NECS 2011 Conference
NECS 2011 Conference
NECS 2011 Conference
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Sound as an Element of a Conceptual History Analysis: A Study of Gender, Work and<br />
Affection in Swedish and Mexican Cinema 1930-1960<br />
Ingrid Stigsdotter (Gothenburg)<br />
Visconti, European Art Cinema and the Myth of the „Authentic Voice‟<br />
Tommy Gustafsson (Växjö)<br />
Once Upon a Time… The Use of Sound and Voice-Over to Teach History in Children‟s<br />
Television Programs<br />
Vicente Rodríguez Ortega (Madrid)<br />
“Fags”, Rock‟n‟Roll & Performance: Spanish TV in the Transition to Democracy<br />
C6. SOUND, MEMORY AND THE HOLOCAUST<br />
Chair: tba<br />
Location: KCL Strand campus – room tba<br />
Natascha Drubek-Meyer (Regensburg)<br />
A Voiceover for Theresienstadt. Mixing Sound for a Concentration Camp Film in 1945<br />
Åsa Bergström (Lund)<br />
Sonic Pasts – Soundscapes in Swedish Representations of the Holocaust<br />
Barry Langford (London)<br />
Speaking the Unseeable: Soundscapes of Holocaust Film<br />
Malgorzata Radkiewicz (Krakow)<br />
Filming Oral Memory: Re-Construction of Jewish Stetls and Cities In Polish Cinema<br />
C7. INTERMEDIA SOUNDSCAPES: AESTHETICS AND ART PRACTICES<br />
Chair: Antonio Somaini (Genoa) and Yvonne Spielmann (West Scotland)<br />
Location: KCL Strand campus – room tba<br />
Antonio Somaini (Genoa)<br />
Soundscape and Intermediality in Eisenstein‟s Theory of Vertical Montage<br />
Duncan White (London)<br />
Sonic Visions<br />
Yvonne Spielmann (West Scotland)<br />
Soundscapes in Expanded Screen Media<br />
Ágnes Pethő (Cluj-Napoca)<br />
Intermediality as Polyphony:<br />
“Waves” of Words, Images and Sounds in Jean-Luc Godard‟s Cinema<br />
Marco Federici (West Scotland)<br />
Synaesthesia and Abstract Film<br />
C8. ADORNO, THE MEDIA AND MUSIC<br />
Chair: Devi Dumbadze (Bochum)<br />
Location: KCL Strand campus – room tba<br />
Sonja Witte (Bremen)<br />
On Loosing One‟s Mind between Image and Sound – Looking from Adorno‟s Critique of<br />
Culture Industry at Meaning of Sound in Psychoanalytic Film Theory<br />
Christoph Hesse (Mainz)<br />
Adorno‟s Foray into the Orchestra Pit of Cinema<br />
Imme Klages (Bochum)<br />
OKLAHOMA! Why the Todd-AO Process Did Not Revolutionize Cinema Sound: A Film<br />
Historical Case-Study On Innovations in Film Industry<br />
Devi Dumbadze (Bochum)<br />
Image Quality of Radio Music, Consumption of Music‟s Own Time. On the Depletion of<br />
Experience in Technical Media<br />
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