Intercourse, by: Andrea Dworkin - Feminish

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True rebels, after all, are as rare as true lovers,and, in both cases, to mistake a feverfor a passion can destroy one’s life.J a m e s B a l d w i nNo Name in the StreetHe lost no time, got his belt undone,said “ I could go through you like butter. ”E d n a O ’ B r ie nNight
CONTENTSForeword <strong>by</strong> Ariel LevyPrefacexixxixpart one ~ IN T E R C O U R S E IN A M A N -M A D E W O R L D1 Repulsion 32 Skinless 253 Stigma 454 Communion 595 Possession 79part two ~ T H E FEM ALE C O N D IT IO N6 Virginity 1037 Occupation/Collaboration 153part three ~P O W E R , S T A T U S , A N D H A T E8 Law 1859 Dirt/Death 213Acknowledgments 249Notes 251Bibliography 267Index 305
Page 4 and 5: Published by Basic BooksA Member of
Page 8 and 9: FOREWORDLike most writers, Andrea D
Page 10 and 11: She begins with an exploration of s
Page 12 and 13: sex you’ve been lucky or unlucky
Page 14 and 15: against the prison, and because her
Page 16 and 17: Though she was herself middle class
Page 18 and 19: movement. The term “prosex femini
Page 21 and 22: Forewordhelp people understand what
Page 23 and 24: Forewordattractive, even if we don
Page 25 and 26: PREFACEWhen I finished writing Inte
Page 27 and 28: strategy of threat that usually wor
Page 29: Adam—and die material power he st
Page 32 and 33: chapteroneREPULSIONN 1 9 0 5 , A T
Page 34 and 35: Repulsionphenomenon, and aversive.
Page 36 and 37: Repulsion 7state censor for permiss
Page 38 and 39: story, because the sex act makes th
Page 40 and 41: Repulsionof male domination, with s
Page 42 and 43: Depravity, debauchery, dissolutenes
Page 44 and 45: exploiter is what he brings to the
Page 46 and 47: Repulsionyears— this passage bein
Page 49 and 50: e reduced to being this sexual obje
Page 51 and 52: This anguish ended only with killin
Page 53 and 54: were part of the wealth he owned; a
Page 55 and 56: separate bodies; and then, with som
Page 57 and 58:
identity becomes a new, tough, impe
Page 59 and 60:
What one feels on the skin is overw
Page 61 and 62:
— A sultry wind is blowing betwee
Page 63 and 64:
self-involvement that pass for feel
Page 65 and 66:
logic, no purpose. In this vision o
Page 67 and 68:
his bedpost, he uses touch to get a
Page 69 and 70:
intercourse stops, when one person
Page 71 and 72:
The men, civilized, in shells of id
Page 73 and 74:
STIGMAST IG M A C O M E S F R O M T
Page 75 and 76:
The meaning of the tattoo here is n
Page 77 and 78:
affectations; she has a nervous lau
Page 79 and 80:
weakness of the flesh; needing and
Page 81 and 82:
and there he is—Stanley Kowalski!
Page 83 and 84:
my empty heart with.. . . I think i
Page 85 and 86:
Physical beauty is passing. A trans
Page 87 and 88:
COMMUNIONn A m e r i k a , t h e r
Page 89 and 90:
with imagination is pushed forward
Page 91 and 92:
e better than the world. ’”4Bei
Page 93 and 94:
and what he had paid, what he had b
Page 95 and 96:
to explicate this morality is aston
Page 97 and 98:
violence o f the deep.. . . Her bre
Page 99 and 100:
elty, more than this trouble and pa
Page 101 and 102:
ecomes impersonal. ” 35 Passion b
Page 103 and 104:
passion, from the commitment and th
Page 105 and 106:
flowed towards Yves. It was this vi
Page 107 and 108:
POSSESSIONN T E R C O U R S E IS C
Page 109 and 110:
muscles that contract like a fist s
Page 111 and 112:
equires access to every hidden inch
Page 113 and 114:
ody dies, or the lover discards the
Page 115 and 116:
animals, blood, feathers, knives, t
Page 117 and 118:
jesting and frivolity that evening.
