NECS 2011 Conference

Home Is Where The Song Is. Sonic Proceedings in German Cinema
David Gaertner (Berlin)
Overture – Intermission – Exit-Music: Strategies of Aesthetic Experience of the Roadshow
Film
B7. WHEN MUSIC SOARS HIGH, THE IMAGES FLOP LOW? IN PURSUIT OF THE
KITSCH OF WESTERN CLASSICAL MUSIC REPRESENTATIONS IN SCREEN MEDIA
Chairs: Burcu Koray
Location: KCL Strand campus – room tba
Burcu Koray (Istanbul)
Classical Music and Screen Media - A Quest of Identity in Three Parts
Selim Eyuboglu (Istanbul)
Pain & Glory: Uneasy Encounters with the Genius
Chris Padraig (Istanbul)
Nature Creates Music, Music Craves Nature… On Screen
Isabel Villanueva (Barcelona)
Opera in Cinemas? Exploring the Televisual Futures of Opera
B8. TEACHING ECOLOGICAL MOVIES
Chair: Peter Krämer
Location: KCL Strand campus – room tba
Peter Krämer (Norwich)
Teaching Hollywood‟s Biggest Hits
Eithne Quinn (Manchester)
Teaching The Day After Tomorrow and Avatar and Communicating Risk about Climate
Change
Rupert Read (Norwich)
Viewing and Teaching Avatar as a Transformative Experience
17.30 – 19.00 – Keynote 1: Raphaëlle Moine (Paris 3)
Location: Tuke Hall, Regent‟s College
19.00 – 21.00 – Reception
Location: Regent‟s College grounds
DAY 2: FRIDAY 24th June 2011
King‟s College London (Strand campus)/Regent‟s College (Regent‟s Park)
8.30 – 10.15 PANELS C1-C8 [KCL Strand]
C1. DESTABILIZED SOUNDS, FRAGMENTED SOCIETIES & FRACTURED MINDS (I)
Chair: tba
Location: KCL Strand campus – room tba
Julia Echeverría Domingo (Zaragoza)
Humanity‟s Swansong: Music and Death in Alfonso Cuarón‟s Children of Men
Sanja Garic-Komnenic (Vancouver)
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