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GF - Genuss + Feinsinn Edition Turkiye for connaisseurs Summer/Fall 2015

Dear Readers, The third issue of GF Turkey presents, as has been established, highly-exclusive articles covering a wide range of multi-faceted luxury topics. In order to pay tribute to the 250th anniversary of Baccarat, the title of the magazine refle ts its renowned crystal manufacture and the glamourous world of fine dining. Most famously known for perfectly sculptured crystal in form of elaborately cut glasses and decanters, chandeliers, precious perfume fla ons, decorative elements and jewelry, Baccarat’s prestige has long gone far beyond the reach of the French borders. Turning our gaze toward another brand rich in tradition, we discover more about Frette – an Italian vendor of luxury textiles – whose long-standing history reaches back to the year of 1860. In combination with meticulous quality policies, the company’s traditions have resulted in a well-founded prosperous establishment on international markets. Constant perfection is the firm foundation of well-rooted brands which in turn are the main focus of this edition. Manufactories, such as Jaquet Droz or Vacheron Constantin – creating fascinating time-pieces – Graf Von Faber Castell’s artfully crafted writing utensils are there; you can enjoy these articles. Besides, there is need an extra new line for Sevan Bıçakçı who engraved the 7 beautiful names of Allah on ring. These are a few among many. However, they authentically express the exclusiveness of their professions. The successful Istanbul Autoshow 2015 is deemed a thematic focal point. Its slogan read “Wonders of the World” and over 600.00 visitors came to enjoy the spectacle across an area of over 100.000 square meters. With this in mind, we are looking forward to have you join us while marveling at the multitude of topics which will accompany us during the splendid summer months to come.

Dear Readers,
The third issue of GF Turkey presents, as has been established,
highly-exclusive articles covering a wide range of multi-faceted
luxury topics. In order to pay tribute to the 250th anniversary
of Baccarat, the title of the magazine refle ts its renowned
crystal manufacture and the glamourous world of fine dining.
Most famously known for perfectly sculptured crystal in form
of elaborately cut glasses and decanters, chandeliers, precious
perfume fla ons, decorative elements and jewelry, Baccarat’s
prestige has long gone far beyond the reach of the French
borders.
Turning our gaze toward another brand rich in tradition, we
discover more about Frette – an Italian vendor of luxury textiles
– whose long-standing history reaches back to the year of
1860.
In combination with meticulous quality policies, the company’s
traditions have resulted in a well-founded prosperous
establishment on international markets. Constant perfection is
the firm foundation of well-rooted brands which in turn are the
main focus of this edition. Manufactories, such as Jaquet Droz or
Vacheron Constantin – creating fascinating time-pieces – Graf
Von Faber Castell’s artfully crafted writing utensils are there; you
can enjoy these articles. Besides, there is need an extra new
line for Sevan Bıçakçı who engraved the 7 beautiful names of
Allah on ring. These are a few among many. However, they
authentically express the exclusiveness of their professions.
The successful Istanbul Autoshow 2015 is deemed a thematic
focal point. Its slogan read “Wonders of the World” and over
600.00 visitors came to enjoy the spectacle across an area of
over 100.000 square meters.
With this in mind, we are looking forward to have you join
us while marveling at the multitude of topics which will
accompany us during the splendid summer months to come.

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modasını Vakko üretimi ile başlatacaktı. Elbette tüm bu söylenenler<br />

öyle kolayca gerçekleşmedi. Vitali Hakko ileri görüşlülüğü ile Avrupa’da<br />

başlayan “pret-a-porter” (hazır giyim) akımını doğru analiz etmiş ve<br />

Türkiye’de de çalışan kadın oranının artacağını -hazır giyimin en büyük<br />

tüketici kitlesi çalışan kadınlardı- anlamıştı. Böylece, başta eşi,<br />

kız kardeşi olmak üzere usta terzi, kalfa, kalıpçı ve stilistleriyle birlikte<br />

