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ჟურნალის ელექტრონული ვერსია - ფაკულტეტი - საქართველოს ...

ჟურნალის ელექტრონული ვერსია - ფაკულტეტი - საქართველოს ...

ჟურნალის ელექტრონული ვერსია - ფაკულტეტი - საქართველოს ...

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determined for a short term. Identification of the heritage develops alongside with interest changes,new discoveries, rejection of former views and their revision. Besides, it should also be taken intoaccount that neither architecture and nor our attitude to it is unfailing. The build and its perceptionby us are both conditioned by cultural and historical circumstances that are constantly prone tochanges.The creative team has entirely shared the idea proposed by the Council of Europe whichenvisaged the wider promotion of the importance of heritage on the basis of stock-taking ofarchitectural heritage. The activity went beyond theidea of identification and preservation, beingvaluable by itself, and has successfully become theintegrated part of a democratic process which isaiming at the enhancement of overall standard oflife through participation of every member of thepublic.Architectural heritage strengthens ourunderstanding about our social development. Via itsidentification and preservation we are able to betterdetermine our place in the world. Preservation andrehabilitation of buildings enable us to maintain notonly historically and architecturally importantspecimens of the past but we can also reinforce their relevance in the present life. Thus wedetermine not artifacts but our own values.In this respect, architectural heritage is associated with not only physical preservation ordevelopment but it becomes fundamental for theplanning of all processes or any aspect affectingthe on going process within the framework ofsocial and political evolution of democraticsocieties.Introduction of the idea of integratedheritage emphasized its importance as of asocial investment which is the key component inthe process of evolution being the basis for thesteady development of peaceful, open anddemocratic society.By its scale, the structure of street network,the terraced principle of alignment of buildings,Signaghi represents a single artistic-urbanfabric.Signaghi owes its distinctive character to a 4,5 km fortress wall with 23 towers and 7 archedgates. The fortress wall has resisted the time and along with the expansion of the town it hasbecome the part of its structure.In Signaghi architecture there are elementscharacteristic solely for this town: unlike Tbilsi,Signaghi has no courtyards with balconiessurrounding them from all sides. The houses standin line along the streets making up an accomplishedarchitectural entity. The facilities with “shutters”accommodated studios, stores and taverns…therewere walls with flat “carpet like” brickwork, bowbackedwindows, entrance doors and metalwork.The architectural image of houses was conditioned71

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