NECS 2011 Conference

When Cinema Spun You Around. Conservative and Innovative Aspects in Italian Music
Cinema During the 60‟s Noom
L2. GENRE AND AESTHETICS IN NEW TURKISH CINEMA
Chair: tba
Location: Birkbeck, room tba
Zeynep Merve Uygun (Istanbul)
The Transformation of Sound in New Turkish Cinema:
Sound as Actor in Reha Erdem‟s Films
Nezih Erdogan (Istanbul)
Sound Design in New Turkish Cinema - Alibi Caught Red-Handed?
Deniz Bayrakdar (Istanbul)
Sound of Silence/ Silence of Sound
Murat Akser (Istanbul)
Green Pine Resurrected: Parody and Citizenship in Turkish Cinema
L3. TUNING IN: WHAT IS/WAS TELEVISION SOUND?
Chair: Senta Siewert (Bochum)
Location: Birkbeck, room tba
Anthony Enns (Halifax, Nova Scotia)
The Acoustic Space of Television
Carolyn Birdsall (Amsterdam)
Sound, Television Theory and Sports Broadcasting
Svein Høier (Trondheim)
Point of Audition in Television Documentaries
David Sedman (Dallas, TX)
MTS in the United States (1984-2009): The Life and Death of Multichannel TV Sound
L4. LETTERS, DIARIES AND NOTEBOOKS: EXPLORING CINEMATIC VOICES
Chair: Christian Quendler (Innsbruck)
Location: Birkbeck, room tba
Anna Sofia Rossholm (Växjö)
The Intimate Writings of Ingmar Bergman: Tracing the Voice of the Auteur through Letters,
Diaries and Notebooks
Christian Quendler (Innsbruck)
Literary Detours: The Cinematic Diary Across Fiction, Stage and Screen
Eirik Frisvold Hanssen (Trondheim)
Auteur Gazing: Notions of Spectatorship and Auteurism in Fan Mail to Film Directors
Christina Ljungberg (Zürich)
Constructing Paul Auster‟s Cinematic Voice
L5. LOCATING THE SONG
Chair: Tom Whittaker (Kingston)
Location: Birkbeck, room tba
Tom Whittaker (Kingston)
Soundscapes of Resistance in the Spanish quinqui Film
Andrea Rinke (Kingston)
The Pain and the Pleasure: Songs and Spaces in Trainspotting and Human Traffic
Catherine O‟Brien (Kingston)
“Ave Maria”: sacred spaces in Lourdes and 28 Days Later
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