uzun soluklu bir yola çıktılar. Bu tarihten kısa süre önce -1962 yılında-<br />

Beyoğlu’nda açılan mağazaları gelecek günlerde Vakko’nun kendi<br />

atölyelerinde üretilen hazır giyim eşyalarını sergilemeye başlayacaktı.<br />

Türkiye’yi modern mağazacılık anlayışıyla tanıştıran Vitali Hakko, 1969<br />

yılında kurduğu fabrikası sayesinde başkent Ankara ve ardından İzmir’de<br />

açtığı mağazalarıyla kadın, erkek, çocuk hazır giyimi ve aksesuarlarıyla<br />

modaya katkıda bulundu. O gün başlayan Vakko’ya has hazır<br />

giyim üretimi, “pret-a-porter de lux” olarak bugün de devam ediyor.<br />

Son sözü artık aramızda olmayan Vitali Hakko’ya bırakalım: “Otuz-kırk<br />

yıl önce, Vakko’ya da çocuğum gözüyle bakabilirdim. Oysa bugün<br />

Vakko ve ben aynı kişiyiz. Benim hayat öyküm Vakko’nun, Vakko’nun<br />

varoluş öyküsü de benim hayatımdan başka bir şey değil.”<br />

in search of an artisan. Soon they shook hands with an artisan<br />

called Max.They were purchasing supplies from Paissis shop at the<br />

Tünel. Once molded and ironed, with a small fist pleat, the hats took<br />

their final shape. Hakko was gaining ground with the support of<br />

his family and explaining Şen Şapka’s philosophy by these words;<br />

“Clothing is a merriment. For the reason that our brand serves this<br />

merriment, its name is Şen Şapka.”<br />

From Şen Şapka to Vakko<br />

World War II ended, Vitali Hakko returned from his third military<br />

service and got to work.Şen Şapka’s success in the war years made<br />

them happy. a ‘coincidence’ happened about this time changed<br />

Vitali Hakko’s destiny.<br />

When Boncukçuyan, a family friend, came to the store with boxes<br />

full of scarves, nobody would have ever guessed this coincidence<br />

was the start of Vakko. Boncukçuyan said they were selling hats so<br />

scarves were in their range, too. Shortly they realised that scarf was<br />

the signal <strong>for</strong> their expectations of innovation, strength and hope<br />

and <strong>for</strong>tune was ready to open new horizons! Here, I’d like to narrate<br />

Vitali Hakko’s admirable endless excitement by his own words: “Yes,<br />

we had war on our border. Yes, our people lived penuriously. Yes, it<br />

was not clear what would happen tomorrows. But despite all this,<br />

more precisely, especially against these circumstances, we had to<br />

endure, we had to use our imagination, not to stop, we had to walk,<br />

we had to run. We have done so.” They combined their surname<br />

with Vitali’s V and Albert’s A to create Vakko. Now they had a brand<br />

and they would produce their own scarf. They opened their new<br />

store in Yenicamii, across the Egyptian Bazaar. They opened it under<br />

the name of Şen Şapka but after a while they started to use the<br />

name “Vakko”. Their the intuition came true; the scarf took the<br />

place of hat. Turkish women adopted European style “scarf” at short<br />

notice. But Vitali Hakko’s dreams were not limited to this.<br />

Vakko is an ideal<br />

Vitali Hakko had scarves produced at various ateliers but even<br />

with success in sales, he felt obliged to his customers. Hakko<br />

wanted to protect “the brand’s honor” in the best way. In order<br />

to guarantee the quality of the products that they were selling<br />

under Vakko label, they switched their focus to production. They<br />

realised that the only way to protect the honour of the brand was<br />

to manufacture their own products! So they bought a property<br />

at Kurtuluş to built a small silk screening workshop. This building<br />

was the first production site of Vakko. Vitali Hakko had realised that<br />

hats, scarves and printed fabrics would not be suffici t enough<br />

<strong>for</strong> Turkish women. The “ready to wear” time has come. And they<br />

must do it in the fashion line of the day, they had to catch today’s<br />

style. Regarding to these thoughts, Vitali Hakko would start<br />

Western fashion apparel production in Turkey under Vakko label.<br />

But it did not happen so easily. Vitali Hakko has analyzed the “preta-porter”<br />

(ready to wear) movement in Europe correctly with his<br />

farsightedness. He also predicted the increase of working women<br />

class. These women are the largest consumer group of ready-made<br />

clothing. Thereby, Hakko started a long-term journey with tailors,<br />

<strong>for</strong>emens, molders, stylists and his wife and his sister in the first<br />

place. Shortly be<strong>for</strong>e this date, in 1962, the first Vakko fashion store<br />

opened in Beyoğlu and provided a new concept <strong>for</strong> Turkish clothing<br />

industry. Vitali Hakko introduced the concept of modern retailing<br />

to Turkey. With the factory founded in 1969 at capital Ankara and<br />

the stores at İzmir, Vakko has contributed to women’s, men’s and<br />

children’s fashion. Vakko’s specific apparel production conception,<br />

“pret-a-porter de luxe” is continuing today. Let’s have the final word<br />

from Mr. Vitali Hakko: “Thirty-<strong>for</strong>ty years ago, I would consider<br />

Vakko as my child. However today, Vakko and I are the same. My<br />

life story is Vakko and Vakko’s existence story is nothing but my life. “<br />

175<br />

Biograh<br />

<strong>GF</strong> <strong>Turkiye</strong>

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