Intercourse, by: Andrea Dworkin - Feminish

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There is very little I would presume to say on AndreaDworkin’s behalf, but I will posit the following: she wanted anew and different world, a world that would be unrecognizablein many ways. She wanted to end violence against women andsexual violence in general. But there was one thing she badlywanted that was— and is— entirely possible. She wanted whatall writers want and what she actually deserved: to be read.A riel L evy
PREFACEWhen I finished writing Intercourse one colleague advised meto add an introduction to explain what the book said. That way,readers would not be shocked, afraid, or angry, because theideas would be familiar—prechewed, easier to digest; I wouldbe protected from bad or malicious readings and purposefuldistortions; and my eagerness to explain myself would showthat I wanted people to like me and my book, the quintessentialfeminine pose. At least one knee would be visibly bent.Other colleagues— probably more to the point— told mestraight-out to publish it under a pseudonym. I would not; andIntercourse became— socially speaking— a Rorschach inkblotin which people saw their fantasy caricatures of me and whatthey presumed to know about me. First published in theUnited States in 1987— simultaneously with my novel Ice andFire—Intercourse is still being reviled in print by people whohave not read it, reduced to slogans by journalists posing ascritics or sages or deep thinkers, treated as if it were odious andhateful by every asshole who thinks that what will heal this violentworld is more respect for dead white men.My colleagues, of course, had been right; but their advice offendedme. I have never written for a cowardly or passive or
Page 4 and 5: Published by Basic BooksA Member of
Page 6 and 7: True rebels, after all, are as rare
Page 8 and 9: FOREWORDLike most writers, Andrea D
Page 10 and 11: She begins with an exploration of s
Page 12 and 13: sex you’ve been lucky or unlucky
Page 14 and 15: against the prison, and because her
Page 16 and 17: Though she was herself middle class
Page 18 and 19: movement. The term “prosex femini
Page 21 and 22: Forewordhelp people understand what
Page 23: Forewordattractive, even if we don
Page 27 and 28: strategy of threat that usually wor
Page 29: Adam—and die material power he st
Page 32 and 33: chapteroneREPULSIONN 1 9 0 5 , A T
Page 34 and 35: Repulsionphenomenon, and aversive.
Page 36 and 37: Repulsion 7state censor for permiss
Page 38 and 39: story, because the sex act makes th
Page 40 and 41: Repulsionof male domination, with s
Page 42 and 43: Depravity, debauchery, dissolutenes
Page 44 and 45: exploiter is what he brings to the
Page 46 and 47: Repulsionyears— this passage bein
Page 49 and 50: e reduced to being this sexual obje
Page 51 and 52: This anguish ended only with killin
Page 53 and 54: were part of the wealth he owned; a
Page 55 and 56: separate bodies; and then, with som
Page 57 and 58: identity becomes a new, tough, impe
Page 59 and 60: What one feels on the skin is overw
Page 61 and 62: — A sultry wind is blowing betwee
Page 63 and 64: self-involvement that pass for feel
Page 65 and 66: logic, no purpose. In this vision o
Page 67 and 68: his bedpost, he uses touch to get a
Page 69 and 70: intercourse stops, when one person
Page 71 and 72: The men, civilized, in shells of id
Page 73 and 74: STIGMAST IG M A C O M E S F R O M T
Page 75 and 76:
The meaning of the tattoo here is n
Page 77 and 78:
affectations; she has a nervous lau
Page 79 and 80:
weakness of the flesh; needing and
Page 81 and 82:
and there he is—Stanley Kowalski!
Page 83 and 84:
my empty heart with.. . . I think i
Page 85 and 86:
Physical beauty is passing. A trans
Page 87 and 88:
COMMUNIONn A m e r i k a , t h e r
Page 89 and 90:
with imagination is pushed forward
Page 91 and 92:
e better than the world. ’”4Bei
Page 93 and 94:
and what he had paid, what he had b
Page 95 and 96:
to explicate this morality is aston
Page 97 and 98:
violence o f the deep.. . . Her bre
Page 99 and 100:
elty, more than this trouble and pa
Page 101 and 102:
ecomes impersonal. ” 35 Passion b
Page 103 and 104:
passion, from the commitment and th
Page 105 and 106:
flowed towards Yves. It was this vi
Page 107 and 108:
POSSESSIONN T E R C O U R S E IS C
Page 109 and 110:
muscles that contract like a fist s
Page 111 and 112:
equires access to every hidden inch
Page 113 and 114:
ody dies, or the lover discards the
Page 115 and 116:
animals, blood, feathers, knives, t
Page 117 and 118:
jesting and frivolity that evening.
