Intercourse, by: Andrea Dworkin - Feminish

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INDEXAbe, Kobo, 210, 226in The Box Man, 29and essential quality of knowingthrough touch, 38. See alsoTouchingin The Face of Another, 26, 29in The Woman in the Dunes, 28Abuseof Leona in Another Country, 68, 69of racially despised women, 219,223-224sadistic, 239and use, synthesized as intercourse,154-155, 157-158Adultery, 133signifying female freedom(Flaubert), 136, 137Alienationfrom integrity, forced on women, 213resulting from lust for dominance(Augustine), 191from the worth of other females,179-180Anger/animosityexpressed as intercourse, 159as intrinsic to sex act, 17Another Country (Baldwin), 76, 77, 226described, 61-63, 65-70Anti-Semite and Jew (Sartre), 225Anti-Semitism, 224, 225Argentina, and racially based rape,223-224Art as virginal (Sophie Tolstoy), 142Augustine, 190on lust for dominance, 190-191, 196on sodomy, 192on unrestrained lust, 199, 200Baldwin, James, 60, 69-70, 219on suffering, 70-71, 72Bataille, Georges, 242, 243Battering. See AbuseBettelheim, Bruno, 235Biological arguments for inferiority ofwomen, 176Bondage, 176A Book of Co mmon Prayer (Didion), 246Box, as metaphor for skin (Abe), 29, 31The Box Man (Abe)interpretation of nakedness, 40-41story described, 29-31touching means being human, 38-39Bretonne, Restif de la, 232Brink, Andr6, 141Br0gger, Suzanne, 242Brown, Norman O., 166, 239Bruce, Lenny, 122Calvino, Italo, 142Cannibalism, 147
Castration, 220Catholic Church, and persecution ofJoan of Arc, 104, 111-114, 127Cauchon, Pierre, 110tries Joan of Arc for heresy, 112-113Charles VII, king of France, 103, 104,108, 109Chastityinner, 75of Joan of Arc, 121needed for equality of sexes, 20required for universal peace (TheKreutzer Sonata), 5 , 16synonymous with clean, 230Chingada, 228, 229, 240Chmelnicki, Bogdan, 86, 88Christianityand male circumcision, 244-245and man’s divine right of sovereigntyover wife, 206Circumcision, 243-245female. See ClitoridectomyCleaver, Eldridge, 226Clitoridectomy, 244as genital mutilation, 245Coital dread, 163Coldnessafter satiation (Tolstoy), 7-8, 16-17expressed as impotence in Satan inGoray, 94Colet, Louise, 140, 141Communionand fear of being loved (AnotherCountry), 64-65as love, self-knowledge, 76-77Communist Manifesto (Marx), 172Conrad, Joseph, 243Cross dressing, 108Joan of Arc condemned, no, 114,125-126laws against, 197as sexual crime, 127signifies rebellion, freedom, 125-126signifies right to physical privacy,129-130Cusquel, Pierre, 130Dallas Cowboys Cheerleaders, 60Dare, Jacques, 106De Baudricourt, Robert, 107-108Deathawareness of, 241-242descent into, 238ends woman’s rebellion againstobjectification, 21genitalized, 239levels faced <strong>by</strong> Blanche Du Bois,55-57as self-ignorance (James Baldwin),62Debauchery, 13Deep Throat film, 150Degradation of women, 180-181DeLillo, Don, 165Delle Rose, Serafina, 46Depravity of sex actconnotes exploitation of women, 14for men as exploiters, women asobjects, 20with political meaning (The KreutzerSonata), 12Desireand female freedom, 123-125as opposite of death, 55-56related to female beauty, 122-123of women, to determine event, 171Didion, Joan, 246Dirt, realm ofas dimension of men’s power overwomen, 215-216language signifies contempt, hostilityfor women, 217men’s attraction to, 231, 235, 236
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Published by Basic BooksA Member of
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True rebels, after all, are as rare
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FOREWORDLike most writers, Andrea D
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She begins with an exploration of s
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sex you’ve been lucky or unlucky
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against the prison, and because her
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Though she was herself middle class
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movement. The term “prosex femini
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Forewordhelp people understand what
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Forewordattractive, even if we don
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PREFACEWhen I finished writing Inte
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strategy of threat that usually wor
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Adam—and die material power he st
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chapteroneREPULSIONN 1 9 0 5 , A T
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Repulsionphenomenon, and aversive.
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Repulsion 7state censor for permiss
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story, because the sex act makes th
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Repulsionof male domination, with s
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Depravity, debauchery, dissolutenes
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exploiter is what he brings to the
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Repulsionyears— this passage bein
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e reduced to being this sexual obje
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This anguish ended only with killin
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were part of the wealth he owned; a
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separate bodies; and then, with som
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identity becomes a new, tough, impe
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What one feels on the skin is overw
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— A sultry wind is blowing betwee
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self-involvement that pass for feel
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logic, no purpose. In this vision o
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his bedpost, he uses touch to get a
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intercourse stops, when one person
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The men, civilized, in shells of id
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STIGMAST IG M A C O M E S F R O M T
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The meaning of the tattoo here is n
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affectations; she has a nervous lau
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weakness of the flesh; needing and
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and there he is—Stanley Kowalski!