Page 119 and 120:
collapse and the abandonment of wil
Page 121 and 122:
piously went about their work. ”
Page 123 and 124:
and when Rechele went to confide in
Page 125 and 126:
her flesh. Comatose or not, that sa
Page 127 and 128:
and she spread her legs to show her
Page 129 and 130:
THE FEMALE CONDITIONYou mention the
Page 131 and 132:
yet, including the Nazis, has kille
Page 133 and 134:
oundaries and degraded possibilitie
Page 135 and 136:
this same Robert that I must go int
Page 137 and 138:
avest of her troop. And there Fortu
Page 139 and 140:
who maketh thee so bold to allow th
Page 141 and 142:
than they had ever been but not hum
Page 143 and 144:
learned men, skilled orators; she w
Page 145 and 146:
honor. This was not a puerile virgi
Page 147 and 148:
would have held virginity to be a s
Page 149 and 150:
accounts are happily invisible in t
Page 151 and 152:
was free, a rare and remarkable qua
Page 153 and 154:
which she wore as men did, she was
Page 155 and 156:
exception. Joan’s intransigence c
Page 157 and 158:
“ the key to her strength and pow
Page 159 and 160:
could or should belong to a woman,
Page 161 and 162:
fantasy, in the ether, not ever hav
Page 163 and 164:
“ It was he who might rather have
Page 165 and 166:
pursue sex. The intercourse itself,
Page 167 and 168:
Romance was her suicidal substitute
Page 169 and 170:
Sophie Tolstoy, having been “ tra
Page 171 and 172:
Modern versions of the story, espec
Page 173 and 174:
y sex in that she is not carnal, no
Page 175 and 176:
The sexual predator is murderous, a
Page 177 and 178:
In Dracula, vampirism is—to be pe
Page 179 and 180:
OCCUPATION/COLLABORATIONOh, God, wh
Page 181 and 182:
Intercourse in reality is a use and
Page 183 and 184:
classes, and so we preserve the pri
Page 185 and 186:
one in which men have social, econo
Page 187 and 188:
We are poorer than men in money and
Page 189 and 190:
[There might be] more a mutual lyin
Page 191 and 192:
Occupation/Collaborationhe might no
Page 193 and 194:
Occupation/Collaborationnot at the
Page 195 and 196:
tyranny and the atrocities of histo
Page 197 and 198:
speak their language. Our minds thi
Page 199 and 200:
Occupation/Collaboration“ iniquit
Page 201 and 202:
gression of those boundaries comes
Page 203 and 204:
including the condition of women, w
Page 205 and 206:
it: except for the fact that it is
Page 207 and 208:
those demands. It is the best syste
Page 209 and 210:
POWER, STATUS, AND HATEIs that a gu
Page 211 and 212:
pie know, how consciousness and sel
Page 213 and 214:
eal hierarchy that nature or God cr
Page 215 and 216:
less dignity and less freedom, with
Page 217 and 218:
way. In fact the relationship which
Page 219 and 220:
Proust too described the “feminin
Page 221 and 222:
carnal chattel of men; proper objec
Page 223 and 224:
intercourse expressed both the oppo
Page 225 and 226:
Augustine of lust, “were a chain
Page 227 and 228:
always a tension between the law th
Page 229 and 230:
and you fuck him; and ultimately th
Page 231 and 232:
direct: “The man had intercourse
Page 233 and 234:
ejaculated into her vagina, her cap
Page 235 and 236:
“ But if you can’t rape your wi
Page 237 and 238:
DIRT/DEATHN FER IO R ITY IS N O T B
Page 239 and 240:
month, parturiates once a year and
Page 241 and 242:
the Arabs. Fuck means peace. Fuck m
Page 243 and 244:
Inferiority— sex-based or race-ba
Page 245 and 246:
The racially despised men pollute t
Page 247 and 248:
. . . Perched in this roost about f
Page 249 and 250:
apes at all; he is visually impaire
Page 251 and 252:
are faceless. Without consciously r
Page 253 and 254:
She painted the suffering, enraged;
Page 255 and 256:
woman’s sensuality being, in the
Page 257 and 258:
is concerned I am an aristocrat. I
Page 259 and 260:
contact with her inferiority, her d
Page 261 and 262:
what makes it so much fun. )”57 I
Page 263 and 264:
scabbard or sheath. The penetration
Page 265 and 266:
stands upright next to the bed, he
Page 267 and 268:
your child were going to be killed
Page 269 and 270:
far from asserting aggressive viril
Page 271 and 272:
two parts on the bed. ” 78This to
Page 273 and 274:
NOTESC H A P T E R 1R E P U L SIO N
Page 275 and 276:
60. L. Tolstoy, Kreutzer Sonata, p.
Page 277 and 278:
14. Williams, Summer and Smoke, p.
Page 279 and 280:
2. Isaac Bashevis Singer, Satan in
Page 281 and 282:
31. Trial of Joan of Arc, p. 127.32
Page 283 and 284:
106. Bram Stoker, Dracula (New York
Page 285 and 286:
21. Augustine, Confessions, p. 181.
Page 287 and 288:
39. Raphael Patai, Sex and Family i
Page 289 and 290:
BIBLIOGRAPHYAbbey, Edward. Down the
Page 291 and 292:
_____ . Sweet William. New York: Ge
Page 293 and 294:
_____ . Looking on Darkness. London
Page 295 and 296:
_____ . Oh What a Paradise It Seems
Page 297 and 298:
Donahue Transcript No. 01310: Phil
Page 299 and 300:
Frame, Donald M. Montaigne. San Fra
Page 301 and 302:
Gertler, T. Elbowing the Seducer. N
Page 303 and 304:
Harrison, Barbara Grizzuti. Visions
Page 305 and 306:
Johnson, Joyce. Minor Characters. N
Page 307 and 308:
_____ . Women in Love. New York: Pe
Page 309 and 310:
Marcus, Maria. A Taste for Pain. Tr
Page 311 and 312:
_____ . Runaway Horses. Translated
Page 313 and 314:
_____ . Guerrillas. New York: Vinta
Page 315 and 316:
_____ . Voices. New York: Farrar, S
Page 317 and 318:
Said, Edward W. Covering Islam. New
Page 319 and 320:
_____ . Mon (“ The Gate”). Tran
Page 321 and 322:
_____ . Seven Japanese Tales. Trans
Page 323 and 324:
Walker, Alan. Franz Liszt: The Virt
Page 325 and 326:
Yallop, David A. Deliver Us from Ev
Page 327 and 328:
Castration, 220Catholic Church, and
Page 329 and 330:
A Few Small Nips (Kahlo), 240-241Fl
Page 331 and 332:
Kafka, Franz, 1, 163Kahlo, Frida, 2
Page 333 and 334:
Physical privacyargument used to sa
Page 335 and 336:
Singer, Isaac Bashevis, 85Skin, 25-
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