DISSERTATION
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CHAPTER 2.2<br />
IDENTITY<br />
Brand<br />
MARKETING<br />
Magazines are also used as a form of brand connectivity; this is where brands recognise<br />
the feelings of their consumers, addressing it through magazines. They do this by visually<br />
appealing to the audience; showcasing a range of products (clothing collections, beauty<br />
etc.) to expand their image, creating new emotion amongst the visual generation. Over<br />
time, markets have matured in understanding their consumer's preferences for content<br />
discovery and consumption. The Trickle-Down theory comes into play here with<br />
industry influences – fashion collections, designer goods, celebrity styles – making their<br />
way down to an audience from the high-end areas of the industry, down to the consumer<br />
environment. By this process, the audience is subjected to believing these objects are the<br />
necessities of the moment, whereas, in fact, this is manipulation existing within fashion<br />
media.<br />
Brands produce content that is worth publishing, into a story format for topics of<br />
importance. It is a medium for brands to tell more about themselves and for that<br />
reason, being featured in a publication such as magazines, offers a strategic method<br />
to solidify their relationship with the audience, all the while building brand equity -<br />
(Online Marketing Blog - TopRank®, 2017). Fashion alone has the capacity to influence<br />
its audience on their appearance, however by collaborating with major brands which<br />
concern more than just clothes (perfumes, watches, jewellery etc.) their influence has<br />
expanded to other materialistic objects. As these are the components for making up<br />
an individual, encouragement through the fashion magazine, therefore, impacts the<br />
development of a personal identity.<br />
29<br />
(Pinterest, 2017)