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A decade later - Fundação Luso-Americana

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SANDRA PEREIRA<br />

Brent Glass is Director of the Smithsonian’s<br />

National Museum of American History<br />

in Washington, DC. He is also a member<br />

of the Flight 93 Memorial Advisory<br />

Commission whose goal was to construct<br />

a memorial in Shanksville, Pennsylvania,<br />

at the site where the aircraft hijacked by<br />

terrorists on 9/11 plummeted to earth.<br />

8<br />

9/11<br />

A <strong>decade</strong> <strong>later</strong><br />

september 11 th<br />

in America’s collective memory<br />

From the Holocaust to 9/11: why do we need memorials to remember tragedies?<br />

And is there such a thing as too much remembrance?<br />

By KATHLeen Gomes<br />

PhOTOGRAPhy By sAndrA pereirA AND vAnessA rodriGues<br />

Like the memorial to the World Trade<br />

Center victims in New York, the Flight 93<br />

Memorial was inaugurated on Sept. 11 th ,<br />

2011, ten years after the disaster.<br />

Memorials combine the way we wish to<br />

be remembered in the future with people’s<br />

need to be consoled in the present. They<br />

“tell more about ourselves and our own<br />

times than they do about the events that<br />

we are supposedly commemorating,” affirmed<br />

Glass in this interview conducted in<br />

Washington.<br />

[Parallel] Whether it’s the Columbine massacre<br />

or 9/11, the building of memorials seems to be<br />

a growing industry in the United States. Why?<br />

The elements of the memorial are positioned to distinguish between those that symbolize the victims inside the pentagon building and those that represent the<br />

victims on the plane. Those in which you can read the victim’s name and simultaneously see the pentagon building memorialize those who died in the pentagon.<br />

Those facing in the opposite direction, where the sky acts as a backdrop to the name, pay tribute to the people who perished aboard AA Flight 77.<br />

Parallel no. 6 | FALL | WINTER 2011

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