ . Runaway Horses. Translated
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_____ . Guerrillas. New York: Vinta
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_____ . Voices. New York: Farrar, S
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Said, Edward W. Covering Islam. New
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_____ . Mon (“ The Gate”). Tran
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_____ . Seven Japanese Tales. Trans
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Walker, Alan. Franz Liszt: The Virt
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Yallop, David A. Deliver Us from Ev
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Castration, 220Catholic Church, and
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A Few Small Nips (Kahlo), 240-241Fl
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Kafka, Franz, 1, 163Kahlo, Frida, 2
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Physical privacyargument used to sa
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Singer, Isaac Bashevis, 85Skin, 25-
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