NECS 2011 Conference
NECS 2011 Conference
NECS 2011 Conference
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Annette Brauerhoch (Paderborn)<br />
The Mise-en-scène of Authenticity in Barbara Loden‟s Wanda<br />
B3. THE SOUND(S) OF SILENCE<br />
Chair: tba<br />
Location: KCL Strand campus – room tba<br />
Alice Bardan (Los Angeles)<br />
Economies of Gesture, Affect and Speech in the Works of Martin Arnold, Candice Breitz, and<br />
Irina Botea<br />
Mariana Cunha (Oxford)<br />
Silence and Desert Landscapes: The Aesthetic Construction of the Sertão in Brazilian Cinema<br />
Daniel Torras i Segura (Mataró)<br />
The Use of Silence As Interaction Stimulus. The Case of New Television Animation Series<br />
for Children<br />
Katja Schumann (Hamburg)<br />
The Wrinkled Voice? Voice and Old Age in Marlene<br />
B4. SOUNDTRACK, POPULAR MUSIC AND IDENTITY IN SPANISH CINEMA FROM<br />
THE 1960s TO TODAY<br />
Chairs: Santiago Fouz-Hernández (Durham) and Teresa Fraile (Extremadura)<br />
Location: KCL Strand campus – room tba<br />
Teresa Fraile (Extremadura)<br />
Aesthetic Debates on Spanish Film Music During the “Pop Age”<br />
Elena Boschi (Liverpool)<br />
„No Hay Sitio Para Ti‟: Rock Songs and Identities in Historias del Kronen<br />
Santiago Fouz-Hernández (Durham)<br />
Drag and Popular Music in Spanish Cinema of the 2000s<br />
Alejandro Melero Salvador (Madrid)<br />
Sounds and Body Landscapes in the Sexploitation Cinemas of post-Franco Spain<br />
B5. QUEER THEORY/POLITICS OF LANGUAGE IN DIGITAL MEDIA PRACTICES &<br />
MEDIA STUDIES<br />
Chair: Susanne Lummerding (Vienna)<br />
Location: KCL Strand campus – room tba<br />
Michele Aaron (Birmingham)<br />
Deathly Silence: The Queer Ethics of Spectatorship and the Disavowal of Race<br />
Irmi Karl (Brighton)<br />
Developing Queer Ethics in Media Research: Critique, Activism and Other Dilemmas<br />
Jan Pinseler (Magdeburg)<br />
Not so queer images. Queer Theory and everyday media constructions of sexuality<br />
Discussant: Susanne Lummerding (Vienna)<br />
B6. THE SOUND OF GENRE<br />
Chair: tba<br />
Location: KCL Strand campus – room tba<br />
Matthias Grotkopp (Berlin)<br />
“It‟s Quiet”– “Yeah, Too Quiet. I Don‟t Like It:” What the War Film Knows About the<br />
Human Ear<br />
Daniel Illger (Berlin)<br />
The Sound of Cosmic Disorder: The Grotesque in Italian Horror Film<br />
Michael Lück (Berlin)<br />
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