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thought, for instance) that the common elements mentioned above are<br />

purposely manufactured where they originally do not exist. We have already<br />

become acquainted with such condensation and compound formations; they<br />

played an important part in the origin of certain cases of slips of the <strong>to</strong>ngue.<br />

You recall the young man who wished <strong>to</strong> inscort a woman. Furthermore, there<br />

are jokes whose technique may be traced <strong>to</strong> such a condensation. But entirely<br />

aside from this, one may maintain that this appearance of something quite<br />

unknown in the dream finds its counterpart in many of the creations of our<br />

imagination which fuse <strong>to</strong>gether component parts that do not belong <strong>to</strong>gether<br />

in experience, as for example the centaurs, and the fabulous animals of old<br />

mythology or of Boecklin's pictures. For creative imagination can invent<br />

nothing new whatsoever, it can only put <strong>to</strong>gether certain details normally<br />

alien <strong>to</strong> one another. The peculiar thing, however, about the procedure of the<br />

dream-work is the following: The material at the disposal of the dream-work<br />

consists of thoughts, thoughts which may be offensive and unacceptable, but<br />

which are nevertheless correctly formed and expressed. These thoughts are<br />

transformed in<strong>to</strong> something else by the dream-work, and it is remarkable and<br />

incomprehensible that this translation, this rendering, as it were, in<strong>to</strong> another<br />

script or language, employs the methods of condensation and combination.<br />

For a translation usually strives <strong>to</strong> respect the discriminations expressed in the<br />

text, and <strong>to</strong> differentiate similar things. The dream-work, on the contrary,<br />

tries <strong>to</strong> fuse two different thoughts by looking, just as the joke does, for an<br />

ambiguous word which shall act as a connecting link between the two<br />

thoughts. One need not attempt <strong>to</strong> understand this feature of the case at<br />

once, but it may become significant for the conception of the dream-work.<br />

Although condensation renders the dream opaque, one does not get the<br />

impression that it is an effect of dream censorship. One prefers <strong>to</strong> trace it<br />

back <strong>to</strong> mechanical or economic conditions; but censorship undoubtedly has a<br />

share in the process.<br />

The results of condensation may be quite extraordinary. With its help, it<br />

becomes possible at times <strong>to</strong> collect quite unrelated latent thought processes<br />

in<strong>to</strong> one manifest dream, so that one can arrive at an apparently adequate<br />

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