LYRICAL POETRYAh, calm me ! restore me !And dry up my tearsOn thy high mountain-platforms,Where morn first appears,Where the white mists, for ever,Are spread and upfurl'd ;In the stir of the forcesWhence issued the world.That is from Parting, and in the same vein are HumanLife (which was never included in the series), andIsolation the best known of Arnold's shorter lyrics.A second class is composed of those meditative lyrics,rhymed or unrhymed, which were suggested less perhapsby the Greek choruses than by similar poems ofGoethe and Heine. To this class belong the threelovely songs of Callicles in Empedocles:Far, far from here,The Adriatic breaks in a warm bayAmong the green Illyrian hills ;andOh, that Fate had let me seeThat triumph of the sweet persuasive lyre,That famous final victory,When jealous Pan with Marsyas did conspire !Not here, O Apollo !Are haunts meet for thee.But, where Helicon breaks downIn cliffs to the sea.But the earliest of these longer irregular lyrics was thedelightful The Forsaken Merman, in which the varyingmeasures are managed with a finer musical effect thanArnold always achieved. To these were added, in thevolume of 1852, The. Touth of Nature, The Touth of98
ARNOLD AND PRE-RAPHAELITE GROUPMan, The Buried Life, The Future, which seems to mesometimes the best allegorical poem in the language,the only allegory in verse which does not give one aheadache (as is, Dickens says, the way of allegory)but strikes home in every vivid, significant stanza; andlast and greatest, A Summer Night, the most movingand the noblest utterance of Arnold's melancholy andresignation, the resignation of a Marcus Aurelius:Plainness and clearness without shadow of stain !Clearness divine !Ye Heavens, whose pure dark regions have no signOf languor, though so calm, and though so great,Are yet untroubled and unpassionate ;Who, though so noble, share in the world's toil,And, though so task'd, keep free from dust and soil !I will not say that your mild deeps retainA tinge, it may be, of their silent painWho have long'd deeply once, and long'd in vain :But I will rather say that you remainA world above man's head, to let him seeHow boundless might his soul's horizon be,How vast, yet of what clear transparency !How it were good to sink there, and breathe free.How fair a lot to fillIs left to each man still!Of the additions made to these in later volumes—Rugby Chapel, Heine's Grave, Dover Beach — thegreatest is the last with its vivid opening description,the felicitous allusion to Sophocles, and the passior>ateclose.These irregular lyrics are an experiment, but theydo not give quite the same impression of virtuosity,of metrical experiments made for their own sake, experimentsin music and mood, as some of Tennyson'sand Browning's. They rather, like the choruses in99
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HOGARTH LECTURES ON LITERATURELYRIC
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LYRICAL POETRY FROMBLAKE TO HARDYH.
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CONTENTSLECTUREI . INTRODUCTORY . .
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LYRICALPOETRYand fieicer ferment of
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LYRICALPOETRY,influence of the Hebr
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LYRICALPOETRY.intended to be sung w
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LYRICALPOETRY.or even, what is more
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LYRICAL POETRY.Niebelungen measure
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LYRICALPOETRYThe ecstasy of joy and
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LYRICAL POETRY •Arnold, and poets
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LYRICALPOETRY.had something to do w
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LYRICAL POETRY .Version of the Bibl
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LYRICALPOETRY.But the very complete
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LYRICALPOETRYHear the voice of the
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LYRICALPOETRYsimplicity, never in h
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LYRICAL POETRYnot very happy attemp
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LYRICALPOETRYBehold her single in t
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LYRICAL POETRYgrandeur as well as b
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LYRICALPOETRYBut it was not in this
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LYRICALPOETRYpublication of Percy's
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LYRICAL POETRYThen till't they gaed
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LYRICALPOETRY" Tell me, thou bonny
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LYRICALPOETRYeasily forgotten once
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"THENINETIES"that he edited that po
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"THENINETIES"and of Bailie and Aill
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"THE NINETIESDying Day of Death, an
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"THENINETIES"was a strange impressi
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'THE NINETIES"by the life and the p
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