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#1048<br />
Graphic Design in America<br />
Edited by Mildred and Phil Friedman<br />
Graphic Design in America is thought-provoking,<br />
informative, contemporary in<br />
outlook and an excellent book for all concerned<br />
with making graphic design work<br />
most effectively today. Billed as "a visual<br />
language history," this comprehensive<br />
work is based on an exhibition held at the<br />
Walker Art Center and was developed in<br />
cooperation with the American Institute of<br />
Graphic Arts. The text is not just a history,<br />
but a critical examination of American<br />
graphic design from 1829 to 1989. It analyzes<br />
the cultural and technological developments<br />
of the discipline and relates them<br />
to changes in American history.<br />
An interesting feature is the creative<br />
time-lin&which uses the terms of American<br />
presidents as a reference. It was developed<br />
by Ellen Lupton, curator of the Herb<br />
Lubalin Study Center of Design and<br />
Typography at The Cooper Union, and<br />
designer/writerJ. Abbott Miller.<br />
Critical essays review Graphic Arts for<br />
the Public Welfare, Changing Technology<br />
Changing Design, Design in the Service of<br />
Commerce, Europeans in America, From<br />
the Poster of Protest to the Poster of Liberation,<br />
A Zero Degree of Graphics, and an<br />
opening essay threading the others<br />
together and written by Mildred Friedman,<br />
design curator of the Walker Art Center.<br />
A valuable feature of this book is the<br />
series of interviews by Steven Heller, with<br />
such major designers as Saul Bass, Aaron<br />
Burns, Matthew Carter, Ivan Chermayeff,<br />
Muriel Cooper, Milton Glaser, Richard and<br />
Robert Greenberg, April Greiman, Tibor<br />
Kalman, Alexander Liberman, Leo<br />
Lionni, Cipe Pineles, Paul Rand, Louis<br />
Silverstein and Bradbury Thompson.<br />
Also of great value are the set of<br />
designer biographies and the selected<br />
bibliography.<br />
264 pages. 10,14 x 10 ,141390 illustrations, 80 in color.<br />
Hardcover.<br />
#1048<br />
$49.50, U.S. and Canada.<br />
Elsewhere, $68.00.<br />
#1049<br />
Symbols, Signs and Letters<br />
by Martin Andersch<br />
For a change, here is a book not so much to<br />
read as to be looked at. Very brief text<br />
reviews the state of handwriting today, and<br />
there are thoughts on italic handwriting,<br />
Roman letters and the use of the alphabet<br />
to visualize linguistic events. The author's<br />
style is to play instructor to you, the student,<br />
as he takes you through the various<br />
levels of techniques, use of inks and materials,<br />
to learn and master this fine craft and<br />
understand the subtleties of the fine art of<br />
handwritten communications.<br />
The author is a professor of design and<br />
an instructor of calligraphy at the Fachhochschule<br />
of Hamburg, Germany. Virtually<br />
the entire book displays exquisite<br />
examples, elegantly reproduced, of calligraphy<br />
produced in his classes. The result is<br />
a visual banquet. Provocative thoughts<br />
add consideration to many pages, such as,<br />
"spoken symbols of spoken ones;' (Aristotle).<br />
An illustrated glossary follows the calligraphy<br />
pages.<br />
If you are an instructor or serious student<br />
of the art of hand lettering, then this<br />
is a "must have" title for your shelf.<br />
256 pages. 8'/4 x Hardcover.<br />
#1049<br />
$75.00, U.S. and Canada.<br />
Elsewhere, $90.00.<br />
To Instructors of Graphic Design. Due to the<br />
nature of this book and the value it has for both<br />
teacher and student, the U&lc BookShop will<br />
make this book available to recognized instructors<br />
at a special educational rate. Please contact<br />
the U&lc Bookshop for ordering.<br />
#1050<br />
Successful Catalogs<br />
by Steve Warsaw<br />
With the two-income family often too busy<br />
to shop, and the cost of door-to-door sales<br />
calls becoming prohibitive, the catalog is<br />
becoming an increasingly important sales<br />
tool. Of course, the designer's role in maximizing<br />
the catalog's sales effectiveness is<br />
crucial. Successful Catalogs is a profusely<br />
illustrated, full-color book. The text and<br />
illustrations state the sales problems and<br />
explain the how and why behind the solutions.<br />
Forty-six catalogs are case-historied.<br />
Each has received awards in national competitions<br />
evaluating them for effectiveness<br />
as marketing tools as well as for outstanding<br />
design and printing.<br />
Five kinds of catalogs are reviewed. The<br />
categories, and one example of each, are:<br />
Retail, Saks Fifth Avenue; Business-to-<br />
Business, AT&T; Incentive, Sperry &<br />
Hutchinson, Inc. (Green Stamps); Dealer,<br />
Laura Ashley; and Niche Marketing,<br />
Museum of Marketing Art.<br />
222 pages. 9,14 x 12 ,147 Hardcover.<br />
#1050<br />
$49.95, U.S. and Canada.<br />
Elsewhere, $64.95.<br />
Special notice to instructors and full time students. We have received many requests to make various books available to students and educational<br />
centers at favorable rates. If you are cifull time student or instructor of graphic arts and want to register for this new program, please contact the U&lc<br />
BookShop for further information.