LYRICALPOETRYFor higher still and higher (as a runner tips with fire,When a great illumination surprises a festal night—Outlining round and round Rome's dome from space to spire)Up, the pinnacled glory reached, and the pride of my soul was insight.Recall, last but not least, the variety and felicity of hismetrical experiments and achievements. Sentimentalat times, fanciful often even to freakishness, Browningmay be, but no one to-day will with Jowett speak ofthis great artist as an honest fellow "very generousand truthful, quite incapable of correcting his literaryfaults, which at first sprang from carelessness and anuncritical habit and now are born and bred in him."If Tennyson's <strong>lyrical</strong> and idyllic <strong>poetry</strong> recalls anEnglish garden of tree-shaded lawns and beds of tulipsand lilies and roses and chrysanthemums, Browning'sis a whole botanical garden full of exotics of differentcenturies and different lands—Cleon, Saul, A Heretic'sTragedy, The Grammarian's Funeral, Holy-Cross Day,A Tocatta of Galuppi's, Abt Vogler, On the Privilegeof Burial, Porphyria's Lover, The Pied Piper, theEpilogue in Dramatis Personce with the varied cadenceof the three speakers: the exultant rhythm of the first:On the first of the Feast of Feasts,The Dedication Day,When the Levites join'd the Priests,At the Altar in robed array,Gave signal to sound, and say,—How characteristic that line added to the balladverse! But the culminating verse adds yet anotherthat, as it were, completes what has seemed in thefirst three an interrupted movement:80
TENNYSON, BROWNING, & SOME OTHERSThen the Temple filled with a cloud,Even the House of the Lord ;Porch bent and pillar bow'd :For the presence of the Lord,In the glory of His cloud,Had fill'd the House of the Lord.As exultant as are the opening cadences so sombre isthat which follows:Cone now ! all gone across the dark so far,Sharpening fast, shuddering ever, shutting still,Dwindling into the distance dies that starWhich came, stood, opened once !Confidence but not exultation returns in the closingtriads:Why, where's the need of Temple, when the wallsO' the world are that ? What use of swells and fallsFrom Levites' choirs, Priests' cries, and trumpet-calls ?That one Face, far from vanish, rather grows,Or decomposes but to recompose,Become my universe that feels and knows.Arraigned as an artist, whether by Professor Jowettor Professor Raleigh, Browning might come into Courtwith that triad of lyrics—and there are others asgood—as confidently as Sophocles with the Coloneuschorus.A new movement or fashion in <strong>poetry</strong> is sure to callinto being numbers of what I have called " mockingbirds"—poets of greater or less talent who catch upand render with a skill that may for a moment deceiveeven the elect, the note, the sentiment, and the mannerof the more authentic voices. V would be harsh to81 6
- Page 3 and 4:
HOGARTH LECTURES ON LITERATURELYRIC
- Page 5 and 6:
LYRICAL POETRY FROMBLAKE TO HARDYH.
- Page 7:
CONTENTSLECTUREI . INTRODUCTORY . .
- Page 10 and 11:
LYRICALPOETRYand fieicer ferment of
- Page 12 and 13:
LYRICALPOETRY,influence of the Hebr
- Page 14 and 15:
LYRICALPOETRY.intended to be sung w
- Page 16 and 17:
LYRICALPOETRY.or even, what is more
- Page 18 and 19:
LYRICAL POETRY.Niebelungen measure
- Page 20 and 21:
LYRICALPOETRYThe ecstasy of joy and
- Page 22 and 23:
LYRICAL POETRY •Arnold, and poets
- Page 24 and 25:
LYRICALPOETRY.had something to do w
- Page 26 and 27:
LYRICAL POETRY .Version of the Bibl
- Page 28 and 29:
LYRICALPOETRY.But the very complete
