Intercourse, by: Andrea Dworkin - Feminish

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64. Jean-Francois Steiner, Treblinka, trans. Helen Weaver (New York: Simon 8cSchuster, 1967), p. 382.65. Emile Zola, La Bete Humaine, trans. Leonard Tancock (New York: PenguinBooks, 1977), p. 65.66. Vargas Llosa, War, p. 120.67. Georges Bataille, Death and Sensuality (New York: Ballandne Books, 1969), p. 11.68. Bataille, Death, p. 5.69. Suzanne Brogger, Deliver Us from Love, trans. Thomas Teal (New York: DelacortePress/Seymour Lawrence, 1976), p. 5.70. Primo Levi, Survival in Auschwitz and The Reawakening: Two Memoirs, trans.Stuart Woolf (New York: Summit Books, 1985), p. 15.71. Joseph Conrad, Chance (London: Hogarth Press, 1984), p. 131.72. Bataille, Death, p. 12.73. Thomas Mann, Joseph and His Brothers, trans. H. T. Lowe-Porter (New York:Alfred A. Knopf, 1981), p. 48.74. Leo Steinberg, The Sexuality of Christ in Renaissance Art and in ModemOblivion (New York: Pantheon Books, 1983), pp. 47-8.75. Sarah Hrdy, The Woman That Never Evolved (Cambridge, Mass.: HarvardUniversity Press, 1983), pp. 183-4.76. Joan Didion, A Book of Common Prayer (New York: Pocket Books, 1978), pp.83-4*77. Marguerite Yourcenar, Memoirs of Hadrian, trans. Grace Frick (New York:Farrar, Straus 8c Giroux, 1981), p. 14.78. Quoted in Sandra Butler, Conspiracy of Silence: The Trauma of Incest (NewYork: Bantam Books, 1979), p. 39.
BIBLIOGRAPHYAbbey, Edward. Down the River. New York: E. P. Dutton, 1982.Abe, Kobo. The Box Man. Translated by E. Dale Saunders. New York: G. P.Putnam’s Sons/Perigee Books, 1980._____ . The Face of Another. Translated by E. Dale Saunders. New York: G. P. Putnam’sSons/Perigee Books, 1980._____ . Friends. Translated by Donald Keene. New York: Grove Press, 1969._____ . Inter Ice Age 4. Translated by E. Dale Saunders. New York: Perigee Books,1981._____ . “Red Cocoon. ” Translated by John Nathan. In New Writing in Japan.Edited by Yukio Mishima and Geoffrey Bownas, pp. 47-50. Harmondsworth,England: Penguin Books, 1972._____ . The Ruined Map. Translated by E. Dale Saunders. New York: G. P. Putnam’sSons/Perigee Books, 1980._____ . Secret Rendezvous. Translated by Juliet W. Carpenter. New York: G. P. Putnam’sSons/Perigee Books, 1980._____ . “ Stick. ” Translated by John Nathan. In New Writing in Japan. Edited byYukio Mishima and Geoffrey Bownas, pp. 41-46. Harmondsworth, England:Penguin Books, 1972._____ . The Woman in the Dunes. Translated by E. Dale Saunders. New York:Vintage Books, 1972.Abish, Walter. How German Is It. New York: New Directions, 1980.Able-Peterson, Trudee. Children of the Evening. New York: G. P. Putnam’s Sons,1981.Ackerley, J. R. My Father and Myself New York: Harcourt Brace Jovanovich, 1975.Algren, Nelson. Chicago: City on the Make. New York: McGraw-Hill Book Company,1983.Alpers, Antony. The Life of Katherine Mansfield. New York: Penguin Books, 1982.Alpert, Jane. Growing Up Underground. New York: William Morrow and Company,1981.
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Published by Basic BooksA Member of
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True rebels, after all, are as rare
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FOREWORDLike most writers, Andrea D
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She begins with an exploration of s
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sex you’ve been lucky or unlucky
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against the prison, and because her
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Though she was herself middle class
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movement. The term “prosex femini
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Forewordhelp people understand what
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Forewordattractive, even if we don
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PREFACEWhen I finished writing Inte
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strategy of threat that usually wor
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Adam—and die material power he st
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chapteroneREPULSIONN 1 9 0 5 , A T
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Repulsionphenomenon, and aversive.
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Repulsion 7state censor for permiss
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story, because the sex act makes th
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Repulsionof male domination, with s
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Depravity, debauchery, dissolutenes
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exploiter is what he brings to the
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Repulsionyears— this passage bein
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e reduced to being this sexual obje
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This anguish ended only with killin
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were part of the wealth he owned; a
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separate bodies; and then, with som
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identity becomes a new, tough, impe
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What one feels on the skin is overw
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— A sultry wind is blowing betwee
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self-involvement that pass for feel
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logic, no purpose. In this vision o
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his bedpost, he uses touch to get a
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intercourse stops, when one person
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The men, civilized, in shells of id
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STIGMAST IG M A C O M E S F R O M T
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The meaning of the tattoo here is n
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affectations; she has a nervous lau
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weakness of the flesh; needing and
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and there he is—Stanley Kowalski!
