NECS 2011 Conference
NECS 2011 Conference
NECS 2011 Conference
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The Functional Interplay of the Key-Signs in On the Path by Jasmila Zbanic<br />
Liz Greene (Belfast)<br />
Being Swamped in Argentina: Sound Design in Lucrecia Martel‟s Salta Trilogy<br />
Thomas Schick (Potsdam-Babelsberg)<br />
Sound Design, Schizophrenia and Emotional Experience: Hans Weingartner‟s “The White<br />
Sound”<br />
C2. STARDOM AND FILM CULTURE: IMAGE, PROMOTION, RECEPTION<br />
Chair: tba<br />
Location: KCL Strand campus – room tba<br />
Elisabetta Girelli (St. Andrews)<br />
Boy-Man Love: Montgomery Clift Queers Americanness in The Search (1948)<br />
Virginia Luzón-Aguado (Zaragoza)<br />
Sounds Familiar? The Mosquito Coast, Harrison Ford and the Discourse on Adventure<br />
Helle Kannik Haastrup (Roskilde)<br />
The Master Narrative of Celebrity Culture: A New Look at the Film Star Interview<br />
Erica Carter (London)<br />
Broken English: Language Performance and the 1930s Exile Audience<br />
C3. PERSPECTIVES ON „MINORITY‟ LANGUAGES (I)<br />
Chair: tba<br />
Location: KCL Strand campus – room tba<br />
Burçe Çelik (Istanbul)<br />
Cell Phone and the Kurds of Turkey: The Appropriation of a Container Technology of Sound<br />
Joanna Espinosa (Paris)<br />
Tupi Or Not Tupi, That Is The Question?<br />
Yifen Beus (Laie, HI)<br />
The Minor‟s Tongue: The Staging of Silence and Voice in The Land Has Eyes and The Whale<br />
Rider<br />
Nevena Dakovic (Belgrade)<br />
Kustendorf: Balkaness, Europeanness and (anti) Hollywoodism<br />
C4. THE COMING OF SOUND AND FILM HISTORY<br />
Chair: tba<br />
Location: KCL Strand campus – room tba<br />
Mohsen Nasrin (Ottawa)<br />
Sound Technology and Sound Direction in Monte Carlo<br />
Claus Tieber (Salzburg)<br />
Music Films of the Transitional Period and their Role for the Development of Film Music of<br />
the Silent Era: The Case of Vienna<br />
Tore Helseth (Lillehammer)<br />
The Conversion To Sound Cinema in Norway, 1927-32<br />
Annie van den Oever (Groningen)<br />
The “Birth” of Sound in the Cinema. Excavating the New Viewing / Hearing Experience as a<br />
Contribution to a New Film History<br />
C5. THE TRANS-NATIONAL USES OF DUBBING, SOUND AND VOICE-OVER IN FILM<br />
AND TELEVISION<br />
Chair: Tommy Gustafsson (Växjö)<br />
Location: KCL Strand campus – room tba<br />
Rosalía Guerrero (Uppsala)<br />
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