NECS 2011 Conference

A7. SHIFTING PATTERNS OF CRIME ON BRITISH TELEVISION
Chair: Lindsay Steenberg (Oxford)
Location: KCL Strand campus – room tba
Sofia Bull (Stockholm)
A Sort of Lab, a Doctor Wife and Sixties Tailoring: Forensic Science and Bodily Identity in
The Expert
Sarah Godfrey (Norwich)
“Blimey, If That Skirt Was Hitched Any Higher I Could See What You‟d Had For
Breakfast!” Nostalgia and Post-Feminism in Ashes to Ashes
Lindsay Steenberg (Oxford)
Education and Sensation: The Autopsy on British Lifestyle Television
A8. ENGAGING AUDIENCES
Chair: Mark Allinson (London)
Location: Birkbeck, room tba
Mark Allinson (London)
The Return of the Actresses: Almodóvar's Volver
David Hanson (London)
The Animus and Anima Effect within Emotional Drama
Tristan Tull (London)
Making History in Hollywood: How audiences understand themselves
Lunch
13.45 – 15.30 – PANELS B1 – B8 (KCL Strand campus)
B1. EUROPEANNESS, LANGUAGE AND GLOBALISATION
Chair: tba
Location: KCL Strand campus – room tba
Jaap Verheul (New York)
Language, National Identity, and „Europeanness‟ in Inglourious Basterds
Mary Harrod (London)
„Zat ees so funny‟: Franglais, Anglais and French Comedy
Chi-Yun Shin (Sheffield)
Trajectories of Omnibus: Memories, Journeys and Migration in Tickets
Marit Knollmueller (Washington)
The Sound of Silence: Mute Characters in Babel, Valhalla Rising and Centurion
B2. TRAUMA, VIOLENCE AND SOUND
Chair: tba
Location: KCL Strand campus – room tba
Zsolt Gyori (Eger)
Sound, Image and the Violence In-Between:
An Analytical Look at the Films of Nicolas Winding Refn
Renata Šukaityte (Vilnius)
Aural Apparitions in the Cinematic Worlds of Šarunas Bartas:
The Drift Along A Traumatic Past
Andrea Virginás (Cluj-Napoca)
Displaced Soundtracks and Wandering Women in Recent Eastern European Film Imaginaries
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