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BEYOND GOOD AND EVIL ss<br />

27<br />

It is difficulto be understood,especially when one thinks<br />

and lives gangasrotogati* among those only who think and<br />

live otherwise" namely,kurmagati,^or at best "froglike,"<br />

mandeikagati%(Ido everythingto be "difficultly understood"<br />

"<br />

myself!) and one should be heartilygratefulfor the good<br />

will to some refinement of interpretation. regards "the<br />

good friends," however,who are always too easy-going, and<br />

think that as friends they have a rightto ease, one does<br />

well at the very firstto grant them a play-groundand romping-placefor<br />

misunderstandingone "<br />

c"m thus laughstill; or<br />

get rid of them altogether, these friends" good and laugh<br />

then also!<br />

28<br />

What is most difficultto render from one languageinto<br />

another is the tempo of its style,which has its basis in the<br />

character of the race, or to speak more physiologically, in<br />

the average tempo of the assimilation of itsnutriment. There<br />

are honestlymeant translations, which,as involuntaryvulgarisati<br />

are almost falsificationsof the original, merely<br />

^because its lively and merry tempo (whichoverleapsand obdates<br />

all dangersin word and expression) could not also be<br />

'rendered. A German is almost incapacitated for presto in<br />

^hislanguage;consequentlyalso,as may be reasonablyinferred,<br />

for many of the most delightful and daringnuances<br />

3f free,free-spirited thought. And justas the buffoon and<br />

ityrare foreignto him in body and conscience,so Aristo-<br />

*<br />

Like the river Ganges : presto<br />

fLike the tortoise: lento. ^Like the frog: staccato.

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