NECS 2011 Conference

Sabine Hänsgen (Berlin)
Audio-Vision Revisited
Barbara Wurm (Berlin)
Cinematic Audio-Vision On Paper
D5. AUDIOVISUAL LANGUAGE: ON THE INTERACTION OF SOUND AND IMAGE IN
FICTION FILMS
Chair: Chris Wahl (Potsdam-Babelsberg)
Location: KCL Strand campus – room tba
Chris Wahl (Potsdam-Babelsberg)
Slow Motion – Slowed Sound
Michael Wedel (Potsdam-Babelsberg)
Magic Resonances. Contemporary Fantasy Cinema and the Aesthetics of Audiovisual
Confluence
Jesko Jockenhövel (Potsdam-Babelsberg)
From Spatial Sound to Spatial Images – Multi-Channel Sound and Stereoscopic Images as
Stylistic and Aesthetic Devices
Martin Schlesinger (Bochum)
São Paulo A/V
D6. LIGHTS! KAMERA! AZIONE! THE LANGUAGES OF INTERNATIONAL
PRODUCTIONS
Chairs: Daniel Steinhart (Los Angeles) and Petr Szczepanik (Brno)
Location: KCL Strand campus – room tba
Valeria Camporesi (Madrid) and Natalia Meneses (Madrid)
Cooperative Moves: Italian-Spanish Co-Productions of the Early 1940s in Broader Contexts
Daniel Steinhart (Los Angeles, CA)
“Quiet on the Set!” Navigating the Languages and Logistics of Postwar Hollywood Foreign
Productions
Petr Szczepanik (Brno)
The Soviet “Globalization”: Russians in East-European Studios after World War II
Anna Zoellner (Leeds)
The World Speaks English: Producing TV for the Global Marketplace
D7. INTERMEDIA SOUNDSCAPES: POLITICS AND MEMORY
Chair: Asunción López-Varela (Complutense Madrid)
Location: KCL Strand campus – room tba
Ruggero Eugeni (Milan)
Distant Voices, Still Live. The Intermedia Network and the Voices of the Medium Within the
XX Century Soundscape
Maria Grazia Fanchi (Milan)
“I Like Movies That Have Loud Music Noise”: Cinema and Soundscape in Child Film
Experience
Rocio von Jungenfeld (Edinburgh)
Artistic Practices and Media in the Outdoor Environment
Maria Mencia (Kingston)
Word Circuit
Asunción López-Varela (Madrid)
From Ear to …Where? The Sound of Empathy in Multimodal Communication
D8. FILM THEORY, TECHNOLOGY AND SOUND
Chair: tba
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