Intercourse, by: Andrea Dworkin - Feminish

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law itself has created. The law says what is lawless with precision,in detail, drawing lines the lawless adhere to. In keepingmen or masculinity supreme in value or in subordinatingwomen through sex, legal or illegal, one does the law’s realwork. The law lets men work both sides of it and uses both thelegal and the illegal fuck to create conditions of inferiority forwomen; conditions that not coincidentally keep women dividedfrom one another. The illegal fuck, for instance, keepsthe prostitute incarcerated in a ghetto hellhole of sexual subserviencewhile the legal fuck keeps the wife used, controlled,sexually subservient, in the home. The legal and the illegal fuckcreate the legal and the illegal woman; but the law controlswhat is created, how, in what circumstances, under what conditions—the kind and quality of subordination each is subjectedto; the inferior status of each; the role of intercourse in the subordinationof each. Law creates lawlessness, and, in eachsphere, intercourse is political dominance; power as power orpower as pleasure.
DIRT/DEATHN FER IO R ITY IS N O T BANAL OR INCIDEN TAL EVEN W HEN ITIhappens to women. It is not a petty affliction like bad skin orcircles under the eyes. It is not a superficial flaw in an otherwiseperfect picture. It is not a minor irritation, nor is it a trivialinconvenience, an occasional aggravation, or a regrettable but(frankly) harmless lapse in manners. It is not a “point of view”that some people with soft skins find “offensive. ” It is the deepand destructive devaluing of a person in life, a shredding ofdignity and self-respect, an imposed exile from human worthand human recognition, the forced alienation of a person fromeven the possibility of wholeness or internal integrity. Inferiorityputs rightful self-love beyond reach, a dream fragmented <strong>by</strong>insult into a perpetually recurring nightmare; inferiority createsa person broken and humiliated inside. The fragments—scattered pieces and sharp slivers of someone who can neverbe made whole— are then taken to be the standard of what isnormal in her kind: women are like that. The insult that hurther— inferiority as an assault, ongoing since birth— is seen as aconsequence, not a cause, of her so-called nature, an inferior
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Published by Basic BooksA Member of
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True rebels, after all, are as rare
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FOREWORDLike most writers, Andrea D
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She begins with an exploration of s
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sex you’ve been lucky or unlucky
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against the prison, and because her
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Though she was herself middle class
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movement. The term “prosex femini
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Forewordhelp people understand what
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Forewordattractive, even if we don
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PREFACEWhen I finished writing Inte
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strategy of threat that usually wor
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Adam—and die material power he st
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chapteroneREPULSIONN 1 9 0 5 , A T
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Repulsionphenomenon, and aversive.
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Repulsion 7state censor for permiss
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story, because the sex act makes th
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Repulsionof male domination, with s
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Depravity, debauchery, dissolutenes
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exploiter is what he brings to the
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Repulsionyears— this passage bein
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e reduced to being this sexual obje
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This anguish ended only with killin
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were part of the wealth he owned; a
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separate bodies; and then, with som
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identity becomes a new, tough, impe
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What one feels on the skin is overw
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— A sultry wind is blowing betwee
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self-involvement that pass for feel
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logic, no purpose. In this vision o
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his bedpost, he uses touch to get a
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intercourse stops, when one person
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The men, civilized, in shells of id
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STIGMAST IG M A C O M E S F R O M T
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The meaning of the tattoo here is n
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affectations; she has a nervous lau
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weakness of the flesh; needing and
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and there he is—Stanley Kowalski!
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my empty heart with.. . . I think i
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Physical beauty is passing. A trans
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COMMUNIONn A m e r i k a , t h e r
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with imagination is pushed forward
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e better than the world. ’”4Bei
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and what he had paid, what he had b
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to explicate this morality is aston
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violence o f the deep.. . . Her bre
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elty, more than this trouble and pa
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ecomes impersonal. ” 35 Passion b
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passion, from the commitment and th
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flowed towards Yves. It was this vi
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POSSESSIONN T E R C O U R S E IS C
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muscles that contract like a fist s
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equires access to every hidden inch
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ody dies, or the lover discards the
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animals, blood, feathers, knives, t
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jesting and frivolity that evening.
