NECS 2011 Conference

10.45 – 12.30 PANELS D1-D8 (KCL Strand campus)
D1. DESTABILIZED SOUNDS, FRAGMENTED SOCIETIES & FRACTURED MINDS (II)
Chair: tba
Location: KCL Strand campus – room tba
Erik Hedling (Lund)
Sounds of Modernity: Bergman and Jazz
Bo Florin (Stockholm)
The Forgotten Dimension: A Case Study of Sound in Roy Andersson‟s Advertising Films
Virginia Bonner (Morrow, GA)
A Tale of Sound and Fury: Jonathan Caouette‟s Tarnation
Patricia Sequeira Brás (London)
Sound as Duration and Repetition
D2. THE POLITICS OF SUB-TITLING
Chair: tba
Location: KCL Strand campus – room tba
Samuel Bréan (Paris)
Godard English Cannes: the Reception of Film Socialisme‟s “Navajo English” subtitles
Özlem Köksal (London)
Uses, Abuses and Politics of Subtitles in Film
Adrian Martin (Victoria, Australia)
Words Versus Music: Paradoxes in the Subtitling (or Lack Thereof) of Songs in Film
Roger Macy (Canterbury)
Languages “Unknown To Civilised Man”
D3. PERSPECTIVES ON „MINORITY‟ LANGUAGES (II)
Chair: tba
Location: KCL Strand campus – room tba
Anu Koivunen (Stockholm)
Memory Machine in Minority Language? The Strategies of Swedish-Language Drama in
Finnish Television
Abigail Keating (Cork)
On the Non/fluency of a Transnational Generation: Performing Identity in Contemporary
Irish-language Media
Kate Woodward (Aberystwyth)
„Sleeping with the Enemy‟: The Welsh Language and Film
Elena Panican (Budapest)
Framing the Inarticulate Other. The Politics of Laughter, Language and Soundtrack in
Contemporary Romanian Television
D4. SYNCHRONICITY, ASYNCHRONICITY AND AUDIO-VISION IN EARLY SOVIET
FILM
Chair: Barbara Wurm (Berlin)
Location: KCL Strand campus – room tba
Anke Hennig (Berlin)
Pudovkin and the Asynchrony of Sound
Jana Klenhova (Berlin)
(Re-)Producing Synchronicity
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