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Volume 17–1 (Low Res).pdf

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#1048<br />

Graphic Design in America<br />

Edited by Mildred and Phil Friedman<br />

Graphic Design in America is thought-provoking,<br />

informative, contemporary in<br />

outlook and an excellent book for all concerned<br />

with making graphic design work<br />

most effectively today. Billed as "a visual<br />

language history," this comprehensive<br />

work is based on an exhibition held at the<br />

Walker Art Center and was developed in<br />

cooperation with the American Institute of<br />

Graphic Arts. The text is not just a history,<br />

but a critical examination of American<br />

graphic design from 1829 to 1989. It analyzes<br />

the cultural and technological developments<br />

of the discipline and relates them<br />

to changes in American history.<br />

An interesting feature is the creative<br />

time-lin&which uses the terms of American<br />

presidents as a reference. It was developed<br />

by Ellen Lupton, curator of the Herb<br />

Lubalin Study Center of Design and<br />

Typography at The Cooper Union, and<br />

designer/writerJ. Abbott Miller.<br />

Critical essays review Graphic Arts for<br />

the Public Welfare, Changing Technology<br />

Changing Design, Design in the Service of<br />

Commerce, Europeans in America, From<br />

the Poster of Protest to the Poster of Liberation,<br />

A Zero Degree of Graphics, and an<br />

opening essay threading the others<br />

together and written by Mildred Friedman,<br />

design curator of the Walker Art Center.<br />

A valuable feature of this book is the<br />

series of interviews by Steven Heller, with<br />

such major designers as Saul Bass, Aaron<br />

Burns, Matthew Carter, Ivan Chermayeff,<br />

Muriel Cooper, Milton Glaser, Richard and<br />

Robert Greenberg, April Greiman, Tibor<br />

Kalman, Alexander Liberman, Leo<br />

Lionni, Cipe Pineles, Paul Rand, Louis<br />

Silverstein and Bradbury Thompson.<br />

Also of great value are the set of<br />

designer biographies and the selected<br />

bibliography.<br />

264 pages. 10,14 x 10 ,141390 illustrations, 80 in color.<br />

Hardcover.<br />

#1048<br />

$49.50, U.S. and Canada.<br />

Elsewhere, $68.00.<br />

#1049<br />

Symbols, Signs and Letters<br />

by Martin Andersch<br />

For a change, here is a book not so much to<br />

read as to be looked at. Very brief text<br />

reviews the state of handwriting today, and<br />

there are thoughts on italic handwriting,<br />

Roman letters and the use of the alphabet<br />

to visualize linguistic events. The author's<br />

style is to play instructor to you, the student,<br />

as he takes you through the various<br />

levels of techniques, use of inks and materials,<br />

to learn and master this fine craft and<br />

understand the subtleties of the fine art of<br />

handwritten communications.<br />

The author is a professor of design and<br />

an instructor of calligraphy at the Fachhochschule<br />

of Hamburg, Germany. Virtually<br />

the entire book displays exquisite<br />

examples, elegantly reproduced, of calligraphy<br />

produced in his classes. The result is<br />

a visual banquet. Provocative thoughts<br />

add consideration to many pages, such as,<br />

"spoken symbols of spoken ones;' (Aristotle).<br />

An illustrated glossary follows the calligraphy<br />

pages.<br />

If you are an instructor or serious student<br />

of the art of hand lettering, then this<br />

is a "must have" title for your shelf.<br />

256 pages. 8'/4 x Hardcover.<br />

#1049<br />

$75.00, U.S. and Canada.<br />

Elsewhere, $90.00.<br />

To Instructors of Graphic Design. Due to the<br />

nature of this book and the value it has for both<br />

teacher and student, the U&lc BookShop will<br />

make this book available to recognized instructors<br />

at a special educational rate. Please contact<br />

the U&lc Bookshop for ordering.<br />

#1050<br />

Successful Catalogs<br />

by Steve Warsaw<br />

With the two-income family often too busy<br />

to shop, and the cost of door-to-door sales<br />

calls becoming prohibitive, the catalog is<br />

becoming an increasingly important sales<br />

tool. Of course, the designer's role in maximizing<br />

the catalog's sales effectiveness is<br />

crucial. Successful Catalogs is a profusely<br />

illustrated, full-color book. The text and<br />

illustrations state the sales problems and<br />

explain the how and why behind the solutions.<br />

Forty-six catalogs are case-historied.<br />

Each has received awards in national competitions<br />

evaluating them for effectiveness<br />

as marketing tools as well as for outstanding<br />

design and printing.<br />

Five kinds of catalogs are reviewed. The<br />

categories, and one example of each, are:<br />

Retail, Saks Fifth Avenue; Business-to-<br />

Business, AT&T; Incentive, Sperry &<br />

Hutchinson, Inc. (Green Stamps); Dealer,<br />

Laura Ashley; and Niche Marketing,<br />

Museum of Marketing Art.<br />

222 pages. 9,14 x 12 ,147 Hardcover.<br />

#1050<br />

$49.95, U.S. and Canada.<br />

Elsewhere, $64.95.<br />

Special notice to instructors and full time students. We have received many requests to make various books available to students and educational<br />

centers at favorable rates. If you are cifull time student or instructor of graphic arts and want to register for this new program, please contact the U&lc<br />

BookShop for further information.

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