NECS 2011 Conference

Dagmar Brunow (Hamburg/Halmstad)
Archival Practice as Counter Memory: Preserving the Cultural Heritage of Independent Video
Workshops
Jan Holmberg (Stockholm)
The Voice and the Phenomenon: Some (written) Notes on Acoustic Archival Objects
Christopher Natzén (Stockholm)
Voices from the Archive: Subtitling and Language Barriers During the Conversion to Sound
Film
K2. FILMING THE VOICE: EMOTION AND ENJOYMENT
Chair: tba
Location: Birkbeck, room tba
Eef Masson (Utrecht)
Whose Master‟s Voice? Sound and Speech in Classroom Teaching Films of the 1950s
Katalin Bálint and Márta Csabai (Budapest)
Listening, Reading or Watching A Dialogue: Emotional and Empathic Responses Elicited by
Different Representation Forms
Gerwin van der Pol (Amsterdam)
The Impact of Someone Seen Speaking
Lemi Baruh (Istanbul)
They Had It Coming! Negotiation of Privacy Values and Voyeuristic Enjoyment of Reality
Television
K3. EXPERIMENTAL SOUNDS
Chair: tba
Location: Birkbeck, room tba
Aija Laura Zivitere (Riga)
Sound and „Twilight‟ in the Films of Anri Sala
Natalia Samutina (Moscow)
Utopia Across Media and Beyond: Where is the Plastic Beach Located?
Judit Pieldner (Miercurea Ciuc)
Unfolding Sound in András Jeles‟s Film Art
Suzanne Buchan (London)
Metaphysical „Voices‟: Dialectics of Music, Sound and Resident Noise in the Quay Brothers‟
Short Films
K4. VOICES WITHOUT BODIES AND BODIES WITHOUT VOICES IN
CONTEMPORARY AUDIOVISUAL MEDIA
Chair: Sophie Einwächter (Bochum)
Birkbeck, room tba
Bernd Leiendecker (Bochum)
Lying and Cheating: the Relationship Between Voice-Over and Unreliable Narration in Film
Christine Piepiorka (Bochum) and Daniela Olek (Bochum)
Disembodied Gender – Female Voice-Over in Contemporary American Television Series
Julia Eckel (Bochum)
„AniMuted‟ Characters – Voicelessness in the Digital Universe
Sophie Einwächter (Bochum)
Fans Taking Over: Stars Speechless – The Peculiar Productivity of Fandubs
K5. ANIMAL SOUNDS: HYBRIDS BETWEEN HUMAN, NATURE, AND TECHNOLOGY
Chair: Christine Hanke (Braunschweig)
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