Intercourse, by: Andrea Dworkin - Feminish

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The community asserts its right to insist on the fuck; and thecommunity asserts its right to keep the ultimate meaning andconsequence of possession secret; known to men, not towomen—not publicly visible to women; known especially tothe men who take particular pleasure in the real and final destructionof the possessed: this final destruction best done insecret, in hiding, in the great prisons and brothels of esotericpornography; not in the public square, not in the synagogue.The community has rules; and the rules of the community protectmale power. The fuck is legitimate sexual possession, effectivein taking over the woman’s insides; but the impersonallypossessed and pornographized woman in public goes too far,especially in exposing to women the real cost of male dominance,the real meaning of possession, a destiny down the road.Rechele dies. Goray sets limits again, goes back to being holyand religious and law-abiding; so that those who do the fuckingcan maintain their social and sexual power; so that their potencywill be sustained, not threatened, <strong>by</strong> the interfacing ofpublic order and private reality. In a world of male power—penilepower—fucking is the essential sexual experience of powerand potency and possession; fucking <strong>by</strong> mortal men, regularguys. Alone together, a man fucks a woman; he possesses her;the act is an act of possession in and of itself; the man and thewoman experience it as such. Neither appears to know that thecommunity participates in the fuck, giving it its power as possession:shades cheering at the bedside, checking the sheets inthe morning for blood. The sex act virtually stands in for thecommunity; the man a good soldier, advancing his side overtricky terrain. Fucking is an exemplary sex act, an act of possession,intimate, private; the community’s imperative to fuck andregulation of the fuck invisible in the fuck itself.
THE FEMALE CONDITIONYou mention the tribulations of women. I’m now in that milieu.You’ll see that I’ve had to dive deep down into that sentimentalwell. If my book is good it will gendy caress many a femininewound; and many a one will smile as she recognizes herself.I’ll have known all your sorrow s, poor dim souls, damp withpent-up melancholy, like your provincial back-vards, the wallsof which are covered with fungus.G ustave F laubert
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Published by Basic BooksA Member of
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True rebels, after all, are as rare
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FOREWORDLike most writers, Andrea D
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She begins with an exploration of s
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sex you’ve been lucky or unlucky
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against the prison, and because her
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Though she was herself middle class
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movement. The term “prosex femini
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Forewordhelp people understand what
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Forewordattractive, even if we don
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PREFACEWhen I finished writing Inte
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strategy of threat that usually wor
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Adam—and die material power he st
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chapteroneREPULSIONN 1 9 0 5 , A T
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Repulsionphenomenon, and aversive.
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Repulsion 7state censor for permiss
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story, because the sex act makes th
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Repulsionof male domination, with s
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Depravity, debauchery, dissolutenes
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exploiter is what he brings to the
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Repulsionyears— this passage bein
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e reduced to being this sexual obje
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This anguish ended only with killin
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were part of the wealth he owned; a
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separate bodies; and then, with som
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identity becomes a new, tough, impe
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What one feels on the skin is overw
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— A sultry wind is blowing betwee
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self-involvement that pass for feel
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logic, no purpose. In this vision o
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his bedpost, he uses touch to get a
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intercourse stops, when one person
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The men, civilized, in shells of id
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STIGMAST IG M A C O M E S F R O M T
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The meaning of the tattoo here is n
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Page 123 and 124: and when Rechele went to confide in
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Page 145 and 146: honor. This was not a puerile virgi
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Page 171 and 172: Modern versions of the story, espec
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OCCUPATION/COLLABORATIONOh, God, wh
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Intercourse in reality is a use and
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classes, and so we preserve the pri
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one in which men have social, econo
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We are poorer than men in money and
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[There might be] more a mutual lyin
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Occupation/Collaborationhe might no
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Occupation/Collaborationnot at the
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tyranny and the atrocities of histo
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speak their language. Our minds thi
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Occupation/Collaboration“ iniquit
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gression of those boundaries comes
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including the condition of women, w
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it: except for the fact that it is
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those demands. It is the best syste
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POWER, STATUS, AND HATEIs that a gu
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pie know, how consciousness and sel
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eal hierarchy that nature or God cr
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less dignity and less freedom, with
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way. In fact the relationship which
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Proust too described the “feminin
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carnal chattel of men; proper objec
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intercourse expressed both the oppo
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Augustine of lust, “were a chain
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always a tension between the law th
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and you fuck him; and ultimately th
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direct: “The man had intercourse
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ejaculated into her vagina, her cap
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“ But if you can’t rape your wi
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DIRT/DEATHN FER IO R ITY IS N O T B
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month, parturiates once a year and
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the Arabs. Fuck means peace. Fuck m
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Inferiority— sex-based or race-ba
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The racially despised men pollute t
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. . . Perched in this roost about f
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apes at all; he is visually impaire
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are faceless. Without consciously r
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She painted the suffering, enraged;
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woman’s sensuality being, in the
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is concerned I am an aristocrat. I
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contact with her inferiority, her d
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what makes it so much fun. )”57 I
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scabbard or sheath. The penetration
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stands upright next to the bed, he
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your child were going to be killed
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far from asserting aggressive viril
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two parts on the bed. ” 78This to
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NOTESC H A P T E R 1R E P U L SIO N
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60. L. Tolstoy, Kreutzer Sonata, p.
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14. Williams, Summer and Smoke, p.
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2. Isaac Bashevis Singer, Satan in
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31. Trial of Joan of Arc, p. 127.32
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106. Bram Stoker, Dracula (New York
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21. Augustine, Confessions, p. 181.
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39. Raphael Patai, Sex and Family i
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BIBLIOGRAPHYAbbey, Edward. Down the
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_____ . Sweet William. New York: Ge
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_____ . Looking on Darkness. London
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_____ . Oh What a Paradise It Seems
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Donahue Transcript No. 01310: Phil
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Frame, Donald M. Montaigne. San Fra
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Gertler, T. Elbowing the Seducer. N
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Harrison, Barbara Grizzuti. Visions
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Johnson, Joyce. Minor Characters. N
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_____ . Women in Love. New York: Pe
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Marcus, Maria. A Taste for Pain. Tr
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_____ . Runaway Horses. Translated
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_____ . Guerrillas. New York: Vinta
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_____ . Voices. New York: Farrar, S
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Said, Edward W. Covering Islam. New
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_____ . Mon (“ The Gate”). Tran
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_____ . Seven Japanese Tales. Trans
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Walker, Alan. Franz Liszt: The Virt
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Yallop, David A. Deliver Us from Ev
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Castration, 220Catholic Church, and
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A Few Small Nips (Kahlo), 240-241Fl
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Kafka, Franz, 1, 163Kahlo, Frida, 2
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Physical privacyargument used to sa
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Singer, Isaac Bashevis, 85Skin, 25-
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