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collapse and the abandonment of wil
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piously went about their work. ”
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and when Rechele went to confide in
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her flesh. Comatose or not, that sa
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and she spread her legs to show her
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THE FEMALE CONDITIONYou mention the
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yet, including the Nazis, has kille
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oundaries and degraded possibilitie
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this same Robert that I must go int
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avest of her troop. And there Fortu
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who maketh thee so bold to allow th
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than they had ever been but not hum
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learned men, skilled orators; she w
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honor. This was not a puerile virgi
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would have held virginity to be a s
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accounts are happily invisible in t
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was free, a rare and remarkable qua
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which she wore as men did, she was
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exception. Joan’s intransigence c
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“ the key to her strength and pow
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could or should belong to a woman,
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fantasy, in the ether, not ever hav
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“ It was he who might rather have
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pursue sex. The intercourse itself,
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Romance was her suicidal substitute
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Sophie Tolstoy, having been “ tra
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Modern versions of the story, espec
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y sex in that she is not carnal, no
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The sexual predator is murderous, a
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In Dracula, vampirism is—to be pe
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OCCUPATION/COLLABORATIONOh, God, wh
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Intercourse in reality is a use and
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classes, and so we preserve the pri
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Page 191 and 192: Occupation/Collaborationhe might no
Page 193 and 194: Occupation/Collaborationnot at the
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Page 209 and 210: POWER, STATUS, AND HATEIs that a gu
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Page 219 and 220: Proust too described the “feminin
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Page 243 and 244: Inferiority— sex-based or race-ba
Page 245 and 246: The racially despised men pollute t
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Page 251 and 252: are faceless. Without consciously r
Page 253 and 254: She painted the suffering, enraged;
Page 255 and 256: woman’s sensuality being, in the
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Page 259 and 260: contact with her inferiority, her d
Page 261 and 262: what makes it so much fun. )”57 I
Page 263 and 264: scabbard or sheath. The penetration
Page 265 and 266: stands upright next to the bed, he
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Page 269 and 270: far from asserting aggressive viril
Page 271 and 272: two parts on the bed. ” 78This to
Page 273 and 274: NOTESC H A P T E R 1R E P U L SIO N
Page 275 and 276: 60. L. Tolstoy, Kreutzer Sonata, p.
Page 277 and 278: 14. Williams, Summer and Smoke, p.
Page 279 and 280: 2. Isaac Bashevis Singer, Satan in
Page 281 and 282: 31. Trial of Joan of Arc, p. 127.32
Page 283 and 284: 106. Bram Stoker, Dracula (New York
Page 285 and 286: 21. Augustine, Confessions, p. 181.
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39. Raphael Patai, Sex and Family i
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BIBLIOGRAPHYAbbey, Edward. Down the
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_____ . Sweet William. New York: Ge
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_____ . Looking on Darkness. London
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_____ . Oh What a Paradise It Seems
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Donahue Transcript No. 01310: Phil
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Frame, Donald M. Montaigne. San Fra
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Gertler, T. Elbowing the Seducer. N
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Harrison, Barbara Grizzuti. Visions
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Johnson, Joyce. Minor Characters. N
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_____ . Women in Love. New York: Pe
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Marcus, Maria. A Taste for Pain. Tr
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_____ . Runaway Horses. Translated
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_____ . Guerrillas. New York: Vinta
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_____ . Voices. New York: Farrar, S
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Said, Edward W. Covering Islam. New
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_____ . Mon (“ The Gate”). Tran
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_____ . Seven Japanese Tales. Trans
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Walker, Alan. Franz Liszt: The Virt
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Yallop, David A. Deliver Us from Ev
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Castration, 220Catholic Church, and
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A Few Small Nips (Kahlo), 240-241Fl
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Kafka, Franz, 1, 163Kahlo, Frida, 2
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Physical privacyargument used to sa
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Singer, Isaac Bashevis, 85Skin, 25-
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