NECS 2011 Conference

13.30 – 15.15 – PANELS I1-I8 (Birkbeck)
I1. GENDER, GENRE AND AUTHORSHIP
Chair: tba
Location: Birkbeck, room tba
Klaus Rieser (Graz)
Father of the Bride vs. 35 rhums: Father-daughter Relations and Marriage in Film
Diana Popa (Budapest)
Working to Obtain the Opposite Effect: De-Composing Rhythm in Police, Adjective
Györgyi Vajdovich (Budapest)
The Use of Sound in Jacques Tati‟s Burlesques
Hiu M. Chan (London)
Fetishism Through Voice: Seiyū in Japanese Anime
I2. MUSICAL GENRES IN EUROPEAN AND WORLD CINEMA
Chair: tba
Location: Birkbeck, room tba
Melis Behlil (Istanbul)
“Kuzu Kuzu” vs “Tikhi tikhi”: Negotiations Between Indian and Turkish Film Music
Phil Powrie (Guildford)
Recuperating the French Musical: Tino Rossi and Luis Mariano in the Post-war Period
Anthony De Melo (London)
The Mise-En-Scene of Voice and Gesture in Fado in the Portuguese Cinema
Marcin Wisniewski (Montreal)
Whatever Happens in a Dance Sequence Stays in the Dance Sequence: Bhansali‟s Devdas &
the Presentation of Queer Sexualities
I3. SOUND AND IMAGE: THE SPACES IN BETWEEN?
Chair: Shekhar Deshpande (Glenside, PA)
Location: Birkbeck, room tba
Anna Backman Rogers (Groningen)
On the Deleuzian Relationship Between the Sound and Visual Tracks in Gus Van Sant‟s
Elephant (2003) and Last Days (2004)
Laura Rascaroli (Cork)
Sonic Interstices: Essay Film, Voice-over, and Spectatorial Space in Robert Cambrinus‟s
Commentary (2009)
Paul Dobryden (Berkeley, CA)
“Things We can't Untie”? Sound and Vision in Werner Herzog's Fata Morgana
Shekhar Deshpande (Glenside, PA)
Sound and Image in Musical Documentaries: Marina Andree‟s Sevdah (2009)
I4. TALES OF THREE CITIES
Chair: Ian Christie (London)
Location: Birkbeck, room tba
Ranita Chatterjee (London)
Cinema and the Colonial City: Catering for Calcutta‟s Multiple Audiences
Eleni Liarou (London)
From Docklands to Notting Hill: Cinematic mappings of imperial and post-imperial London
Peter Walsh (Sheffield)
Sheffield: An Un/Recognisable Cinematic City?
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