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L.ART en LOIRE 11

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A song of hate and death<br />

or the origins of irony and cynicism of the<br />

metamodernist g<strong>en</strong>eration<br />

TEKLAL<br />

NEGUIB<br />

Reflecting about metamodernism and the characteristics of our g<strong>en</strong>eration (irony, cynicism,<br />

naivety, sincerity), I realised that these characteristics were/are part of resili<strong>en</strong>ce. Consequ<strong>en</strong>tly,<br />

I wondered why this resili<strong>en</strong>ce happ<strong>en</strong>ed and what its origins were. This text is born<br />

from a previous and a work-in-progress text about aids in the 80’s and its impacts on the<br />

young g<strong>en</strong>erations. Completely rewritt<strong>en</strong> and completed, the text is now a song, published<br />

here. The “we” used here is a g<strong>en</strong>erational “we”, the “we” of our g<strong>en</strong>eration (1976-1995).<br />

Of course, the list pres<strong>en</strong>ted in the song is not exhaustive. It’s important to precise that it’s a<br />

song, and not an essay.

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