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A decade later - Fundação Luso-Americana

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cuLTure<br />

The Bagatelle:<br />

a possible public landmark<br />

The Bagatelle, the famed Dabney home<br />

in Horta, was the first family dwelling<br />

built. Between 1812 and 1814, master<br />

carpenters travelled from America to erect<br />

the estate, the permanent residence of a<br />

successful, cosmopolitan American family<br />

that would change the face of the<br />

island. It also marked a change in style<br />

in the Azores, with its New England<br />

architectural features. With three stories,<br />

an ample balcony hanging over the<br />

porch, and sash and bay windows, the<br />

home commanded a breathtaking view<br />

of the channel and Pico Island. Obscured<br />

by unchecked vegetation, it still exists as<br />

#19, Rua de São Paulo; but the huge pink<br />

fairy-tale mansion is slowly crumbling,<br />

althoug its current owners put it to sale<br />

as did the owners of the erstwhile Dabney<br />

residence, the Fredonia, which is now a<br />

playschool. Another former residence, the<br />

Cedars, is currently the official residence<br />

of the president of the Azores Legislative<br />

Assembly, and the family’s vacation home<br />

in Porto Pim has gone from being a ruin<br />

to what will likely become a museum<br />

about the archipelago, thanks to the<br />

regional environmental and maritime<br />

authorities.<br />

Horta’s town council explains that the<br />

Bagatelle occupies a city block in the<br />

parish of Mártires, has not been classified<br />

as a public landmark, but that “the Horta<br />

urban development plan approved last<br />

year has allowed for the possibility of its<br />

being classified.”<br />

Questioned about the dilapidated state<br />

of the building and the neglect suffered<br />

by the whole city lock on which the oncecharming<br />

grounds are located – 500 m 2<br />

of building space and 1,500 m 2 of gardens<br />

- the city authorities claim they are “naturally<br />

worried about the state of this and<br />

other historical buildings in<br />

Horta. Over the years we have<br />

been working – not only to<br />

define the boundaries of the<br />

historical quarter of the city –<br />

but to design a recovery strategy<br />

for it.”<br />

The Horta Town Council also<br />

seems to have recognized the<br />

diamond in the rough sitting<br />

squarely within the city: one<br />

that can encourage more cultural<br />

tourism once the link<br />

between the Dabneys and the<br />

whaling culture that joined<br />

Faial and New Bedford has<br />

been explored. In September of<br />

2009, we brought the public’s<br />

attention to the dilapidated<br />

state of the Dabney family plot<br />

in the Carmo Municipal<br />

Cemetery. Since then, the mayor’s<br />

office has informed us that<br />

it has not only repaired and<br />

recovered the plot, but “published<br />

a small brochure about<br />

the historical spot. The brochure<br />

was distributed to a<br />

group representing the New<br />

Bedford Whaling Museum that<br />

visited Faial recently to promote<br />

cultural tourism.”<br />

The American family now reposes<br />

in the memory and in the deep<br />

black earth of Faial. Fourteen<br />

graves lie in the most tuckedaway<br />

corner of the cemetery. To<br />

reach it you must climb to the<br />

top of the cemetery and look for<br />

the marker – a stately palm tree<br />

– that over the years has thrived<br />

on the family’s history in order<br />

to touch the sky.<br />

‘ Bagatelle [...] marked a change in<br />

style in the Azores, with its new<br />

england architectural features. With<br />

three stories, an ample balcony<br />

hanging over the porch, and<br />

sash and bay windows, the home<br />

commanded a breathtaking view<br />

of the channel and pico island.<br />

’<br />

Today in ruins, the Bagatelle was the dabney’s legendary<br />

home in Horta. The Town council admits to being worried<br />

about its condition, and states that it may be classified<br />

as a local landmark in the future.<br />

Parallel no. 6 | FALL | WINTER 2011 73<br />

DR

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