DISSERTATION

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CHAPTER 3.3 FASHION TRIBES TODAY “YOU DON’T GO OUT IN ORDER TO 40 SEE, BUT IN ORDER TO BE SEEN.” - AELIN THE RESTLESS IMAGE, (1973)
IDENTITY Today, fashion is a matter of a socially demanded change. Over time, the theory of tribes/subcultures have become a background movement, being less in the press as the fashion industry has taken over. As much as it was a common norm to see on the streets, tribes today are seen as unusual or phases that teenagers will or should eventually grow out off. Most millennials now tend to dress like their style icons seen in the fashion industry, such as celebrities and models. It has now become a need to dress that way, linking back to chapter 1 – wanting the lifestyle presented in fashion media – diminishing the sense of individuality the youth once had. 41 Demographic continues to affect these tribes today, however, Tamagni, (2015) suggests that this effect can be either positive or destructive to a person’s expression of identity. Living in an environment with many diverse cultures and social outlooks, can make it difficult for tribes to act on their style. Different demographics in cities are an example, some are used to new fashions being expressed, whereas others who are not familiar with this may find it unusual. (Fucking Young!, 2017)
Page 1 and 2: IDENTITY SUKVINDER KAUR
Page 3 and 4: IDENTITY Abstract This dissertation
Page 5 and 6: IDENTITY A CKNOWLEDGEMENTS Thank-Yo
Page 7 and 8: GLOSSARY OF TERMS: BEHAVIOURAL SPEC
Page 9 and 10: IDENTITY INTRODUCTION This analysis
Page 11 and 12: IDENTITY OBJECTIVES (I-d, 2017) 1)
Page 13 and 14: IDENTITY 13 (Pinterest, 2017)
Page 15 and 16: IDENTITY QUESTIONNAIRES Questionnai
Page 17 and 18: IDENTITY SECONDARY SOURCES Secondar
Page 19 and 20: IDENTITY 19 (Beautifuldecay.com, 20
Page 21 and 22: IDENTITY Theorist, Singal, (2017) s
Page 23 and 24: IDENTITY Furthermore, media is also
Page 25 and 26: CHAPTER 1.3 PSYCHOLOGY IDENTITY 25
Page 27 and 28: IDENTITY Fashion Magazines: Publica
Page 29 and 30: CHAPTER 2.2 IDENTITY Brand MARKETIN
Page 31 and 32: IDENTITY 31 (I.pinimg.com, 2017)
Page 33 and 34: IDENTITY Glossy, high-end magazines
Page 35 and 36: IDENTITY 35 (Fucking Young!, 2017)
Page 37 and 38: IDENTITY “THE FIRST SKINHEADS WER
Page 39: IDENTITY CHAPTER 3.2 INFLUENCE OF M
Page 43 and 44: IDENTITY (PAUSE Online, 2017) 43 NO
Page 45 and 46: IDENTITY 45 Influences are everywhe
Page 47 and 48: IDENTITY (Static1.businessinsider.c
Page 49 and 50: IDENTITY (Whowhatwear.co.uk, 2017)
Page 51 and 52: IDENTITY Bloggers CHAPTER 4.3 'I fe
Page 53 and 54: IDENTITY “I try not to think abou
Page 55 and 56: IDENTITY 55 (Pinterest, 2017)
Page 57 and 58: IDENTITY RECOMMENDATIONS: Now that
Page 59 and 60: BIBLIOGRAPHY IDENTITY Stylebubble.c
Page 61 and 62: IMAGES IDENTITY Pinterest. (2017).

DISSERTATION

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