DISSERTATION

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CHAPTER 1.2 NEGATIVE SELF-IMAGE 22 Author’s Own Photography
IDENTITY Furthermore, media is also affecting the formation of social identity within young people; more so as millennials are discovering who they are during their late teenage years into adulthood. This is controlled by internal and external factors combined. With media outlets such as the internet, millennial’s infatuation with media has become an ‘extension of everyday life’. – (Warsham, 2017) Modern technology has allowed society to gain access to a large volume of material concerning the world of fashion. The fashion industry aims to keep up with the everfast pace communications by documenting and dispensing information to the media community. Being faced with this considerable amount of information constantly from media, can induce difficulty when determining the type of person, one would like to be. Therefore, too much exposure to these social influences, can end up forcing, or even corrupting their own identity into an artificial character, - Warsham, L. (2017). Media can have an immediate effect on one’s perception of social reality; this is due to the level of interaction between fashion media and its audience, which results in an instant response. Another focus is on media being made up of visual expectations, through attractive public figures. This portrayal in advertising will continue to play a destructive part towards a negative self-image. This is because the audience will continue to perceive these unrealistic stereotypes of an appearance, and try to adopt them as part of themselves. 23
Page 1 and 2: IDENTITY SUKVINDER KAUR
Page 3 and 4: IDENTITY Abstract This dissertation
Page 5 and 6: IDENTITY A CKNOWLEDGEMENTS Thank-Yo
Page 7 and 8: GLOSSARY OF TERMS: BEHAVIOURAL SPEC
Page 9 and 10: IDENTITY INTRODUCTION This analysis
Page 11 and 12: IDENTITY OBJECTIVES (I-d, 2017) 1)
Page 13 and 14: IDENTITY 13 (Pinterest, 2017)
Page 15 and 16: IDENTITY QUESTIONNAIRES Questionnai
Page 17 and 18: IDENTITY SECONDARY SOURCES Secondar
Page 19 and 20: IDENTITY 19 (Beautifuldecay.com, 20
Page 21: IDENTITY Theorist, Singal, (2017) s
Page 25 and 26: CHAPTER 1.3 PSYCHOLOGY IDENTITY 25
Page 27 and 28: IDENTITY Fashion Magazines: Publica
Page 29 and 30: CHAPTER 2.2 IDENTITY Brand MARKETIN
Page 31 and 32: IDENTITY 31 (I.pinimg.com, 2017)
Page 33 and 34: IDENTITY Glossy, high-end magazines
Page 35 and 36: IDENTITY 35 (Fucking Young!, 2017)
Page 37 and 38: IDENTITY “THE FIRST SKINHEADS WER
Page 39 and 40: IDENTITY CHAPTER 3.2 INFLUENCE OF M
Page 41 and 42: IDENTITY Today, fashion is a matter
Page 43 and 44: IDENTITY (PAUSE Online, 2017) 43 NO
Page 45 and 46: IDENTITY 45 Influences are everywhe
Page 47 and 48: IDENTITY (Static1.businessinsider.c
Page 49 and 50: IDENTITY (Whowhatwear.co.uk, 2017)
Page 51 and 52: IDENTITY Bloggers CHAPTER 4.3 'I fe
Page 53 and 54: IDENTITY “I try not to think abou
Page 55 and 56: IDENTITY 55 (Pinterest, 2017)
Page 57 and 58: IDENTITY RECOMMENDATIONS: Now that
Page 59 and 60: BIBLIOGRAPHY IDENTITY Stylebubble.c
Page 61 and 62: IMAGES IDENTITY Pinterest. (2017).

DISSERTATION

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