Intercourse, by: Andrea Dworkin - Feminish

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and sadism, death, 241and scarification of female bodies,243substitutes for identity in racism, 72upheld by laws, 203, 211Mann, Thomas, 244Marriageas institution of inequality, 20as legal ownership of women, 200of Leo and Sophie Tolstoy, 4rape within, sanctioned legally,208-209and sexuality, 59-60Masculinityas man’s control over wife, 11women deviate toward (Satan inGoray), 89-90The Mass Psychology of Fascism(Reich), 221-222Massieu, Jean, 126Maternal womb, 166Maugham, Somerset, 214-215Maxentius, emperor, 115-116, 121Messiahs, false, 86, 87, 88Michelet, Jules, 130Miscegenation, 221Misogynism, 18, 224, 230Money exchanged for sex, signification,13-14Morgan, Marabel, 59, 206Murders of women, 163, 240by killer/husband in The KreutzerSonata, 11-12, 13, 22as result of power systems fueled byhate, 216as sexual acts, 23signify impossibility of physical love,9synonymous with sex, carnality, 147,149Murdoch, Iris, 134, 164Nakednessas human condition, 27valued differendy by men, women(Koto Abe), 40-41Nature, according to Augustine,190-191Nietzsche, Friedrich, 229, 230Nin, Anais, 162Obedience, as basis of marriage forwomen, 11Objectification of women, 14, 177-178collaborated in by women, 181as precondition for maleperformance, 159as strategy of dominance, 180-181violence predicated on, 24O’Brien, Edna, 153Obscene words/obscenityD. H. Lawrence on, 217determined in law, 199for women’s body parts, 216Occupation, 168of woman’s privacy throughintercourse, 154, 155Olybrius, 116, 117, 121Orleans, France, 109Ownership of women, 172laws, 207as physical reality of possession, 92in Satan in Goray, 86and sexual possession, 83synonymous with male power,203Paradise Now (The Living Theater),216Patriarchy, 10-11Paz, Octavio, 157, 164-165, 227-228Penis envy, Freudian, 135, 235Pfitzner, Hans, 3Phallic reality, 217, 218
Physical privacyargument used to sanction rapewithin marriage, 209exists legally for men using civilinferiors, 186metaphysically compromised,156-157premised on men’s physicalfreedom, 141rights claimed by Joan of Arc,128-129robbed by intercourse, 138, 154Playboy magazine, 231, 235, 236Playing for Time (F£nelon), 222Pogroms of Bogdan Chmelnicki, 86, 88Political Left, 60Political Right, 59-60Pornography, 165as any violation of woman’s body,175critiques, as sex-negative, 61and sadism, 240and semen, 236, 237social, 90, 97Possession. See Sexual possessionPower of men over women, 160-162,215-216affirmed by regulating malesexuality, 200cannot be changed withoutredistribution, 218endangered by impersonalpossession, 99predetermined by male gender,158-159repudiated by virginity, 120and sadism, death, 246Power of women, 18, 19over intercourse (Woodhull’smodel), 171-174Predators, sexual, 144, 147women transformed as (Dracula),150-151Prison rape, 219-220, 223-224Privacy. See Physical privacyProstitution, 138, 226of children, 247and lawless sex, 211negates self-determination, 181-182and racially degraded people,223-224Proust, Marcel, 194, 195Racismand castration, 220devalues people as dirty, 218-220,226, 227humiliation rituals, 222-223and loss of self-knowledge and love,72and sexual assault, 223-224, 225-226Rape, 35, 36, 150incestuous, 246, 247as insurrectionary act, 226of Joan of Arc, wearing femaleclothing, 130-131in marriage, 208of men through witchcraft, 81-82negates self-determination, 181-182as political oppression, 234prison. See Prison raperacially motivated, 219-220, 224,225-226as slavery, 171as supernatural possession (dybbuk),85of virgins prohibited, 120-121Rebellion, signified by virginity, 120Reformscontextual, political, 159and unchanging inferiority ofwomen, 160-162Reich, Wilhelm, 179, 221
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Published by Basic BooksA Member of
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True rebels, after all, are as rare
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FOREWORDLike most writers, Andrea D
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She begins with an exploration of s
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sex you’ve been lucky or unlucky
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against the prison, and because her
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Though she was herself middle class
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movement. The term “prosex femini
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Forewordhelp people understand what
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Forewordattractive, even if we don
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PREFACEWhen I finished writing Inte
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strategy of threat that usually wor
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Adam—and die material power he st
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chapteroneREPULSIONN 1 9 0 5 , A T
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Repulsionphenomenon, and aversive.
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Repulsion 7state censor for permiss
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story, because the sex act makes th
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Repulsionof male domination, with s
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Depravity, debauchery, dissolutenes
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exploiter is what he brings to the
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Repulsionyears— this passage bein
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e reduced to being this sexual obje
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This anguish ended only with killin
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were part of the wealth he owned; a
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separate bodies; and then, with som
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identity becomes a new, tough, impe
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What one feels on the skin is overw
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— A sultry wind is blowing betwee
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self-involvement that pass for feel
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logic, no purpose. In this vision o
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his bedpost, he uses touch to get a
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intercourse stops, when one person
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The men, civilized, in shells of id
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STIGMAST IG M A C O M E S F R O M T
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The meaning of the tattoo here is n
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affectations; she has a nervous lau
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weakness of the flesh; needing and
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and there he is—Stanley Kowalski!
