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Volume 17–1 (Low Res).pdf

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0 Typographic Collage,<br />

assembled from 500 swatches of<br />

colorful printed paper. 30"x 40:'<br />

Photo: David Colvin.<br />

0 Universal Alphabet weaving,<br />

combines letters A to Z from<br />

diverse alphabets in natural fibers<br />

and colors. 30" x 60!' Photo:<br />

White Light Corp.<br />

0 Teacher's sweater, a knitted<br />

piece, features a scarlet A on a<br />

blackboard-black ground. Other<br />

letters appear on the back.<br />

Photo: Jan Baker.<br />

A more recent influence on her work has come<br />

from a series of journeys to India, Nepal, Pakistan,<br />

Bhutan and Tibet, where she lectured and traveled.<br />

In the textile center Ahmedabad, in India, she participated<br />

as a visiting designer at the National Institute<br />

of Design. Soon, a travel grant from the Rhode<br />

Island State Council on the Arts will take her back<br />

to Ahmedabad as an artist-in-residence, where she<br />

will concentrate on designing patchwork quilts with<br />

Hindi letterforms and weaving on a jacquard loom.<br />

To be sure, her immersion in the Asian scene has<br />

filled her head with exotic color and design ideas<br />

for current and future projects.<br />

Jan Baker has an enviable list of credentials and<br />

accomplishments as an exhibitor, award-winner,<br />

professor and visiting lecturer. She has made herself<br />

felt, seen and heard, from Yale and the Rhode<br />

Island School of Design on the east coast, to the<br />

University of Southern California at Santa Cruz on<br />

the west coast, and across the Pacific in Japan and<br />

Asian lands. Although she bears the designation<br />

"fiber artist;' her commitment to typography makes<br />

us feel a special kinship with her.<br />

Marion Muller

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