- Page 4 and 5: KOGARTHLECTURES ON LITERATUREEditor
- Page 6 and 7: Published byThe Hogarth Press LtdLo
- Page 9 and 10: LYRICAL POETRY FROMBLAKE TO HARDYII
- Page 11 and 12: INTRODUCTORYmusic and colout and fe
- Page 13 and 14: INTRODUCTORYnot choral and accompan
- Page 15 and 16: INTRODUCTORYThe musician substitute
- Page 17 and 18: LNTRODUCVORYone foot at the end and
- Page 19 and 20: INTRODUCTORYPrometheus Unbound will
- Page 21 and 22: EIGHTEENTH-CENTURYLYRICIIEIGHTEENTH
- Page 23 and 24: EIGHTEENTH-CENTURYLYRICSmart and Co
- Page 25 and 26: EIGHTEENTH-CENTURYLYRICballades of
- Page 27 and 28: EIGHTEENTH-CENTURY LYRICprophecy wa
- Page 29 and 30: EIGHTEENTH-CENTURY LYRICadapted its
- Page 31 and 32: EIGHTEENTH-CENTURYLYRICwho could fe
- Page 33 and 34: EIGHTEENTH-CENTURYLYRICto a simpler
- Page 35 and 36: EIGHTEENTH-CENTURYLYRICphetic and t
- Page 37 and 38: EIGHTEENTH-CENTURYLYRICIt was in qu
- Page 39 and 40: EIGHTEENTH-CENTURYLYRICAnd now 'tis
- Page 41 and 42: EIGHTEENTH-CENTURYLYRICmusic of the
- Page 43 and 44: SCOTT, BYRON, SHELLEY, KEATSBut can
- Page 45 and 46: SCOTT, BYRON, SHELLEY, KEATSare bes
- Page 47 and 48: SCOTT, BYRON, SHELLEY, KEATSAnd oft
- Page 49 and 50: SCOTT, BYRON, SHELLEY, KEATSbut the
- Page 51 and 52: SCOTT, BYRON, SHELLEY, KEATSUpon it
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SCOTT, BYRON, SHELLEY, KEATSand "Th
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SCOTT, BYRON, SHELLEY, KEATS" Orpha
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SCOTT, BYRON, SHELLEY, KEATSdays ar
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SCOTT, BYRON, SHELLEY, KEATSbration
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SCOTT, BYRON, SHELLEY, KEATS"Seamen
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SCOTT, BYRON, SHELLEY, KEATSSo upon
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SCOTT, BYRON, SHELLEY, KEATSUntroub
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TENNYSON, BROWNING, & SOME OTHERSIV
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TENNYSON, BROWNING, & SOME OTHERWhe
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TENNYSON, BROWNING, & SOME OTHERSpe
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TENNYSON, BROWNING, & SOME OTHERSFr
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TENNYSON, BROWNING, & SOME OTHERSth
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TENNYSON,BROWNING, & SOME OTHERSThe
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TENNYSON,BROWNING, & SOME OTHERSBro
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TENNYSON, BROWNING, & SOME OTHERSTh
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TENNYSON, BROWNING, & SOME OTHERSTh
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LYRICALPOETRYNightingales has some
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LYRICALPOETRYnot till the year of t
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LYRICALPOETRYThe Sea of FaithWas on
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LYRICAL POETRYquite acclimatised in
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LYRICALPOETRYor the continental poe
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LYRICALPOETRYnature; and the second
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LYRICALPOETRYTears washed the troub
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LYRICAL POETRYAh, calm me ! restore
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LYRICALPOETRYMilton's Samson, sugge
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LYRICALPOETRYchief interest whateve
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LYRICALPOETRYIn two of the poems fi
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LYRICALPOETRYsonnets of the first p
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LYRICALPOETRYrendering of an intens
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LYRICALPOETRYwhich awaits all men,
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LYRICALPOETRY(1865) and Poems and B
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LYRICAL POETRYof the old sting is t
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LYRICALPOETRYwhen its theme is pass
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LYRICALPOETRYlove. It cannot be sai
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LYRICALPOETRYon through all the epi
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LYRICALPOETRY"THEVININETIES"FROM Os
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LYRICALPOETRYothers of French forms
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LYRICALPOETRY"as tough and tedious
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LYRICALPOETRYOr bristled curl at a
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LYRICALPOETRYquite sure of the exce
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LYRICALPOETRYand "In the golden gla
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LYRICAL POETRYof his invention than
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LYRICAL POETRYbut there is brillian
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LYRICAL POETRYit is not poetry of t
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LYRICALPOETRYhappier songs of the b
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LYRICAL POETRYmight be, an escape f
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LYRICALPOETRYdays of wine and roses
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LYRICAL POETRYlife and his saviours
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LYRICALPOETRYillustrate the almost
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LYRICAL POETRYand all his work, Mr
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LYRICAL POETRYYeats's poetry has gr
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LYRICALPOETRYwent to hear on high D
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LYRICALPOETRYthe memory in virtue o
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LYRICALPOETRYof metaphysical lyric