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StarCat/CatStar

StarCat/CatStar is dedicated to the memory of David Bowie, that cosmic subversive who’s returned at last to his ethereal home.

StarCat/CatStar is dedicated to the memory of David Bowie, that cosmic subversive who’s returned at last to his ethereal home.

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its majestic neck and squawks hellishly. Then the Escalade begins to whip<br />

shitties on the lawn as people throw McDonald's sacks from the vehicle's<br />

windows.<br />

An exterior shot of a suburban mall.<br />

Inside the mall, someone has torn the pants off a man dressed as a Lego figure at<br />

LegoLand; he's sprawled out on the floor, as a woman with a giant ass and in a<br />

hot-pink top and matching sandals daggers him. A man shoots a champagne cork<br />

off her sphincter while she is amid it.<br />

A woman bicycler in Capri pants and a mint green t-shirt, with a matching helmet<br />

that has a shock of pink to it too, comes out from beneath a covered bridge on a<br />

bike path, only to have her teeth pistol whipped out.<br />

The assailant unbuckles his pants and begins to dagger the woman's face as she<br />

lies unconscious on the bike-path...the sound of her helmet knocking and scraping<br />

against the asphalt is heard. Til a goose comes from a nearby pond and<br />

aggressively charges the man atop her; he gets up in a terror and swings at the<br />

goose with his gun, then throws the gun at the bird and runs away while the<br />

woman sits up and wraps her arms around the goose's neck.<br />

Trash-can fires on a soccer-field, in view of children in the middle of a game. A DJ<br />

with silver horseteeth and red chains all over him spins records—DJ Delectable—<br />

while a rapper in silk potato sack shorts, and with a nose-splint on and hypno<br />

glasses, pulls a woman's hair who is listening to him rap, then throws a goblet of<br />

malt liquor in her face. Everyone is daggering each other, including small<br />

children.<br />

Cut to a police HQ war-room. A great, black electronic grid with orange streets<br />

covers the wall behind the men in the room, all paunched and in cheap dressshirts<br />

and ties—worn through old men, by years of devilishness...though there is<br />

also a man in full police regalia and dark glasses, his chest overcrowded with bars<br />

intimating his rank.<br />

One of the men leaning over a map, with giant red concentric circles on it,on a<br />

lighted table, screams, “They're barricading the interstates!! No one can get in or<br />

out of the city!” and backhands a cup of styrofoam coffee onto the floor.<br />

To a shot of an interstate bridge on a grassy plain. It is beautiful sky-blue day,<br />

with only faint clouds seen like a haze in the distance. Heaped upon the roadways<br />

passing underneath the bridge are junked, burnt-out cars stacked high. Men<br />

stand staggered on the heaps, holding carbine sharp-shooter rifles, looking<br />

statuesque and bulletproof; while other men circle around in front of the bridge,<br />

driving atv's and Shriner motorcycles, squealing like indians.<br />

The camera approaches as if by vehicle for the shot, centering on a man who's<br />

dressed like Chocolate Moose, who fires his rifle in the air when the camera comes<br />

fully upon him.

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