NECS 2011 Conference

G2. NEW DIMENSIONS OF SOUND IN ADAPTATIONS
Chair: tba
Location: Birkbeck, room tba
Joseba Bonaut & Héctor Oliva (Zaragoza)
Building A New Sound Dimension in Comic Books, Film and Television: Scott Pilgrim vs.
The World and The Walking Dead
Jo Tyler (Bournemouth)
From Pictures to Sound: The Sonic Potentiality of Radio in the Adaptation of the Graphic
Novel
Laura Sava (Warwick)
Listening Demands and Aural Perspectives in Je rentre à la maison
Florian Mundhenke (Leipzig)
Resourceful Frames and Sensory Functions – Sound Transformations from Game to Film in Silent
Hill
G3. FILM INDUSTRIES: CONTEMPORARY PRACTICES IN PRODUCTION AND
DISTRIBUTION
Chair: Paul McDonald (Portsmouth)
Location: Birkbeck, room tba
Geoff King (London)
Indie 2.0: The Use of Online Resources in Contemporary Low-Budget American Indie Film
Olof Hedling (Lund)
Some Perils in the Making of a Film Town: A Brief European Case Study
Patrick Vonderau (Stockholm)
„At the End of the Day, It‟s All About Time‟:
Studying Production from a Prop Maker‟s Perspective
Nolwenn Mingant (Paris)
Foreign Languages and Actors in Contemporary Hollywood Films
G4. MIGRANT AUDIBILITY
Chair: Katarzyna Marciniak (Athens, OH)
Location: Birkbeck, room tba
Imogen Tyler (Lancaster) and Rosalind Gill (London)
Postcolonial Girl: Migrant Audibility and Intimate Activism
Bruce Bennett (Lancaster)
Can the Alien Speak? Migrant Audibility in Recent Science Fiction Cinema
Katarzyna Marciniak (Athens, OH)
Migrant In/Visibility and In/Audibility: Krzysztof Wodiczko‟s Guests
Áine O‟Healy (Los Angeles)
Liminal Spaces, Uncanny Encounters, and Acousmatic Voices in Claudio Noce‟s Good
Morning Aman
G5. “HASSE & TAGE” AS TRADEMARK: FILM AS PART OF A CULTURAL BRANDING
ENTERPRISE
Chair: Åsa Jernudd (Örebro)
Location: Birkbeck, room tba
Boel Ulfsdotter (Skövde)
The Museum as Source for the Construction of Memory
Johan Nilsson (Örebro)
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