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my empty heart with.. . . I think i
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Physical beauty is passing. A trans
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COMMUNIONn A m e r i k a , t h e r
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with imagination is pushed forward
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e better than the world. ’”4Bei
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and what he had paid, what he had b
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to explicate this morality is aston
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violence o f the deep.. . . Her bre
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elty, more than this trouble and pa
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ecomes impersonal. ” 35 Passion b
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passion, from the commitment and th
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flowed towards Yves. It was this vi
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POSSESSIONN T E R C O U R S E IS C
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muscles that contract like a fist s
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equires access to every hidden inch
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ody dies, or the lover discards the
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animals, blood, feathers, knives, t
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jesting and frivolity that evening.
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collapse and the abandonment of wil
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piously went about their work. ”
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and when Rechele went to confide in
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her flesh. Comatose or not, that sa
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and she spread her legs to show her
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THE FEMALE CONDITIONYou mention the
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yet, including the Nazis, has kille
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oundaries and degraded possibilitie
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this same Robert that I must go int
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avest of her troop. And there Fortu
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who maketh thee so bold to allow th
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than they had ever been but not hum
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learned men, skilled orators; she w
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honor. This was not a puerile virgi
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would have held virginity to be a s
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accounts are happily invisible in t
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was free, a rare and remarkable qua
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which she wore as men did, she was
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exception. Joan’s intransigence c
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“ the key to her strength and pow
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could or should belong to a woman,
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fantasy, in the ether, not ever hav
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“ It was he who might rather have
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pursue sex. The intercourse itself,
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Romance was her suicidal substitute
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Sophie Tolstoy, having been “ tra
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Modern versions of the story, espec
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y sex in that she is not carnal, no
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The sexual predator is murderous, a
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In Dracula, vampirism is—to be pe
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OCCUPATION/COLLABORATIONOh, God, wh
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Intercourse in reality is a use and
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classes, and so we preserve the pri
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one in which men have social, econo
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We are poorer than men in money and
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[There might be] more a mutual lyin
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Occupation/Collaborationhe might no
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Occupation/Collaborationnot at the
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tyranny and the atrocities of histo
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speak their language. Our minds thi
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Occupation/Collaboration“ iniquit
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gression of those boundaries comes
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including the condition of women, w
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it: except for the fact that it is
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those demands. It is the best syste
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POWER, STATUS, AND HATEIs that a gu
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pie know, how consciousness and sel
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eal hierarchy that nature or God cr
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less dignity and less freedom, with
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way. In fact the relationship which
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Proust too described the “feminin
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carnal chattel of men; proper objec
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intercourse expressed both the oppo
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Augustine of lust, “were a chain
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always a tension between the law th
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and you fuck him; and ultimately th
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direct: “The man had intercourse
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ejaculated into her vagina, her cap
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“ But if you can’t rape your wi
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DIRT/DEATHN FER IO R ITY IS N O T B
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month, parturiates once a year and
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the Arabs. Fuck means peace. Fuck m
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Inferiority— sex-based or race-ba
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The racially despised men pollute t
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. . . Perched in this roost about f
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apes at all; he is visually impaire
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are faceless. Without consciously r
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She painted the suffering, enraged;
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woman’s sensuality being, in the
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is concerned I am an aristocrat. I
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contact with her inferiority, her d
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what makes it so much fun. )”57 I
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scabbard or sheath. The penetration
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stands upright next to the bed, he
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your child were going to be killed
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far from asserting aggressive viril
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two parts on the bed. ” 78This to
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NOTESC H A P T E R 1R E P U L SIO N
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60. L. Tolstoy, Kreutzer Sonata, p.
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14. Williams, Summer and Smoke, p.
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2. Isaac Bashevis Singer, Satan in
Page 281 and 282: 31. Trial of Joan of Arc, p. 127.32
Page 283 and 284: 106. Bram Stoker, Dracula (New York
Page 285 and 286: 21. Augustine, Confessions, p. 181.
Page 287 and 288: 39. Raphael Patai, Sex and Family i
Page 289 and 290: BIBLIOGRAPHYAbbey, Edward. Down the
Page 291 and 292: _____ . Sweet William. New York: Ge
Page 293 and 294: _____ . Looking on Darkness. London
Page 295 and 296: _____ . Oh What a Paradise It Seems
Page 297 and 298: Donahue Transcript No. 01310: Phil
Page 299 and 300: Frame, Donald M. Montaigne. San Fra
Page 301 and 302: Gertler, T. Elbowing the Seducer. N
Page 303 and 304: Harrison, Barbara Grizzuti. Visions
Page 305 and 306: Johnson, Joyce. Minor Characters. N
Page 307 and 308: _____ . Women in Love. New York: Pe
Page 309 and 310: Marcus, Maria. A Taste for Pain. Tr
Page 311 and 312: _____ . Runaway Horses. Translated
Page 313 and 314: _____ . Guerrillas. New York: Vinta
Page 315 and 316: _____ . Voices. New York: Farrar, S
Page 317 and 318: Said, Edward W. Covering Islam. New
Page 319 and 320: _____ . Mon (“ The Gate”). Tran
Page 321 and 322: _____ . Seven Japanese Tales. Trans
Page 323 and 324: Walker, Alan. Franz Liszt: The Virt
Page 325 and 326: Yallop, David A. Deliver Us from Ev
Page 327 and 328: Castration, 220Catholic Church, and
Page 329 and 330: A Few Small Nips (Kahlo), 240-241Fl
Page 331: Kafka, Franz, 1, 163Kahlo, Frida, 2
Page 335 and 336: Singer, Isaac Bashevis, 85Skin, 25-
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