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Bibliography in pdf form for 'reading' - Fachbereich 10 - Universität ...

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3194 Stefano Ghislotti. Narrative comprehension made difficult: film <strong><strong>for</strong>m</strong><br />

and mnemonic devices <strong>in</strong> Memento. In Warren Buckland, editor, Puzzle<br />

Films. Complex storytell<strong>in</strong>g <strong>in</strong> contemporary c<strong>in</strong>ema, pages 87–<strong>10</strong>6.<br />

Wiley-Blackwell, Chichester, U.K., 2009.<br />

3195 Matila Ghyka. The geometry of art and life. Dover Publications, M<strong>in</strong>eola,<br />

NY, 1977. orig<strong>in</strong>ally published 1946.<br />

3196 Louis Giannetti. Understand<strong>in</strong>g movies. Prentice Hall, Englewood Cliffs,<br />

NJ, 5th edition, 1990.<br />

3197 Alison Gibbons. Multimodality, Cognition, and Experimental Literature.<br />

Routledge Studies <strong>in</strong> Multimodality. Routledge, London, 2011.<br />

3198 John Gibbons and Victoria Markwick-Smith. Explor<strong>in</strong>g the use of a<br />

systemic semantic description. International Journal of Applied L<strong>in</strong>guistics,<br />

2(1):36–50, 1992.<br />

3199 John Gibbs. Mis-en-scene: Film Style and Interpretation. Wallflower<br />

Press, London, 2002.<br />

3200 R.W. Gibbs Jr. Why many concepts are metaphorical. Cognition,<br />

61:195–324, 1996.<br />

3201 Raymond W. Gibbs and Nand<strong>in</strong>i P. Nayak. Psychol<strong>in</strong>guistic Studies on<br />

the Syntactic Behaviour of Idioms. Cognitive Psychology, 21:<strong>10</strong>0–138,<br />

1989.<br />

3202 Raymond W. Gibbs and Jennifer E. O’Brien. Idioms and Mental Imagery:<br />

The metaphorical motivation <strong>for</strong> idiomatic mean<strong>in</strong>g. Cognition,<br />

36:35–68, 1990.<br />

3203 Andrew Gibson. Towards a postmodern theory of narrative. Ed<strong>in</strong>burgh<br />

University Press, Ed<strong>in</strong>burgh, Scotland, 1996.<br />

3204 J.J. Gibson. The senses considered as perceptual systems. Allen and<br />

Unw<strong>in</strong>, London, 1966.<br />

3205 J.J. Gibson. The Senses Considered as Perceptual Systems. Houghton-<br />

Miffl<strong>in</strong>, Boston, 1966.<br />

3206 J.J. Gibson. The theory of af<strong>for</strong>dances. In Robert Shaw and John Brans<strong>for</strong>d,<br />

editors, Perceiv<strong>in</strong>g, Act<strong>in</strong>g, and Know<strong>in</strong>g: Toward and Ecological<br />

Psychology, pages 62–82. Erlbaum, Hillsdale, NJ, 1977.<br />

3207 J.J. Gibson. The ecological approach to visual perception. Houghton<br />

Miffl<strong>in</strong>, Boston, 1979.<br />

3208 T. R. Gibson. Towards a discourse theory of abstracts and abstract<strong>in</strong>g.<br />

PhD thesis, Dept. of English Studies, University of Nott<strong>in</strong>gham,<br />

Nott<strong>in</strong>gham, 1993.<br />

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