Anamosa - A Reminiscence 1838 - 1988
The definitive history of the community of Anamosa, Iowa, USA
The definitive history of the community of Anamosa, Iowa, USA
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Photographer and script girl working on the Paint<br />
‘n’ Palette Art Show at Stone City for a segment of<br />
"Small Town U.S.A. " Mae Amelia Rumple is shown<br />
demonstrating her technique in the painting of<br />
“Stone City Store. "<br />
"'<br />
Mr. and Mrs. Clate Dearborn. owners of the Stone<br />
City General Store.become the stars in the <strong>Anamosa</strong>-<br />
Stone City-Grant Wood connection.<br />
The Wilson Kouba family take the-story from there to<br />
a Congregational Church old-fashioned ice cream social<br />
and the 4th of July parade. which includes many<br />
<strong>Anamosa</strong> groups and organizations. The finale was the<br />
fireworks and back to the Wapsi River banks. where the<br />
three young fishermen are spending a hot. summer<br />
afternoon.<br />
It should be noted that there had been 20.000 feet of<br />
film shot during the filming but was edited down to<br />
the 2.000 feet used for the 30-minute feature. The<br />
producers expressed regret that so many good pictures<br />
had to wind up on the cutting room floor.<br />
Paul Engle. who was instrumental in having<br />
<strong>Anamosa</strong> considered and selected. was the special<br />
consultant and narrated the film.<br />
The movie had a definite rural cast because. as<br />
explained in the narration. “<strong>Anamosa</strong> has one reason<br />
for being what it is—farms and farmers. Everything<br />
that happens in town. depends on the weather. the<br />
dark. the earth and the sun."<br />
It was said by Andy Warhol before his death.<br />
“Everyone is famous for about 15 minutes in life."<br />
<strong>Anamosa</strong> was famous for 30 minutes. in the form of a<br />
film called SMALL TOWN. USA.<br />
One of the entertainment highlights in <strong>Anamosa</strong> in<br />
the summers of the 1920s,and 1930s was a whole week<br />
of glamour. fun and fantasy. Local residents always<br />
looked forward to the Hila Morgan Tent Show. which<br />
brought comedy. tragedy. and the glamour of<br />
Broadway to the small towns in Iowa and Missouri.<br />
<strong>Anamosa</strong> was usually included on their annual tour.<br />
Hila Morgan was the daughter of Mr. and Mrs.<br />
William L. Axtell of Kalamazoo. Mich.. but she spent<br />
her youth in Vicksburg. Mich.. where she became a<br />
school teacher.<br />
The petite. red-haired. raspy-voiced beauty left her<br />
teaching job to organize a theatrical tent show. under<br />
the direction of her husband. Fred A. Morgan. a former<br />
agent for Ringling Brothers Circus.<br />
The Hila Morgan Company of Players. consisted of<br />
professional actors and actresses. well-cast and wellrehearsed.<br />
Most of the leading ladies were quite<br />
beautiful and the leading men were always tall. dark.<br />
handsome and well-mannered. A different play was<br />
presented each night of the week and Hila usually<br />
played the starring role in each of the presentations.<br />
whether the character was a young girl. an old lady. or<br />
anyone in between those ages.<br />
The show tent was set up on Huber Street in<br />
<strong>Anamosa</strong>. in a vacant lot where the Maquoketa Valley<br />
R.E.C. is now located. Folding chairs filled the tent and<br />
performers played to a full house each night of the<br />
week. Shows usually opened on Monday nights and the<br />
cost of admission was 30 cents for adults. and 10 cents<br />
for children. However. opening night was “Ladies<br />
Night". and ladies were admitted free. when<br />
accompanied by a paid 30 cent-ticket. Reserved chairs<br />
were 10 cents and 15 cents extra.<br />
The audience gathered early so that everyone might<br />
The Hila Morgan Show<br />
by Mildred Barker Brown<br />
318<br />
be seated before the performance started. The scent of<br />
grease paint and make-up. mixed with the smells of<br />
summer. added to the anticipation. Tent flaps were<br />
raised slightly to permit any breeze to ilow into the<br />
crowded tent and the swish of cardboard fans could be<br />
heard above the whispers of the crowd.<br />
When the last seat was occupied. usually at 8 o'clock.<br />
the house lights dimmed and the small orchestra that<br />
traveled with the show would start to play. which was<br />
the cue for the performance to begin. Floodlights<br />
illuminated the red velvet stage curtains. and as they<br />
were pulled. all whispering in the audience ceased. in<br />
anticipation of the opening act. There were no<br />
microphones or loud speakers. The actors were trained<br />
to speak loudly and clearly. so that even those in the<br />
back row could fully understand the dialogue.<br />
At the end of each act and during intermission. boxes<br />
of candy kisses were sold, with a promise that a<br />
diamond ring would be found in at least one box. A<br />
scream of delight could be heard when one of the rings<br />
would be discovered by someone in the audience. Other<br />
lesser prizes would also be in some of the boxes. and<br />
sales were brisk.the candy selling at 10 cents per box.<br />
or 3 boxes for 25 cents.<br />
Hila Morgan always personally thanked the audience<br />
after each performance. and announced the name of<br />
the play and the cast which would be presented the<br />
following evening. No one seemed to leave disappointed<br />
and many attended each night's performance during<br />
the week.<br />
Hila Morgan retired in 1942. after a 30-year career of<br />
thrilling thousands of people with high-class<br />
entertainment. She moved to Houston. Texas. joining<br />
her sister who lived there. Later she married Fred L.<br />
Wilcox. her second husband.