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Anamosa - A Reminiscence 1838 - 1988

The definitive history of the community of Anamosa, Iowa, USA

The definitive history of the community of Anamosa, Iowa, USA

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Photographer and script girl working on the Paint<br />

‘n’ Palette Art Show at Stone City for a segment of<br />

"Small Town U.S.A. " Mae Amelia Rumple is shown<br />

demonstrating her technique in the painting of<br />

“Stone City Store. "<br />

"'<br />

Mr. and Mrs. Clate Dearborn. owners of the Stone<br />

City General Store.become the stars in the <strong>Anamosa</strong>-<br />

Stone City-Grant Wood connection.<br />

The Wilson Kouba family take the-story from there to<br />

a Congregational Church old-fashioned ice cream social<br />

and the 4th of July parade. which includes many<br />

<strong>Anamosa</strong> groups and organizations. The finale was the<br />

fireworks and back to the Wapsi River banks. where the<br />

three young fishermen are spending a hot. summer<br />

afternoon.<br />

It should be noted that there had been 20.000 feet of<br />

film shot during the filming but was edited down to<br />

the 2.000 feet used for the 30-minute feature. The<br />

producers expressed regret that so many good pictures<br />

had to wind up on the cutting room floor.<br />

Paul Engle. who was instrumental in having<br />

<strong>Anamosa</strong> considered and selected. was the special<br />

consultant and narrated the film.<br />

The movie had a definite rural cast because. as<br />

explained in the narration. “<strong>Anamosa</strong> has one reason<br />

for being what it is—farms and farmers. Everything<br />

that happens in town. depends on the weather. the<br />

dark. the earth and the sun."<br />

It was said by Andy Warhol before his death.<br />

“Everyone is famous for about 15 minutes in life."<br />

<strong>Anamosa</strong> was famous for 30 minutes. in the form of a<br />

film called SMALL TOWN. USA.<br />

One of the entertainment highlights in <strong>Anamosa</strong> in<br />

the summers of the 1920s,and 1930s was a whole week<br />

of glamour. fun and fantasy. Local residents always<br />

looked forward to the Hila Morgan Tent Show. which<br />

brought comedy. tragedy. and the glamour of<br />

Broadway to the small towns in Iowa and Missouri.<br />

<strong>Anamosa</strong> was usually included on their annual tour.<br />

Hila Morgan was the daughter of Mr. and Mrs.<br />

William L. Axtell of Kalamazoo. Mich.. but she spent<br />

her youth in Vicksburg. Mich.. where she became a<br />

school teacher.<br />

The petite. red-haired. raspy-voiced beauty left her<br />

teaching job to organize a theatrical tent show. under<br />

the direction of her husband. Fred A. Morgan. a former<br />

agent for Ringling Brothers Circus.<br />

The Hila Morgan Company of Players. consisted of<br />

professional actors and actresses. well-cast and wellrehearsed.<br />

Most of the leading ladies were quite<br />

beautiful and the leading men were always tall. dark.<br />

handsome and well-mannered. A different play was<br />

presented each night of the week and Hila usually<br />

played the starring role in each of the presentations.<br />

whether the character was a young girl. an old lady. or<br />

anyone in between those ages.<br />

The show tent was set up on Huber Street in<br />

<strong>Anamosa</strong>. in a vacant lot where the Maquoketa Valley<br />

R.E.C. is now located. Folding chairs filled the tent and<br />

performers played to a full house each night of the<br />

week. Shows usually opened on Monday nights and the<br />

cost of admission was 30 cents for adults. and 10 cents<br />

for children. However. opening night was “Ladies<br />

Night". and ladies were admitted free. when<br />

accompanied by a paid 30 cent-ticket. Reserved chairs<br />

were 10 cents and 15 cents extra.<br />

The audience gathered early so that everyone might<br />

The Hila Morgan Show<br />

by Mildred Barker Brown<br />

318<br />

be seated before the performance started. The scent of<br />

grease paint and make-up. mixed with the smells of<br />

summer. added to the anticipation. Tent flaps were<br />

raised slightly to permit any breeze to ilow into the<br />

crowded tent and the swish of cardboard fans could be<br />

heard above the whispers of the crowd.<br />

When the last seat was occupied. usually at 8 o'clock.<br />

the house lights dimmed and the small orchestra that<br />

traveled with the show would start to play. which was<br />

the cue for the performance to begin. Floodlights<br />

illuminated the red velvet stage curtains. and as they<br />

were pulled. all whispering in the audience ceased. in<br />

anticipation of the opening act. There were no<br />

microphones or loud speakers. The actors were trained<br />

to speak loudly and clearly. so that even those in the<br />

back row could fully understand the dialogue.<br />

At the end of each act and during intermission. boxes<br />

of candy kisses were sold, with a promise that a<br />

diamond ring would be found in at least one box. A<br />

scream of delight could be heard when one of the rings<br />

would be discovered by someone in the audience. Other<br />

lesser prizes would also be in some of the boxes. and<br />

sales were brisk.the candy selling at 10 cents per box.<br />

or 3 boxes for 25 cents.<br />

Hila Morgan always personally thanked the audience<br />

after each performance. and announced the name of<br />

the play and the cast which would be presented the<br />

following evening. No one seemed to leave disappointed<br />

and many attended each night's performance during<br />

the week.<br />

Hila Morgan retired in 1942. after a 30-year career of<br />

thrilling thousands of people with high-class<br />

entertainment. She moved to Houston. Texas. joining<br />

her sister who lived there. Later she married Fred L.<br />

Wilcox. her second husband.

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