- Page 30 and 31:
LYRICALPOETRYHear the voice of the
- Page 32 and 33: LYRICALPOETRYsimplicity, never in h
- Page 34 and 35: LYRICAL POETRYnot very happy attemp
- Page 36 and 37: LYRICALPOETRYBehold her single in t
- Page 38 and 39: LYRICAL POETRYgrandeur as well as b
- Page 40 and 41: LYRICALPOETRYBut it was not in this
- Page 42 and 43: LYRICALPOETRYpublication of Percy's
- Page 44 and 45: LYRICAL POETRYThen till't they gaed
- Page 46 and 47: LYRICALPOETRY" Tell me, thou bonny
- Page 48 and 49: LYRICALPOETRYeasily forgotten once
- Page 50 and 51: LYRICALPOETRYthe deck but his wings
- Page 52 and 53: LYRICALPOETRYDante's Paradiso affor
- Page 54 and 55: LYRICALPOETRYAround its unexpanded
- Page 56 and 57: LYRICALPOETRYweighted with the poet
- Page 58 and 59: LYRICAL POETRYstatement of a single
- Page 60 and 61: LYRICALPOETRYSuch space as I have,
- Page 62 and 63: LYRICAL POETRYAway, away from men a
- Page 64 and 65: LYRICALPOETRYSung to Adam and to Ev
- Page 66 and 67: LYRICALPOETRYthree that follow add
- Page 68 and 69: LYRICALPOETRYwere more gifted and a
- Page 70 and 71: LYRICALPOETRY"Now is done thy long
- Page 72 and 73: LYRICALPOETRY(Adonais), blank verse
- Page 74 and 75: LYRICAL POETRYI send my heart up to
- Page 76 and 77: LYRICALPOETRYoff to murder Metterni
- Page 78 and 79: LYRICAL POETRYtouches, the quaint t
- Page 80 and 81: LYRICALPOETRYsubconscious. It is qu
- Page 85 and 86: TENNYSON, BROWNING, & SOME OTHERSMr
- Page 87 and 88: TENNYSON, BROWNING, & SOME OTHERSpo
- Page 89 and 90: TENNYSON, BROWNING, & SOME OTHERSKk
- Page 91 and 92: TENNYSON,BROWNING, & SOME OTHERSant
- Page 93 and 94: ARNOLD AND PRE-RAPHAELITE GROUPthe
- Page 95 and 96: ARNOLD AND PRE-RAPHAELITE GROUPPast
- Page 97 and 98: ARNOLD AND PRE-RAPHAELITE GROUPto a
- Page 99 and 100: ARNOLD AND PRE-RAPHAELITE GROUPagai
- Page 101 and 102: ARNOLD AND PRE-RAPHAELITE GROUPMan,
- Page 103 and 104: ARNOLD AND PRE-RAPHAELITE GROUPtend
- Page 105 and 106: ARNOLD AND PRE-RAPHAELITE GROUPfor
- Page 107 and 108: ARNOLD AND PRE-RAPHAELITE GROUPAnd
- Page 109 and 110: ARNOLD AND PRE-RAPHAELITE GROUPto s
- Page 111 and 112: ARNOLD AND PRE-RAPHAELITE GROUPSlee
- Page 113 and 114: ARNOLD AND PRE-RAPHAELITE GROUPmade
- Page 115 and 116: ARNOLD AND PRE-RAPHAELITE GROUPThou
- Page 117 and 118: ARNOLD AND PRE-RAPHAELITE GROUPand
- Page 119 and 120: ARNOLD AND PRE-RAPHAELITE GROUPcoul
- Page 121 and 122: ARNOLD AND PRE-RAPHAELITE GROUPWe a
- Page 123 and 124: ARNOLD AND PRE-RAPHAELITE GROUPhabi
- Page 125 and 126: THENINETIES"tury was most clearly f
- Page 127 and 128: "THENINETIESthe same kinds of effec
- Page 129 and 130: "THE NINETIESthe sixteenth, "In our
- Page 131 and 132: "THE NINETIES"And why the sons of S
- Page 133 and 134:
"THE NINETIES"Fly with delight, fly
- Page 135 and 136:
"THE NINETIES"was an equally hard f
- Page 137 and 138:
"THENINETIES"age of Imperial Democr
- Page 139 and 140:
"THE NINETIESthat in the scattered
- Page 141 and 142:
THE NINETIES"something of the exper
- Page 143 and 144:
"THE NINETIES"Such lines from St Ma
- Page 145 and 146:
"THENINETIES"have so lightly touche
- Page 147 and 148:
"THENINETIES"the less romantic Prot
- Page 149 and 150:
"THENINETIESmetaphysical, religious
- Page 151 and 152:
"THENINETIES"that he edited that po
- Page 153 and 154:
"THENINETIES"and of Bailie and Aill
- Page 155 and 156:
"THE NINETIESDying Day of Death, an
- Page 157 and 158:
"THENINETIES"was a strange impressi
- Page 159 and 160:
'THE NINETIES"by the life and the p
- Page 161:
'THENINETIES"such thing, cry the ne