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my empty heart with.. . . I think i
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Physical beauty is passing. A trans
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COMMUNIONn A m e r i k a , t h e r
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with imagination is pushed forward
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e better than the world. ’”4Bei
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and what he had paid, what he had b
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to explicate this morality is aston
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violence o f the deep.. . . Her bre
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elty, more than this trouble and pa
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ecomes impersonal. ” 35 Passion b
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passion, from the commitment and th
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flowed towards Yves. It was this vi
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POSSESSIONN T E R C O U R S E IS C
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muscles that contract like a fist s
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equires access to every hidden inch
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ody dies, or the lover discards the
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animals, blood, feathers, knives, t
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jesting and frivolity that evening.
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collapse and the abandonment of wil
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piously went about their work. ”
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and when Rechele went to confide in
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her flesh. Comatose or not, that sa
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and she spread her legs to show her
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THE FEMALE CONDITIONYou mention the
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yet, including the Nazis, has kille
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oundaries and degraded possibilitie
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this same Robert that I must go int
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avest of her troop. And there Fortu
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who maketh thee so bold to allow th
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than they had ever been but not hum
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learned men, skilled orators; she w
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honor. This was not a puerile virgi
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would have held virginity to be a s
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accounts are happily invisible in t
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was free, a rare and remarkable qua
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which she wore as men did, she was
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exception. Joan’s intransigence c
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“ the key to her strength and pow
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could or should belong to a woman,
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fantasy, in the ether, not ever hav
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“ It was he who might rather have
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pursue sex. The intercourse itself,
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Romance was her suicidal substitute
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Sophie Tolstoy, having been “ tra
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Modern versions of the story, espec
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y sex in that she is not carnal, no
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The sexual predator is murderous, a
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In Dracula, vampirism is—to be pe
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OCCUPATION/COLLABORATIONOh, God, wh
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Intercourse in reality is a use and
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classes, and so we preserve the pri
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one in which men have social, econo
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We are poorer than men in money and
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[There might be] more a mutual lyin
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Occupation/Collaborationhe might no
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Occupation/Collaborationnot at the
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tyranny and the atrocities of histo
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speak their language. Our minds thi
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Occupation/Collaboration“ iniquit
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gression of those boundaries comes
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including the condition of women, w
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it: except for the fact that it is
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those demands. It is the best syste
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POWER, STATUS, AND HATEIs that a gu
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pie know, how consciousness and sel
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eal hierarchy that nature or God cr
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less dignity and less freedom, with
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way. In fact the relationship which
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Proust too described the “feminin
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carnal chattel of men; proper objec
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intercourse expressed both the oppo
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Augustine of lust, “were a chain
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always a tension between the law th
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and you fuck him; and ultimately th
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direct: “The man had intercourse
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ejaculated into her vagina, her cap
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“ But if you can’t rape your wi
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DIRT/DEATHN FER IO R ITY IS N O T B
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month, parturiates once a year and
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the Arabs. Fuck means peace. Fuck m
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Inferiority— sex-based or race-ba
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The racially despised men pollute t
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. . . Perched in this roost about f
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apes at all; he is visually impaire
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are faceless. Without consciously r
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She painted the suffering, enraged;
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woman’s sensuality being, in the
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is concerned I am an aristocrat. I
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contact with her inferiority, her d
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what makes it so much fun. )”57 I
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scabbard or sheath. The penetration
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stands upright next to the bed, he
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your child were going to be killed
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far from asserting aggressive viril
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two parts on the bed. ” 78This to
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NOTESC H A P T E R 1R E P U L SIO N
Page 275 and 276: 60. L. Tolstoy, Kreutzer Sonata, p.
Page 277 and 278: 14. Williams, Summer and Smoke, p.
Page 279 and 280: 2. Isaac Bashevis Singer, Satan in
Page 281 and 282: 31. Trial of Joan of Arc, p. 127.32
Page 283 and 284: 106. Bram Stoker, Dracula (New York
Page 285 and 286: 21. Augustine, Confessions, p. 181.
Page 287 and 288: 39. Raphael Patai, Sex and Family i
Page 289 and 290: BIBLIOGRAPHYAbbey, Edward. Down the
Page 291 and 292: _____ . Sweet William. New York: Ge
Page 293 and 294: _____ . Looking on Darkness. London
Page 295 and 296: _____ . Oh What a Paradise It Seems
Page 297 and 298: Donahue Transcript No. 01310: Phil
Page 299 and 300: Frame, Donald M. Montaigne. San Fra
Page 301 and 302: Gertler, T. Elbowing the Seducer. N
Page 303 and 304: Harrison, Barbara Grizzuti. Visions
Page 305 and 306: Johnson, Joyce. Minor Characters. N
Page 307 and 308: _____ . Women in Love. New York: Pe
Page 309 and 310: Marcus, Maria. A Taste for Pain. Tr
Page 311 and 312: _____ . Runaway Horses. Translated
Page 313 and 314: _____ . Guerrillas. New York: Vinta
Page 315 and 316: _____ . Voices. New York: Farrar, S
Page 317 and 318: Said, Edward W. Covering Islam. New
Page 319 and 320: _____ . Mon (“ The Gate”). Tran
Page 321 and 322: _____ . Seven Japanese Tales. Trans
Page 323 and 324: Walker, Alan. Franz Liszt: The Virt
Page 325: Yallop, David A. Deliver Us from Ev
Page 329 and 330: A Few Small Nips (Kahlo), 240-241Fl
Page 331 and 332: Kafka, Franz, 1, 163Kahlo, Frida, 2
Page 333 and 334: Physical privacyargument used to sa
Page 335 and 336: Singer, Isaac Bashevis, 85Skin, 25-
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