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Two Drawings by Jay Passer Artist bio: Jay Passer's poetry and prose have appeared in print and online publications since 1988. He is the author of 10 chapbooks. This is the first representation of his visual art online. Passer lives and works in San Francisco, the city of his birth.
Caroline By Ben Finateri You tell me you have the body of an old street cat. I look at you next to me on the bed, lying on your back, naked; "I don't see it," I say. "No," you tell me, "Look. My skin is wizened, leathery, tan and tough." You trace a finger over the scar on your knee, move your hand over the scars on your legs and stomach and breasts and the one on your chin. "My body is worn," you tell me. "Stressed and torn. I have been hit, kicked, chased, cut, bruised, broken. I have fallen and not always landed on my feet. Time, and the elements, have taken their toll." You roll your shoulders forward and back. "Look," you tell me. "My injuries have earned me a free-floating clavicle. Maybe I can squeeze through tiny spaces." You smile your Cheshire grin and roll onto your stomach. "You know," you tell me, "the old street cat masks her injuries. She ignores the paresthesia and pain in her neck; she forgets the cysts growing around her sacroiliac joint, the burning down her leg. She must in order to survive. But look, you'll see." You place your hands flat on the bed, and push up, lift your chest, raise up onto your knees. Your joints crack, and yes, you have a tiny paunch belly, but you arch your back, let your head fall to your navel. You breathe, straighten your back, lift your head. You inhale, exhale, and return to your stomach. You tell me, "Like the old street cat I have not lost the desire to run, to jump, to hunt. Rather than wither and starve, I've kept my body moving, active. But look: the winging scapula caused by the stretched thoracic nerve; the bulging discs, the degeneration at C5 and C6, the seratus weakened from trauma."
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! !!!!!!!!!!!! ! ! DEDICATED TO THE
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Songs like "Starman," Life on Mars,
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egardless of education level or eco
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Domestic Each scream is a long razo
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Lasagnas were unrecognizable; burri
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was what was wrong with society, an
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There are three memorable scenes th
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TWO POEMS By Sommer Lyn Cullingford
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from the hellion haunt of hydra-hea
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Observations of the self written in
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Pneumatic pianos play all night for
Page 23 and 24: the surety gives way to randomness.
Page 25 and 26: Ice Cream Utopianism By Matt Duggan
Page 28 and 29: Two Poems By Jeff Nazzaro Author bi
Page 30 and 31: y the minutiae of bureaucracy. It i
Page 32 and 33: esponsible behavior. I was amazed a
Page 34 and 35: G: Clifford H: My Little Pony I: Th
Page 36 and 37: Babes in Toyland: Riotous, But Not
Page 38 and 39: Elsewhere, self-loathing, corrupted
Page 40 and 41: This is Me and My Dogbite (Satire)
Page 42 and 43: to share. Someone WAS losing weight
Page 44: ecause I wore your shirt to my firs
Page 47 and 48: Review of Jupiter Works on Commissi
Page 49 and 50: can’t work out if there is a poet
Page 51 and 52: hey mister… hey mister is it my d
Page 53 and 54: ‘n this here heart you thought yo
Page 55 and 56: Bitter By Devona Sand my skin was t
Page 57 and 58: Storytelling Lemon-juice truth burn
Page 59 and 60: Revolutionary, French Revolutionary
Page 61 and 62: Upon that kiss - They understood. T
Page 63: his own grandchildren in the poison
Page 66 and 67: make-up, affinity for child-rearing
Page 68 and 69: Two Poems By Brian Wright Reality T
Page 71 and 72: Heel (Satire) by Marie Lecrivain "W
Page 73: "I don't have to see them to know t
Page 77 and 78: Two Poems By Alisa Velaj Author bio
Page 79 and 80: Clockmaker By Michael Lee Johnson S
Page 81 and 82: Photography by David J. Thompson Ar
Page 84 and 85: I Don’t Want to Be Sad Today By D
Page 86 and 87: The Joust By Marie Lecrivain And wh
Page 88 and 89: The Dilemma of Democracy The Dilemm
Page 90 and 91: from the aristocracy. How different
Page 92 and 93: half the poems in Wrack Lariat, it
Page 94 and 95: In the subsequent section, “Wrack
Page 96 and 97: Anne Tammel’s Endless: A Literate
Page 99 and 100: TWO POEMS By Kathleen Latham Cubism
Page 101 and 102: GUNS FOR ONE AND GUNS FOR ALL (SATI
Page 103 and 104: FROM THE BOWELS OF UNSCIENTIFIC THO
Page 105 and 106: The Murderers and Rapists You Hate
Page 107 and 108: selectively invoked to stave off co
Page 109 and 110: THREE POEMS By Felino Soriano The c
Page 111 and 112: days of birth’s annual visitation
Page 113 and 114: Poem 2249 this poem glows in the da
Page 115 and 116: driving numbers with mellow melodie
Page 117 and 118: CD REVIEW: Good Old-Fashioned Ways
Page 119: Kilcher song, as he asks are you ru
Page 122 and 123: Alfonso Cuarón’s Gravity, manage
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Australia’s Epidemic of Misogyny
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woman who has no place for feminism
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TWO POEMS By SHEILA E. MURPHY The N
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Digital Art by K.R. Copeland Artist
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TWO POEMS By harley lethalm Under-T
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This is Not Our Circus By Carly Ann
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The Mobile Proletariat (Polemic) By
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ahhh Genius! how we wait for you, h
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Cahuita black sand in cahuita sucks
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my childhood best friend’s mom it
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Mechanically she works her beat, tu
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Two Poems By Catherine Zickgraf Aut
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CRAIG CZUGASCH, an MFA dropout at E
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TWO POEMS By Laura Madeline Wiseman
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Two poems By Lana Bella CHIASMUS Yo
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Llegando by Jack Little Artist bio:
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its majestic neck and squawks helli
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A helicopter passes just under the
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The Living Room By Christopher Payn
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