Intercourse, by: Andrea Dworkin - Feminish

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it,. . . and I wondered, I guess I still wonder, what wouldhave happened if I’d taken him in my arms, if I’d held him, ifI hadn’t been— afraid. I was afraid that he wouldn’t understandthat it was— only love. Only love. But, oh, Lord, whenhe died, I thought that maybe I could have saved him if I’d justreached out that quarter of an inch between us on that bed,and held him. ’”52That quarter of an inch, in this vision, is thegreat expanse of fear and ignorance that must be crossedbravely and with integrity to human hope.
POSSESSIONN T E R C O U R S E IS C O M M O N L Y W R I T T E N A B O U T A N D C O M -Iprehended as a form of possession or an act of possession inwhich, during which, because of which, a man inhabits awoman, physically covering her and overwhelming her and atthe same time penetrating her; and this physical relation toher— over her and inside her— is his possession of her. He hasher, or, when he is done, he has had her. By thrusting into her,he takes her over. His thrusting into her is taken to be her capitulationto him as a conqueror; it is a physical surrender of herselfto him; he occupies and rules her, expresses his elementaldominance over her, <strong>by</strong> his possession of her in the fuck.The act itself, without more, is the possession. There neednot be a social relationship in which the woman is subordinateto the man, a chattel in spirit or deed, decorative or hardworking.There need not be an ongoing sexual relationship in whichshe is chronically, demonstrably, submissive or masochistic.The normal fuck <strong>by</strong> a normal man is taken to be an act of invasionand ownership undertaken in a mode of predation: colo-nializing, forceful (manly) or nearly violent; the sexual act that
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Published by Basic BooksA Member of
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True rebels, after all, are as rare
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FOREWORDLike most writers, Andrea D
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She begins with an exploration of s
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sex you’ve been lucky or unlucky
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against the prison, and because her
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Though she was herself middle class
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movement. The term “prosex femini
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Forewordhelp people understand what
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Forewordattractive, even if we don
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PREFACEWhen I finished writing Inte
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strategy of threat that usually wor
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Adam—and die material power he st
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chapteroneREPULSIONN 1 9 0 5 , A T
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Repulsionphenomenon, and aversive.
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Repulsion 7state censor for permiss
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story, because the sex act makes th
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Repulsionof male domination, with s
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Depravity, debauchery, dissolutenes
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exploiter is what he brings to the
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Repulsionyears— this passage bein
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e reduced to being this sexual obje
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This anguish ended only with killin
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were part of the wealth he owned; a
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Page 59 and 60: What one feels on the skin is overw
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Page 63 and 64: self-involvement that pass for feel
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Page 67 and 68: his bedpost, he uses touch to get a
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Page 71 and 72: The men, civilized, in shells of id
Page 73 and 74: STIGMAST IG M A C O M E S F R O M T
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Page 85 and 86: Physical beauty is passing. A trans
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Page 93 and 94: and what he had paid, what he had b
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Page 101 and 102: ecomes impersonal. ” 35 Passion b
Page 103 and 104: passion, from the commitment and th
Page 105: flowed towards Yves. It was this vi
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Page 121 and 122: piously went about their work. ”
Page 123 and 124: and when Rechele went to confide in
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Page 129 and 130: THE FEMALE CONDITIONYou mention the
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Page 141 and 142: than they had ever been but not hum
Page 143 and 144: learned men, skilled orators; she w
Page 145 and 146: honor. This was not a puerile virgi
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Page 149 and 150: accounts are happily invisible in t
Page 151 and 152: was free, a rare and remarkable qua
Page 153 and 154: which she wore as men did, she was
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“ the key to her strength and pow
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could or should belong to a woman,
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fantasy, in the ether, not ever hav
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“ It was he who might rather have
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pursue sex. The intercourse itself,
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Romance was her suicidal substitute
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Sophie Tolstoy, having been “ tra
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Modern versions of the story, espec
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y sex in that she is not carnal, no
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The sexual predator is murderous, a
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In Dracula, vampirism is—to be pe
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OCCUPATION/COLLABORATIONOh, God, wh
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Intercourse in reality is a use and
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classes, and so we preserve the pri
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one in which men have social, econo
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We are poorer than men in money and
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[There might be] more a mutual lyin
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Occupation/Collaborationhe might no
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Occupation/Collaborationnot at the
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tyranny and the atrocities of histo
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speak their language. Our minds thi
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Occupation/Collaboration“ iniquit
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gression of those boundaries comes
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including the condition of women, w
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it: except for the fact that it is
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those demands. It is the best syste
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POWER, STATUS, AND HATEIs that a gu
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pie know, how consciousness and sel
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eal hierarchy that nature or God cr
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less dignity and less freedom, with
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way. In fact the relationship which
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Proust too described the “feminin
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carnal chattel of men; proper objec
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intercourse expressed both the oppo
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Augustine of lust, “were a chain
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always a tension between the law th
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and you fuck him; and ultimately th
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direct: “The man had intercourse
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ejaculated into her vagina, her cap
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“ But if you can’t rape your wi
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DIRT/DEATHN FER IO R ITY IS N O T B
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month, parturiates once a year and
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the Arabs. Fuck means peace. Fuck m
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Inferiority— sex-based or race-ba
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The racially despised men pollute t
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. . . Perched in this roost about f
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apes at all; he is visually impaire
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are faceless. Without consciously r
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She painted the suffering, enraged;
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woman’s sensuality being, in the
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is concerned I am an aristocrat. I
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contact with her inferiority, her d
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what makes it so much fun. )”57 I
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scabbard or sheath. The penetration
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stands upright next to the bed, he
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your child were going to be killed
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far from asserting aggressive viril
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two parts on the bed. ” 78This to
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NOTESC H A P T E R 1R E P U L SIO N
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60. L. Tolstoy, Kreutzer Sonata, p.
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14. Williams, Summer and Smoke, p.
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2. Isaac Bashevis Singer, Satan in
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31. Trial of Joan of Arc, p. 127.32
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106. Bram Stoker, Dracula (New York
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21. Augustine, Confessions, p. 181.
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39. Raphael Patai, Sex and Family i
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BIBLIOGRAPHYAbbey, Edward. Down the
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_____ . Sweet William. New York: Ge
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_____ . Looking on Darkness. London
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_____ . Oh What a Paradise It Seems
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Donahue Transcript No. 01310: Phil
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Frame, Donald M. Montaigne. San Fra
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Gertler, T. Elbowing the Seducer. N
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Harrison, Barbara Grizzuti. Visions
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Johnson, Joyce. Minor Characters. N
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_____ . Women in Love. New York: Pe
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Marcus, Maria. A Taste for Pain. Tr
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_____ . Runaway Horses. Translated
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_____ . Guerrillas. New York: Vinta
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_____ . Voices. New York: Farrar, S
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Said, Edward W. Covering Islam. New
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_____ . Mon (“ The Gate”). Tran
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_____ . Seven Japanese Tales. Trans
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Walker, Alan. Franz Liszt: The Virt
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Yallop, David A. Deliver Us from Ev
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Castration, 220Catholic Church, and
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A Few Small Nips (Kahlo), 240-241Fl
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Kafka, Franz, 1, 163Kahlo, Frida, 2
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Physical privacyargument used to sa
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Singer, Isaac Bashevis, 85Skin, 25-
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