DISSERTATION

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24 “TO FIND OUT THE TRICKS OF FASHION ONE MUST NOT LOSE ONESELF TOO MUCH IN IT.”
CHAPTER 1.3 PSYCHOLOGY IDENTITY 25 (Blog Oficial.com, 2017 Enhanced beauty through the use of industry models in magazines, illustrates a belief in the importance of attraction within its audience. This links to an established psychological approach – the ‘humanistic approach’. Psychologists, such as Carl Rogers, developed the idea of the ‘actual self ’ and the ‘ideal self ’ to explain basic human functioning. The actual self is the individual’s perception of themselves based on their experiences and lifestyle, whereas the ideal self is what they strive to become. Rogers explained that if the individual could maintain a consistency between these two (congruence) it would lead to a healthy well-being, however if the ideal self is unobtainable (incongruence), it would lead to low self-esteem and low selfworth. This can be applied to fashion media, as their idea of what an identity consists of, is an unrealistic goal, leading to incongruence and their audience feeling maladjusted. – (Rogers, 1951)
Page 1 and 2: IDENTITY SUKVINDER KAUR
Page 3 and 4: IDENTITY Abstract This dissertation
Page 5 and 6: IDENTITY A CKNOWLEDGEMENTS Thank-Yo
Page 7 and 8: GLOSSARY OF TERMS: BEHAVIOURAL SPEC
Page 9 and 10: IDENTITY INTRODUCTION This analysis
Page 11 and 12: IDENTITY OBJECTIVES (I-d, 2017) 1)
Page 13 and 14: IDENTITY 13 (Pinterest, 2017)
Page 15 and 16: IDENTITY QUESTIONNAIRES Questionnai
Page 17 and 18: IDENTITY SECONDARY SOURCES Secondar
Page 19 and 20: IDENTITY 19 (Beautifuldecay.com, 20
Page 21 and 22: IDENTITY Theorist, Singal, (2017) s
Page 23: IDENTITY Furthermore, media is also
Page 27 and 28: IDENTITY Fashion Magazines: Publica
Page 29 and 30: CHAPTER 2.2 IDENTITY Brand MARKETIN
Page 31 and 32: IDENTITY 31 (I.pinimg.com, 2017)
Page 33 and 34: IDENTITY Glossy, high-end magazines
Page 35 and 36: IDENTITY 35 (Fucking Young!, 2017)
Page 37 and 38: IDENTITY “THE FIRST SKINHEADS WER
Page 39 and 40: IDENTITY CHAPTER 3.2 INFLUENCE OF M
Page 41 and 42: IDENTITY Today, fashion is a matter
Page 43 and 44: IDENTITY (PAUSE Online, 2017) 43 NO
Page 45 and 46: IDENTITY 45 Influences are everywhe
Page 47 and 48: IDENTITY (Static1.businessinsider.c
Page 49 and 50: IDENTITY (Whowhatwear.co.uk, 2017)
Page 51 and 52: IDENTITY Bloggers CHAPTER 4.3 'I fe
Page 53 and 54: IDENTITY “I try not to think abou
Page 55 and 56: IDENTITY 55 (Pinterest, 2017)
Page 57 and 58: IDENTITY RECOMMENDATIONS: Now that
Page 59 and 60: BIBLIOGRAPHY IDENTITY Stylebubble.c
Page 61 and 62: IMAGES IDENTITY Pinterest. (2017).

DISSERTATION

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