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Janoschka magazine_Linked_V2_2017

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issue #2 © l i n k e d 33<br />

pretty in pink –<br />

Football strips and Barbie dolls<br />

A tribute to the days of<br />

its foundation: a Juventus Turin<br />

player in the pink jersey.<br />

In many countries, it is the custom to announce the<br />

birth of a baby with bow on the front door of the<br />

house. Today’s rule: pink for a girl, blue for a boy. In<br />

the past centuries, and even up to the 1940s, it was<br />

the exact opposite. Blue, as the colour of the Virgin<br />

Mary, was seen as particularly delicate and graceful.<br />

It was reserved for little girls. Pink on the other hand<br />

was, at least in Western society, the colour for little<br />

boys. In the Rococo period, pink was even considered<br />

the latest thing in men’s fashion for a while. An<br />

equally very masculine use of colour: when Juventus<br />

Turin was founded in 1897, its first football strips<br />

were pink. The extent to which colour perception<br />

has changed since then could be read in the vilifying<br />

newspaper headlines when the club commemorated<br />

this with its away kit for the 2015 season.<br />

Nowadays, it is seen almost as natural that everything<br />

that is pink should send little girls into a state of<br />

ecstasy. Whether with the market launch of Barbie<br />

in 1959 and since then, the consistent branding in<br />

typical pink have contributed to this, or the phenomenon<br />

just skilfully used it for its own purposes, one<br />

thing is certain: Barbie, with her pink accessories, is<br />

the world-famous role model for every pink fairy and<br />

princess.<br />

Marketing strategies that<br />

hit the right tone<br />

A large-scale international study at the turn of the millennium<br />

provided insights into cross-cultural similarities,<br />

as well as differences, in colour perception.<br />

There was a special focus on the question of which<br />

specific meaning consumers associated with individual<br />

colours and, above all, colour combinations.<br />

Only when this is known, can companies select the<br />

colours which transpose their strategy onto a crosscultural<br />

market in the most appropriate way. If there<br />

are different colour perceptions between the cultures,<br />

then an obvious step would be to adjust the branding,<br />

packaging and products accordingly. A good example<br />

of just such a strategy is McDonald’s: the company<br />

adjusts both its websites and colour selection to suit<br />

different countries.<br />

That the colour pink literally makes hearts beat faster,<br />

is called into question by medical research. It attests,<br />

rather, to its relaxing effect. This was made use of by<br />

some prisons. In a study of inmates in cells painted<br />

pink, a long-term calming influence on anger, rage<br />

and hostile behaviour could be observed.<br />

PANTONE ®<br />

C 219<br />

All over the world, Barbie’s pink logo is the same.<br />

Pantone 219c ensures that, no matter the substrate,<br />

the Barbie pink does not change.

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