LYRICALPOETRYOr bristled curl at a touch their snouts in a ball;Or cast their web between bramble and thorny hook ;The good physician Melampus loved them all,Among them walked as a scholar who reads his book.In other poems the " metaphysical" strain inMeredith's as in Donne's and some of Browning'spoems, the swift passionate rush of the stream ofthought, flows in swifter measures—anapaestic, trochaicfour-foot lines, or, if iambic, with the heavybeat on the stressed syllables which is characteristicof the seventeenth-century "metaphysicals'" use ofthe Common and Long Measure. Good examples arethe Night of Frost in May, The Woods of Westermain,Hard Weather, A Faith on Trial, The Day of theDaughter of Hades. Few of them are altogether freeof the intolerable obscurities, harshnesses, and infelicitiesreferred to earlier, but, if one has patience towin through to what the poet is trying to articulate,one gets something of the pleasurable sting derivablefrom the, in their different way, harsh and obscurelyrics of Donne. In the same metre as that poet'sThe Extasie, Meredith's The Thrush in February isotherwise reminiscent of that poem:Since Pain and Pleasure on each handLed our wild steps from slimy rockTo yonder sweeps of garden land,We breathe but to be sword or block.The sighting brain her good decreeAccepts ; obeys those guides, in faith,By reason hourly fed, that she,To some the clod, to some the wraith,Is more, no mask,—a flame, a stream.Flame, stream, are we in mid-career,From torrent source, delirious dream,To heaven reflecting current clear.128
"THE NINETIES"And why the sons of Strength have beenHer cherished offspring ever ; howThe Spirit served by her is seenThrough Law,—perusing love will show :Love born of knowledge, love that gainsVitality as Earth it mates,The meaning of the Pleasures, Pains,The Life, the Death illuminates.For love we Earth, then serve we all;Her mystic secret then is ours :We fall, or view our treasures fall,Unclouded, as beholds her flowersEarth from a night of frosty wreck,Enrobed in morning's mounted fire,When lowly, with a broken neck,The crocus lays her cheek to mire.It was in another' way than Meredith's that apoet also older than the generation of the "nineties"came upon us as a new experience, a poet not with amessage but with a manner, a manner that, just feltat first, gradually penetrated the consciousness, asmight some delicate odour, with an effect at oncepurifying and stimulating. It was not as a prophetbut as an artist that Robert Bridges in the ShorterPoems, collected in 1894, deliberately made his appeal:"What led me to <strong>poetry</strong> was the inexhaustible satisfactionof form, the magic of speech lying, as it seemedto me, in the masterly control of the material; it wasan art which I hoped to learn. I did not suppose thatthe poet's emotions were in any way better than mine,nor mine than another's." So Mr Bridges restatesPope's "What oft was thought but ne'er so well expressed."And the effect on those who had beentaught by Wordsworth and Tennyson and Browningand others to think of poets as also prophets, poets129 9
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HOGARTH LECTURES ON LITERATURELYRIC
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LYRICAL POETRY FROMBLAKE TO HARDYH.
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CONTENTSLECTUREI . INTRODUCTORY . .
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LYRICALPOETRYand fieicer ferment of
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LYRICALPOETRY,influence of the Hebr
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LYRICALPOETRY.intended to be sung w
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LYRICALPOETRY.or even, what is more
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LYRICAL POETRY.Niebelungen measure
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LYRICALPOETRYThe ecstasy of joy and
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LYRICAL POETRY •Arnold, and poets
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LYRICALPOETRY.had something to do w
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LYRICAL POETRY .Version of the Bibl
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LYRICALPOETRY.But the very complete
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LYRICALPOETRYHear the voice of the
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LYRICALPOETRYsimplicity, never in h
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LYRICALPOETRYpublication of Percy's
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LYRICAL POETRYThen till't they gaed
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LYRICALPOETRY" Tell me, thou bonny
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LYRICALPOETRYeasily forgotten once
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LYRICALPOETRYDante's Paradiso affor
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LYRICALPOETRYweighted with the poet
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LYRICALPOETRYSuch space as I have,
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LYRICALPOETRY"Now is done thy long
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LYRICALPOETRY(Adonais), blank verse
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LYRICAL POETRYI send my heart up to
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