Page 119 and 120:
collapse and the abandonment of wil
Page 121 and 122:
piously went about their work. ”
Page 123 and 124:
and when Rechele went to confide in
Page 125 and 126:
her flesh. Comatose or not, that sa
Page 127 and 128:
and she spread her legs to show her
Page 129 and 130:
THE FEMALE CONDITIONYou mention the
Page 131 and 132:
yet, including the Nazis, has kille
Page 133 and 134:
oundaries and degraded possibilitie
Page 135 and 136:
this same Robert that I must go int
Page 137 and 138:
avest of her troop. And there Fortu
Page 139 and 140:
who maketh thee so bold to allow th
Page 141 and 142:
than they had ever been but not hum
Page 143 and 144:
learned men, skilled orators; she w
Page 145 and 146:
honor. This was not a puerile virgi
Page 147 and 148:
would have held virginity to be a s
Page 149 and 150:
accounts are happily invisible in t
Page 151 and 152:
was free, a rare and remarkable qua
Page 153 and 154:
which she wore as men did, she was
Page 155 and 156:
exception. Joan’s intransigence c
Page 157 and 158:
“ the key to her strength and pow
Page 159 and 160:
could or should belong to a woman,
Page 161 and 162:
fantasy, in the ether, not ever hav
Page 163 and 164:
“ It was he who might rather have
Page 165 and 166:
pursue sex. The intercourse itself,
Page 167 and 168:
Romance was her suicidal substitute
Page 169 and 170:
Sophie Tolstoy, having been “ tra
Page 171 and 172:
Modern versions of the story, espec
Page 173 and 174:
y sex in that she is not carnal, no
Page 175 and 176:
The sexual predator is murderous, a
Page 177 and 178:
In Dracula, vampirism is—to be pe
Page 179 and 180:
OCCUPATION/COLLABORATIONOh, God, wh
Page 181 and 182:
Intercourse in reality is a use and
Page 183 and 184:
classes, and so we preserve the pri
Page 185 and 186:
one in which men have social, econo
Page 187 and 188:
We are poorer than men in money and
Page 189 and 190:
[There might be] more a mutual lyin
Page 191 and 192:
Occupation/Collaborationhe might no
Page 193 and 194:
Occupation/Collaborationnot at the
Page 195 and 196:
tyranny and the atrocities of histo
Page 197 and 198:
speak their language. Our minds thi
Page 199 and 200:
Occupation/Collaboration“ iniquit
Page 201 and 202:
gression of those boundaries comes
Page 203 and 204:
including the condition of women, w
Page 205 and 206:
it: except for the fact that it is
Page 207 and 208:
those demands. It is the best syste
Page 209 and 210:
POWER, STATUS, AND HATEIs that a gu
Page 211 and 212:
pie know, how consciousness and sel
Page 213 and 214:
eal hierarchy that nature or God cr
Page 215 and 216:
less dignity and less freedom, with
Page 217 and 218:
way. In fact the relationship which
Page 219 and 220:
Proust too described the “feminin
Page 221 and 222:
carnal chattel of men; proper objec
Page 223 and 224:
intercourse expressed both the oppo
Page 225 and 226:
Augustine of lust, “were a chain
Page 227 and 228:
always a tension between the law th
Page 229 and 230:
and you fuck him; and ultimately th
Page 231 and 232:
direct: “The man had intercourse
Page 233 and 234:
ejaculated into her vagina, her cap
Page 235 and 236:
“ But if you can’t rape your wi
Page 237 and 238:
DIRT/DEATHN FER IO R ITY IS N O T B
Page 239 and 240:
month, parturiates once a year and
Page 241 and 242:
the Arabs. Fuck means peace. Fuck m
Page 243 and 244:
Inferiority— sex-based or race-ba
Page 245 and 246:
The racially despised men pollute t
Page 247 and 248:
. . . Perched in this roost about f
Page 249 and 250:
apes at all; he is visually impaire
Page 251 and 252:
are faceless. Without consciously r
Page 253 and 254:
She painted the suffering, enraged;
Page 255 and 256:
woman’s sensuality being, in the
Page 257 and 258:
is concerned I am an aristocrat. I
Page 259 and 260:
contact with her inferiority, her d
Page 261 and 262:
what makes it so much fun. )”57 I
Page 263 and 264:
scabbard or sheath. The penetration
Page 265 and 266:
stands upright next to the bed, he
Page 267 and 268:
your child were going to be killed
Page 269 and 270:
far from asserting aggressive viril
Page 271 and 272:
two parts on the bed. ” 78This to
Page 273 and 274:
NOTESC H A P T E R 1R E P U L SIO N
Page 275 and 276:
60. L. Tolstoy, Kreutzer Sonata, p.
Page 277 and 278:
14. Williams, Summer and Smoke, p.
Page 279 and 280:
2. Isaac Bashevis Singer, Satan in
Page 281 and 282:
31. Trial of Joan of Arc, p. 127.32
Page 283 and 284:
106. Bram Stoker, Dracula (New York
Page 285 and 286:
21. Augustine, Confessions, p. 181.
Page 287 and 288:
39. Raphael Patai, Sex and Family i
Page 289 and 290:
BIBLIOGRAPHYAbbey, Edward. Down the
Page 291 and 292:
_____ . Sweet William. New York: Ge
Page 293 and 294:
_____ . Looking on Darkness. London
Page 295 and 296:
_____ . Oh What a Paradise It Seems
Page 297 and 298:
Donahue Transcript No. 01310: Phil
Page 299 and 300:
Frame, Donald M. Montaigne. San Fra
Page 301 and 302:
Gertler, T. Elbowing the Seducer. N
Page 303 and 304:
Harrison, Barbara Grizzuti. Visions
Page 305 and 306:
Johnson, Joyce. Minor Characters. N
Page 307 and 308:
_____ . Women in Love. New York: Pe
Page 309 and 310:
Marcus, Maria. A Taste for Pain. Tr
Page 311 and 312:
_____ . Runaway Horses. Translated
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_____ . Guerrillas. New York: Vinta
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_____ . Voices. New York: Farrar, S
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Said, Edward W. Covering Islam. New
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_____ . Mon (“ The Gate”). Tran
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_____ . Seven Japanese Tales. Trans
Page 323 and 324:
Walker, Alan. Franz Liszt: The Virt
Page 325 and 326:
Yallop, David A. Deliver Us from Ev
Page 327 and 328:
Castration, 220Catholic Church, and
Page 329 and 330:
A Few Small Nips (Kahlo), 240-241Fl
Page 331 and 332:
Kafka, Franz, 1, 163Kahlo, Frida, 2
Page 333 and 334:
Physical privacyargument used to sa
Page 335 and 336:
Singer, Isaac Bashevis, 85Skin, 25-
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