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my empty heart with.. . . I think i
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Physical beauty is passing. A trans
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COMMUNIONn A m e r i k a , t h e r
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with imagination is pushed forward
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e better than the world. ’”4Bei
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and what he had paid, what he had b
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to explicate this morality is aston
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violence o f the deep.. . . Her bre
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elty, more than this trouble and pa
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ecomes impersonal. ” 35 Passion b
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passion, from the commitment and th
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flowed towards Yves. It was this vi
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POSSESSIONN T E R C O U R S E IS C
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muscles that contract like a fist s
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equires access to every hidden inch
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ody dies, or the lover discards the
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animals, blood, feathers, knives, t
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jesting and frivolity that evening.
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collapse and the abandonment of wil
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piously went about their work. ”
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and when Rechele went to confide in
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her flesh. Comatose or not, that sa
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and she spread her legs to show her
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THE FEMALE CONDITIONYou mention the
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yet, including the Nazis, has kille
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oundaries and degraded possibilitie
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this same Robert that I must go int
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avest of her troop. And there Fortu
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who maketh thee so bold to allow th
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than they had ever been but not hum
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learned men, skilled orators; she w
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honor. This was not a puerile virgi
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would have held virginity to be a s
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accounts are happily invisible in t
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was free, a rare and remarkable qua
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which she wore as men did, she was
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exception. Joan’s intransigence c
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“ the key to her strength and pow
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could or should belong to a woman,
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fantasy, in the ether, not ever hav
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“ It was he who might rather have
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pursue sex. The intercourse itself,
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Romance was her suicidal substitute
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Sophie Tolstoy, having been “ tra
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Modern versions of the story, espec
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y sex in that she is not carnal, no
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The sexual predator is murderous, a
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In Dracula, vampirism is—to be pe
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OCCUPATION/COLLABORATIONOh, God, wh
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Intercourse in reality is a use and
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classes, and so we preserve the pri
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one in which men have social, econo
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We are poorer than men in money and
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[There might be] more a mutual lyin
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Occupation/Collaborationhe might no
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Occupation/Collaborationnot at the
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tyranny and the atrocities of histo
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speak their language. Our minds thi
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Occupation/Collaboration“ iniquit
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gression of those boundaries comes
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including the condition of women, w
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it: except for the fact that it is
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those demands. It is the best syste
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POWER, STATUS, AND HATEIs that a gu
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pie know, how consciousness and sel
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eal hierarchy that nature or God cr
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less dignity and less freedom, with
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way. In fact the relationship which
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Proust too described the “feminin
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carnal chattel of men; proper objec
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intercourse expressed both the oppo
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Augustine of lust, “were a chain
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always a tension between the law th
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and you fuck him; and ultimately th
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direct: “The man had intercourse
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ejaculated into her vagina, her cap
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“ But if you can’t rape your wi
Page 237 and 238: DIRT/DEATHN FER IO R ITY IS N O T B
Page 239 and 240: month, parturiates once a year and
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Page 245 and 246: The racially despised men pollute t
Page 247 and 248: . . . Perched in this roost about f
Page 249 and 250: apes at all; he is visually impaire
Page 251 and 252: are faceless. Without consciously r
Page 253 and 254: She painted the suffering, enraged;
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Page 259 and 260: contact with her inferiority, her d
Page 261 and 262: what makes it so much fun. )”57 I
Page 263 and 264: scabbard or sheath. The penetration
Page 265 and 266: stands upright next to the bed, he
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Page 269 and 270: far from asserting aggressive viril
Page 271 and 272: two parts on the bed. ” 78This to
Page 273 and 274: NOTESC H A P T E R 1R E P U L SIO N
Page 275 and 276: 60. L. Tolstoy, Kreutzer Sonata, p.
Page 277 and 278: 14. Williams, Summer and Smoke, p.
Page 279 and 280: 2. Isaac Bashevis Singer, Satan in
Page 281 and 282: 31. Trial of Joan of Arc, p. 127.32
Page 283 and 284: 106. Bram Stoker, Dracula (New York
Page 285 and 286: 21. Augustine, Confessions, p. 181.
Page 287: 39. Raphael Patai, Sex and Family i
Page 291 and 292: _____ . Sweet William. New York: Ge
Page 293 and 294: _____ . Looking on Darkness. London
Page 295 and 296: _____ . Oh What a Paradise It Seems
Page 297 and 298: Donahue Transcript No. 01310: Phil
Page 299 and 300: Frame, Donald M. Montaigne. San Fra
Page 301 and 302: Gertler, T. Elbowing the Seducer. N
Page 303 and 304: Harrison, Barbara Grizzuti. Visions
Page 305 and 306: Johnson, Joyce. Minor Characters. N
Page 307 and 308: _____ . Women in Love. New York: Pe
Page 309 and 310: Marcus, Maria. A Taste for Pain. Tr
Page 311 and 312: _____ . Runaway Horses. Translated
Page 313 and 314: _____ . Guerrillas. New York: Vinta
Page 315 and 316: _____ . Voices. New York: Farrar, S
Page 317 and 318: Said, Edward W. Covering Islam. New
Page 319 and 320: _____ . Mon (“ The Gate”). Tran
Page 321 and 322: _____ . Seven Japanese Tales. Trans
Page 323 and 324: Walker, Alan. Franz Liszt: The Virt
Page 325 and 326: Yallop, David A. Deliver Us from Ev
Page 327 and 328: Castration, 220Catholic Church, and
Page 329 and 330: A Few Small Nips (Kahlo), 240-241Fl
Page 331 and 332: Kafka, Franz, 1, 163Kahlo, Frida, 2
Page 333 and 334: Physical privacyargument used to sa
Page 335 and 336: Singer, Isaac Bashevis, 85Skin, 25-
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